Chris Lippard
Biographic Data
| ID | 5824786 |
|---|---|
| NAME | Chris Lippard |
| GIVEN NAMES | Chris |
| FAMILY NAME | Lippard |
| SIGNATURE | LIPPARD C |
| AFFILIATIONS | University of Utah |
| ORCID | 0000-0002-6689-8138 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Introduction
Preview this article: Introduction: 'Interventions in film studies', Page 1 of 1 /docserver/preview/fulltext/jciaw/18/1/jciaw.18.1.3_Ginsberg-1.gif
The refusal of the migrant in Ala Eddine Slim’s The Last of Us
Chris Lippard’s analysis of displacement and refusal in the Tunisian film, The Last of Us ( Akher wahad fina ), rearticulates the cinematic quest for an aesthetic means by which to express the refusal of migrant positionality. Taking a rhetorically performative approach, he suggests both the possibilities and pitfalls inherent in different forms of displacement, including disappearance and disassembly, as a means of refuting postcolonial categori…
Historical Dictionary of Middle Eastern Cinema
To a substantial degree cinema has served to define the perceived character of the peoples and nations of the Middle East. This book covers the production and exhibition of the cinema of Morocco, Algeria, Tunisia, Egypt, Palestine, Jordan, Lebanon, Syria, Iraq, the United Arab Emirates, Saudi Arabi, Yemen, Kuwait, and Bahrain, as well as the non-Arab states of Turkey and Iran, and the Jewish state of Israel. This second edition of Historical Dict…
Cinema of the Arab World
Peripherality and Humor in the Iranian Art Film
This paper examines a range of post-revolutionary Iranian art films, mostly those watched primarily outside the country via festival screenings, in the context of the relationship between the tropes of peripherality and humor. It argues for the significance and complexity of both terms in the context of this cinema and of the global image of Iran and its peoples. Having examined a kind of humor based on the geographic periphery, specifically deri…
The body in decay
No prominent works on this page.
The body in decay
Peripherality and Humor in the Iranian Art Film
This paper examines a range of post-revolutionary Iranian art films, mostly those watched primarily outside the country via festival screenings, in the context of the relationship between the tropes of peripherality and humor. It argues for the significance and complexity of both terms in the context of this cinema and of the global image of Iran and its peoples. Having examined a kind of humor based on the geographic periphery, specifically deri…
Historical Dictionary of Middle Eastern Cinema
To a substantial degree cinema has served to define the perceived character of the peoples and nations of the Middle East. This book covers the production and exhibition of the cinema of Morocco, Algeria, Tunisia, Egypt, Palestine, Jordan, Lebanon, Syria, Iraq, the United Arab Emirates, Saudi Arabi, Yemen, Kuwait, and Bahrain, as well as the non-Arab states of Turkey and Iran, and the Jewish state of Israel. This second edition of Historical Dict…
Cinema of the Arab World
Introduction
Preview this article: Introduction: 'Interventions in film studies', Page 1 of 1 /docserver/preview/fulltext/jciaw/18/1/jciaw.18.1.3_Ginsberg-1.gif
The refusal of the migrant in Ala Eddine Slim’s The Last of Us
Chris Lippard’s analysis of displacement and refusal in the Tunisian film, The Last of Us ( Akher wahad fina ), rearticulates the cinematic quest for an aesthetic means by which to express the refusal of migrant positionality. Taking a rhetorically performative approach, he suggests both the possibilities and pitfalls inherent in different forms of displacement, including disappearance and disassembly, as a means of refuting postcolonial categori…
Art (4 works) · History (4 works) · Art history (3 works) · Jewish and Middle Eastern Studies (3 works) · Middle East Politics and Society (3 works) · Movie theater (3 works) · Political science (3 works) · Archaeology (2 works) · Cinema and Media Studies (2 works) · Sociology (2 works)