Mary Quinlan-McGrath
Biographic Data
| ID | 5826250 |
|---|---|
| NAME | Mary Quinlan-McGrath |
| GIVEN NAMES | Mary |
| FAMILY NAME | Quinlan-McGrath |
| SIGNATURE | QUINLAN-MCGRATH M |
| AFFILIATIONS | Northern Illinois University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 1 |
Influences
Quinlan-McGrath, Mary. Influences: Art, Optics, and Astrology in the Italian Renaissance. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 36, Number 3, Summer 2013, pp. 5-200), on Érudit
The Foundation Horoscope(s) for St. Peter's Basilica, Rome, 1506
St. Peter's Basilica is a familiar cultural landmark, begun under the patronage of Pope Julius II by the architect Donate Bramante and substantially completed by Michelangelo. Following a common Renaissance practice, a horoscope was produced for the foundation ceremony of the great structure. It suggests several features of Renaissance astrological practice in coordinating the heavens with the earth. This essay argues that the horoscope published…
Caprarola's Sala della Cosmografia
Il pontificato non vuol esser cercato, e chi lo cerca non lo trovaPaul III Farnese to Cardinal Alessandro FarneseThe Massive Palazzo Farnese at Caprarola looms over its plain, a mute witness to the former power of the family (fig. 1). The rocca was initiated by the first Cardinal Alessandro (Pope Paul III) and fully and magnificently developed by the second Cardinal Alessandro, his grandson. Inside, its decoration boasts of family deeds and silen…
Caprarola's Sala della Cosmografia
Il pontificato non vuol esser cercato, e chi lo cerca non lo trovaPaul III Farnese to Cardinal Alessandro FarneseThe Massive Palazzo Farnese at Caprarola looms over its plain, a mute witness to the former power of the family (fig. 1). The rocca was initiated by the first Cardinal Alessandro (Pope Paul III) and fully and magnificently developed by the second Cardinal Alessandro, his grandson. Inside, its decoration boasts of family deeds and silen…
Caprarola's Sala della Cosmografia
Il pontificato non vuol esser cercato, e chi lo cerca non lo trovaPaul III Farnese to Cardinal Alessandro FarneseThe Massive Palazzo Farnese at Caprarola looms over its plain, a mute witness to the former power of the family (fig. 1). The rocca was initiated by the first Cardinal Alessandro (Pope Paul III) and fully and magnificently developed by the second Cardinal Alessandro, his grandson. Inside, its decoration boasts of family deeds and silen…
The Foundation Horoscope(s) for St. Peter's Basilica, Rome, 1506
St. Peter's Basilica is a familiar cultural landmark, begun under the patronage of Pope Julius II by the architect Donate Bramante and substantially completed by Michelangelo. Following a common Renaissance practice, a horoscope was produced for the foundation ceremony of the great structure. It suggests several features of Renaissance astrological practice in coordinating the heavens with the earth. This essay argues that the horoscope published…
Influences
Quinlan-McGrath, Mary. Influences: Art, Optics, and Astrology in the Italian Renaissance. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 36, Number 3, Summer 2013, pp. 5-200), on Érudit
Art (3 works) · Art history (3 works) · Historical and Architectural Studies (3 works) · Classics (2 works) · Historical Astronomy and Related Studies (2 works) · Historical, Religious, and Philosophical Studies (2 works) · The Renaissance (2 works) · Admiration (1 works) · Ancient history (1 works) · Archaeology (1 works)