Joseph Tumolo
Biographic Data
| ID | 5828225 |
|---|---|
| NAME | Joseph Tumolo |
| GIVEN NAMES | Joseph |
| FAMILY NAME | Tumolo |
| SIGNATURE | TUMOLO J |
| AFFILIATIONS | University of California, Los Angeles |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Reflections on Photography and Race in Kym Ragusa's The Skin Between Us
Kym Ragusa's The Skin Between Us: A Memoir of Race, Beauty, and Belonging (2006) opens not with text but with an image.1 Even before the title page, there is a photograph of the author with her grandmothers, Italian American Gilda on the left and African American Miriam in the center. Descriptions of photographic images recur throughout the memoir, which, as Teresa Fiore (2017) has written, “could be read as a narrated family photo album” (59). G…
Intellettuali in fuga dall'Italia fascista. Migranti, esuli e rifugiati per motivi politici e razziali
Towards a Literary and Feminist Neo-Avant-Garde
Despite her active involvement in several of the Gruppo 63’s meetings and activities over the years, Carla Vasio (b. 1923) is rarely mentioned in critical discussions of the Italian neo-avant-garde, and very little attention has been devoted to her work. This is not an isolated oversight, but a part of a larger pattern of marginalizing women writers. Our reading of two of Vasio’s most interesting and innovative novels— L’orizzonte (1966) and La p…
Place, Setting, Perspective
As one of the few book-length studies of Moretti’s works in English, Eleanor Andrews’ Place, Setting, Perspective: Narrative Space in the Films of Nanni Moretti offers an instructive look at the ro
No prominent works on this page.
Place, Setting, Perspective
As one of the few book-length studies of Moretti’s works in English, Eleanor Andrews’ Place, Setting, Perspective: Narrative Space in the Films of Nanni Moretti offers an instructive look at the ro
Towards a Literary and Feminist Neo-Avant-Garde
Despite her active involvement in several of the Gruppo 63’s meetings and activities over the years, Carla Vasio (b. 1923) is rarely mentioned in critical discussions of the Italian neo-avant-garde, and very little attention has been devoted to her work. This is not an isolated oversight, but a part of a larger pattern of marginalizing women writers. Our reading of two of Vasio’s most interesting and innovative novels— L’orizzonte (1966) and La p…
Intellettuali in fuga dall'Italia fascista. Migranti, esuli e rifugiati per motivi politici e razziali
Reflections on Photography and Race in Kym Ragusa's The Skin Between Us
Kym Ragusa's The Skin Between Us: A Memoir of Race, Beauty, and Belonging (2006) opens not with text but with an image.1 Even before the title page, there is a photograph of the author with her grandmothers, Italian American Gilda on the left and African American Miriam in the center. Descriptions of photographic images recur throughout the memoir, which, as Teresa Fiore (2017) has written, “could be read as a narrated family photo album” (59). G…
Art (4 works) · Italian Fascism and Post-war Society (3 works) · Italian Literature and Culture (2 works) · Linguistics (2 works) · Literature (2 works) · Narrative (2 works) · Philosophy (2 works) · Visual arts (2 works) · Aesthetics (1 works) · African history and culture studies (1 works)