Eileen Gardiner
Biographic Data
| ID | 5829052 |
|---|---|
| NAME | Eileen Gardiner |
| GIVEN NAMES | Eileen |
| FAMILY NAME | Gardiner |
| SIGNATURE | GARDINER E |
| AFFILIATIONS | University of Bristol |
| ORCID | 0000-0003-4973-8527 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1991 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Otherworldly Color in the Vision of Tundale
In a rare opportunity to examine the colors recorded in medieval visions of heaven and hell, this paper will compare the original Latin of the Vision of Tundale against a French translation along with its illustrations in a deluxe illuminated manuscript (Getty Ms. 30). The aim is to identify how both the texts in question, rather than using a vocabulary of color, relied primarily on a vocabulary of light and dark and described both objects and ma…
Visions of Heaven and Hell
Medieval otherworld visions comprise a monastic genre: monks almost universally recur as either visionaries, vision scribes or both. With this in mind, the intention of this article is to interrogate the authorial and narrative intent of these monastic visions to determine whether the audience originally addressed and the concerns expressed could be located exclusively within the monastic enclosure. After examining 36 monastic visions dating from…
Visions of Heaven and Hell before Dante
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Visions of Heaven and Hell before Dante
Visions of Heaven and Hell
Medieval otherworld visions comprise a monastic genre: monks almost universally recur as either visionaries, vision scribes or both. With this in mind, the intention of this article is to interrogate the authorial and narrative intent of these monastic visions to determine whether the audience originally addressed and the concerns expressed could be located exclusively within the monastic enclosure. After examining 36 monastic visions dating from…
Otherworldly Color in the Vision of Tundale
In a rare opportunity to examine the colors recorded in medieval visions of heaven and hell, this paper will compare the original Latin of the Vision of Tundale against a French translation along with its illustrations in a deluxe illuminated manuscript (Getty Ms. 30). The aim is to identify how both the texts in question, rather than using a vocabulary of color, relied primarily on a vocabulary of light and dark and described both objects and ma…
Heaven (3 works) · Medieval Literature and History (3 works) · Vision (3 works) · Art (2 works) · Historical and Religious Studies of Rome (2 works) · Literature (2 works) · Philosophy (2 works) · Theology (2 works) · Aesthetics (1 works) · Art history (1 works)