Sam Rohdie

Biographic Data

ID5829206
NAMESam Rohdie
GIVEN NAMESSam
FAMILY NAMERohdie
SIGNATUREROHDIE S
AFFILIATIONSUniversity of Central Florida
VERIFIEDNo
TOTAL WORKS12
TOTAL CITATIONS3
WORKS AS AUTHOR12
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1969
LATEST PUBLICATION YEAR2010
H-INDEX1

  • Italian Neorealist Cinema

    Sam RohdieARTICLEJournal of Modern Italian Studies2010

    Christopher Wagstaff (2007) Italian Neorealist Cinema (Toronto: University of Toronto Press), 512 pp., ISBN 10: 0802095208, US$42.95, hard cover; ISBN 13: 9780802095206 soft cover Neorealist Cinema

  • Deux ou trois choses

    Open AccessSam RohdieARTICLECritical Quarterly2009

    Godard's exhibition at the Centre Pompidou in Paris, Voyage(s) en Utopie, Jean-Luc Godard, 1946–2006: À la recherche d'un théorème perdu, was in three rooms each consisting of a number of installations and a collection of objects at first sight seemingly set out higgledy-piggledy, as if each room were itself an installation. As with his Histoire(s) du cinéma, the materials were either cited (images, sounds, phrases), found (a bed, a broom, steps,…

  • Luchino Visconti's La Terra Trema

    Sam RohdieARTICLEJournal of Modern Italian Studies2008Cited by: 2

    English

  • Fellini Lexicon

    Sam RohdieBOOKFellini Lexicon2002

    Federico Fellini (1920-93) was one of the most inventive of film-makers and he remains one of the best loved. Director of a whole series of celebrated films - among them La Strada (1954) The Nights of Cabiria (1957), La Dolce Vita (1960), Otto e Mezzo (1963) and Amarcord (1973) - he created melancholy, magical worlds peopled by clowns, dreamers, conmen, trumpeters and werewolves. Fellini Lexicon explores the forms and substances, significances an…

  • The Passion of Pier Paolo Pasolini

    Donald Ward, David Ward et al.ARTICLEItalica1997

  • The Passion of Pier Paolo Pasolini

    Sam RohdieBOOKThe Passion of Pier Paolo Pasolini1995

    This is a personal account of Pier Paolo Pasolini’s cinema and literature, written by the author of ‘Antonioni’ and ‘Rocco and his Brothers’

  • Antonioni

    Patrick Rumble, Sam RohdieARTICLEItalica1992

  • National fiction

    Sam RohdieARTICLEContinuum1988

    Review: National Fictions: Literature, Film and the Construction of Australian Narrative, by Graeme Turner (Sydney: Allen & Unwin, 1986)

  • Capital and Realism in the Italian Cinema

    Sam RohdieARTICLEScreen1983

    Journal Article Capital and Realism in the Italian Cinema Get access Sam Rohdie Sam Rohdie Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 24, Issue 4-5, July-October 1983, Pages 37–47, https://doi.org/10.1093/screen/24.4-5.37 Published: 01 July 1983

  • A note on Italian Cinema during Fascism

    Sam RohdieARTICLEScreen1981Cited by: 1

    Journal Article A note on Italian Cinema during Fascism Get access Sam Rohdie Sam Rohdie Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 22, Issue 4, December 1981, Pages 87–90, https://doi.org/10.1093/screen/22.4.87 Published: 01 December 1981

  • Education and Criticism

    Sam RohdieARTICLEScreen1971

    Journal Article Education and Criticism: Notes on work to be done Get access Sam Rohdie Sam Rohdie Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 12, Issue 1, Spring 1971, Pages 9–14, https://doi.org/10.1093/screen/12.1.9 Published: 01 March 1971

  • Signs and Meaning in the Cinema

    Sam RohdieARTICLENew left review1969

    The existential value of the work of art, as a declaration about being, cannot be extracted from the adherent signals alone (its symbolism), nor from the self-signals alone (the medium). The self-signals taken alone prove only existence; adherent signals taken in isolation prove only the presence of meaning