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A Susan Owen

Biographic Data

ID5831886
NAMEA Susan Owen
GIVEN NAMESA Susan
FAMILY NAMEOwen
SIGNATUREOWEN A S
AFFILIATIONSUniversity of Puget Sound
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS14
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1993
LATEST PUBLICATION YEAR2016
H-INDEX3
  • Memory, culture, and difference

    Jolanta A Drzewiecka, Peter Ehrenhaus et al.•ARTICLE•Journal of International and…•2016•Cited by: 1•References: 5

  • Writing Bruce into Memory

    A Susan Owen•ARTICLE•Rhetoric and Public Affairs•2015•References: 1

    Research Article| September 01 2015 Writing Bruce into Memory A. Susan Owen A. Susan Owen A. Susan Owen is Professor of Communication Studies at the University of Puget Sound in Tacoma, Washington. Search for other works by this author on: This Site Google Rhetoric and Public Affairs (2015) 18 (3): 575–586. https://doi.org/10.14321/rhetpublaffa.18.3.0575 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review…

  • The Moore's Ford Lynching Reenactment

    A Susan Owen, Peter Ehrenhaus•ARTICLE•Text and Performance Quarterly•2013•Cited by: 4•References: 9

    This essay offers a close reading of the 2008 reenactment of the 1946 Moore's Ford Lynching of four African Americans in Walton County, Georgia. Throughout this fieldwork, we were ethnographically positioned as co-performative witnesses, both “a part of” and “apart from,” mirroring the tensions between the intellectual remove of much rhetorical scholarship and the embodied engagement and understanding of performance studies. A complex and sophist…

  • Race lynching and Christian Evangelicalism

    Peter Ehrenhaus, A Susan Owen•ARTICLE•Text and Performance Quarterly•2004•Cited by: 4•References: 3

    This essay locates the performance of ritual lynching within the white Christian Evangelical worldview that predominated among members of the white supremacist community responsible for lynching African‐Americans. The emergence of Christian Evangelicalism is connected to Anglo‐Celtic emigration in the eighteenth century to the backcountry of the American South and the Appalachians. Through a fusion of cultural folkways with faith centered on the …

  • "Disciplining "Sextext

    A Susan Owens, A Susan Owen•ARTICLE•Journal of Homosexuality•2003•Cited by: 3•References: 19

    This essay is a critical interrogation of disciplinary responses to Tom Nakayama and Fred Corey's 1997 Text and Performance Quarterly essay, "Sextext." Disciplinary responses to the essay suggest strong resistance to queer theory as a "legitimate" intellectual and critical framework. By reading the responses to "Sextext" through the lens of queer theory, and by offering a political reading of conventional studies of sexual representation, this es…

  • Vampires, Postmodernity, and Postfeminism

    A Susan Owen•ARTICLE•Journal of Popular Film and…•1999•Cited by: 2•References: 3

    In this article, I explore the popular series Buffy the Vampire Slayer through the intersections of post-feminism, postmodernity, and the vampire metanarrative. In particular, I discuss the manner in which this television narrative appropriates body rhetorics and narrative agency from traditionally masculinist metanarratives in the horror and mystery genres. Moreover, I examine how the fictional characters negotiate the politics of feminism and p…

  • Parallels

    Terry H Anderson, Terry Anderson et al.•ARTICLE•Journal of American History•1993

    Journal Article Parallels: The Soldiers' Knowledge and the Oral History of Contemporary Warfare. By J. T. Hansen, A. Susan Owen, and Michael Patrick Madden. (New York: Aldine de Gruyter, 1992. xii + 250 pp. Cloth, $39.95, ISBN 0-202-30391-8. Paper, $19.95, ISBN 0-202-30392-6.) Get access Terry Anderson Terry Anderson Texas A&M University Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 7…

  • The Moore's Ford Lynching Reenactment

    A Susan Owen, Peter Ehrenhaus•ARTICLE•Text and Performance Quarterly•2013•Cited by: 4•References: 9

    This essay offers a close reading of the 2008 reenactment of the 1946 Moore's Ford Lynching of four African Americans in Walton County, Georgia. Throughout this fieldwork, we were ethnographically positioned as co-performative witnesses, both “a part of” and “apart from,” mirroring the tensions between the intellectual remove of much rhetorical scholarship and the embodied engagement and understanding of performance studies. A complex and sophist…

  • Race lynching and Christian Evangelicalism

    Peter Ehrenhaus, A Susan Owen•ARTICLE•Text and Performance Quarterly•2004•Cited by: 4•References: 3

    This essay locates the performance of ritual lynching within the white Christian Evangelical worldview that predominated among members of the white supremacist community responsible for lynching African‐Americans. The emergence of Christian Evangelicalism is connected to Anglo‐Celtic emigration in the eighteenth century to the backcountry of the American South and the Appalachians. Through a fusion of cultural folkways with faith centered on the …

  • "Disciplining "Sextext

    A Susan Owens, A Susan Owen•ARTICLE•Journal of Homosexuality•2003•Cited by: 3•References: 19

    This essay is a critical interrogation of disciplinary responses to Tom Nakayama and Fred Corey's 1997 Text and Performance Quarterly essay, "Sextext." Disciplinary responses to the essay suggest strong resistance to queer theory as a "legitimate" intellectual and critical framework. By reading the responses to "Sextext" through the lens of queer theory, and by offering a political reading of conventional studies of sexual representation, this es…

  • Vampires, Postmodernity, and Postfeminism

    A Susan Owen•ARTICLE•Journal of Popular Film and…•1999•Cited by: 2•References: 3

    In this article, I explore the popular series Buffy the Vampire Slayer through the intersections of post-feminism, postmodernity, and the vampire metanarrative. In particular, I discuss the manner in which this television narrative appropriates body rhetorics and narrative agency from traditionally masculinist metanarratives in the horror and mystery genres. Moreover, I examine how the fictional characters negotiate the politics of feminism and p…

  • Memory, culture, and difference

    Jolanta A Drzewiecka, Peter Ehrenhaus et al.•ARTICLE•Journal of International and…•2016•Cited by: 1•References: 5

  • Parallels

    Terry H Anderson, Terry Anderson et al.•ARTICLE•Journal of American History•1993

    Journal Article Parallels: The Soldiers' Knowledge and the Oral History of Contemporary Warfare. By J. T. Hansen, A. Susan Owen, and Michael Patrick Madden. (New York: Aldine de Gruyter, 1992. xii + 250 pp. Cloth, $39.95, ISBN 0-202-30391-8. Paper, $19.95, ISBN 0-202-30392-6.) Get access Terry Anderson Terry Anderson Texas A&M University Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 7…

  • Vampires, Postmodernity, and Postfeminism

    A Susan Owen•ARTICLE•Journal of Popular Film and…•1999•Cited by: 2•References: 3

    In this article, I explore the popular series Buffy the Vampire Slayer through the intersections of post-feminism, postmodernity, and the vampire metanarrative. In particular, I discuss the manner in which this television narrative appropriates body rhetorics and narrative agency from traditionally masculinist metanarratives in the horror and mystery genres. Moreover, I examine how the fictional characters negotiate the politics of feminism and p…

  • "Disciplining "Sextext

    A Susan Owens, A Susan Owen•ARTICLE•Journal of Homosexuality•2003•Cited by: 3•References: 19

    This essay is a critical interrogation of disciplinary responses to Tom Nakayama and Fred Corey's 1997 Text and Performance Quarterly essay, "Sextext." Disciplinary responses to the essay suggest strong resistance to queer theory as a "legitimate" intellectual and critical framework. By reading the responses to "Sextext" through the lens of queer theory, and by offering a political reading of conventional studies of sexual representation, this es…

  • Race lynching and Christian Evangelicalism

    Peter Ehrenhaus, A Susan Owen•ARTICLE•Text and Performance Quarterly•2004•Cited by: 4•References: 3

    This essay locates the performance of ritual lynching within the white Christian Evangelical worldview that predominated among members of the white supremacist community responsible for lynching African‐Americans. The emergence of Christian Evangelicalism is connected to Anglo‐Celtic emigration in the eighteenth century to the backcountry of the American South and the Appalachians. Through a fusion of cultural folkways with faith centered on the …

  • The Moore's Ford Lynching Reenactment

    A Susan Owen, Peter Ehrenhaus•ARTICLE•Text and Performance Quarterly•2013•Cited by: 4•References: 9

    This essay offers a close reading of the 2008 reenactment of the 1946 Moore's Ford Lynching of four African Americans in Walton County, Georgia. Throughout this fieldwork, we were ethnographically positioned as co-performative witnesses, both “a part of” and “apart from,” mirroring the tensions between the intellectual remove of much rhetorical scholarship and the embodied engagement and understanding of performance studies. A complex and sophist…

  • Writing Bruce into Memory

    A Susan Owen•ARTICLE•Rhetoric and Public Affairs•2015•References: 1

    Research Article| September 01 2015 Writing Bruce into Memory A. Susan Owen A. Susan Owen A. Susan Owen is Professor of Communication Studies at the University of Puget Sound in Tacoma, Washington. Search for other works by this author on: This Site Google Rhetoric and Public Affairs (2015) 18 (3): 575–586. https://doi.org/10.14321/rhetpublaffa.18.3.0575 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review…

  • Memory, culture, and difference

    Jolanta A Drzewiecka, Peter Ehrenhaus et al.•ARTICLE•Journal of International and…•2016•Cited by: 1•References: 5

Sociology (6 works) · Philosophy (4 works) · Philosophy (4 works) · Rhetoric and Communication Studies (4 works) · Aesthetics (3 works) · Anthropology (3 works) · Art (3 works) · Epistemology (3 works) · Gender Studies (3 works) · Gender Studies (3 works)

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