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Aparna Kumar

Biographic Data

ID5840206
NAMEAparna Kumar
GIVEN NAMESAparna
FAMILY NAMEKumar
SIGNATUREKUMAR A
AFFILIATIONSThomas Jefferson University
ORCID0000-0002-2828-7010
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS0
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Notes on a Fragment

    Open Access•Aparna Kumar•ARTICLE•Art History•2024

    This essay provides a new reading of Zarina’s iconic woodcut print Dividing Line (2001), with an eye to unravelling the work’s relationship to the 1947 partition of the Indian subcontinent and the wider landscape of partition history. By considering Zarina’s use of paper, map and gouge, this reading argues that Dividing Line embodies a method and ethics of writing decolonial histories of partition, with important implications for how to understan…

  • Infrastructure, Nation, and Excess

    Open Access•Aparna Kumar•ARTICLE•Art History•2023

    Karin Zitzewitz's new book Infrastructure and Form starts with a poignant time-jump. It begins in 2009, when the Bangalore-based artist Sheela Gowda debuted her large-scale installation, Behold (plate 1), at the Venice Biennale. Behold, a sensorial ode to the everyday, used ropes braided from human hair to suspend chrome car bumpers precariously in the air. The visceral and unexpected contrasts of the work's materiality transformed a vernacular, …

  • Breastfeeding Awareness and Empowerment (BAE)

    Open Access•Rebecca Duncan, Jabina Coleman et al.•ARTICLE•Societies•2022•References: 1

    BAE Cafe is a replicable, scalable, peer-driven and low-barrier intervention that has the potential to improve outcomes for Black families. Additional research and investment are now needed to assess large-scale implementation to reduce disparities and address health inequity across different contexts and settings

  • Qureshi, (Muhammad) Imran

    Aparna Kumar•CHAPTER•2015

  • Exhibitions

    Open Access•Aparna Kumar, Mary Bouquet et al.•ARTICLE•Museum Worlds•2015

    EXHIBITION REVIEW ESSAYS Unsettling the National in South Asia: My East is Your West, Venice Biennale, and After Midnight, Queens Museum, New York Nonstop Modernity: Renovating the Rijksmuseum A Storehouse of Unimagined Treasures: York Art Gallery and the Centre of Ceramic Art, York St Mary’s EXHIBITION REVIEWS The Museum of Old and New Art, Hobart Indigenous Australia: Enduring Civilisation, British Museum, London Photography: A Victorian Sensat…

No prominent works on this page.

  • Qureshi, (Muhammad) Imran

    Aparna Kumar•CHAPTER•2015

  • Exhibitions

    Open Access•Aparna Kumar, Mary Bouquet et al.•ARTICLE•Museum Worlds•2015

    EXHIBITION REVIEW ESSAYS Unsettling the National in South Asia: My East is Your West, Venice Biennale, and After Midnight, Queens Museum, New York Nonstop Modernity: Renovating the Rijksmuseum A Storehouse of Unimagined Treasures: York Art Gallery and the Centre of Ceramic Art, York St Mary’s EXHIBITION REVIEWS The Museum of Old and New Art, Hobart Indigenous Australia: Enduring Civilisation, British Museum, London Photography: A Victorian Sensat…

  • Breastfeeding Awareness and Empowerment (BAE)

    Open Access•Rebecca Duncan, Jabina Coleman et al.•ARTICLE•Societies•2022•References: 1

    BAE Cafe is a replicable, scalable, peer-driven and low-barrier intervention that has the potential to improve outcomes for Black families. Additional research and investment are now needed to assess large-scale implementation to reduce disparities and address health inequity across different contexts and settings

  • Infrastructure, Nation, and Excess

    Open Access•Aparna Kumar•ARTICLE•Art History•2023

    Karin Zitzewitz's new book Infrastructure and Form starts with a poignant time-jump. It begins in 2009, when the Bangalore-based artist Sheela Gowda debuted her large-scale installation, Behold (plate 1), at the Venice Biennale. Behold, a sensorial ode to the everyday, used ropes braided from human hair to suspend chrome car bumpers precariously in the air. The visceral and unexpected contrasts of the work's materiality transformed a vernacular, …

  • Notes on a Fragment

    Open Access•Aparna Kumar•ARTICLE•Art History•2024

    This essay provides a new reading of Zarina’s iconic woodcut print Dividing Line (2001), with an eye to unravelling the work’s relationship to the 1947 partition of the Indian subcontinent and the wider landscape of partition history. By considering Zarina’s use of paper, map and gouge, this reading argues that Dividing Line embodies a method and ethics of writing decolonial histories of partition, with important implications for how to understan…

History (3 works) · Art (2 works) · Art history (2 works) · Political science (2 works) · Breastfeeding (1 work) · Breastfeeding Practices and Influences (1 work) · Chemistry (1 work) · Citation (1 work) · Close reading (1 work) · Computer Science (1 work)

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