Bonnie Tilland
Biographic Data
| ID | 5840844 |
|---|---|
| NAME | Bonnie Tilland |
| GIVEN NAMES | Bonnie |
| FAMILY NAME | Tilland |
| SIGNATURE | TILLAND B |
| AFFILIATIONS | Leiden University |
| ORCID | 0000-0002-3133-2812 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Spaces of Creative Resistance
Of fleas and Parasite
This article argues that amidst the hype of Parasite fever, it is instructive to revisit Barking Dogs Never Bite (2000) in order to better understand the director's aesthetic and signatures. Not only does Parasite (2019) echo Bong's debut feature in narrative structure and visual style but both films depict the friction between power and the powerless through spatial metaphors. By offering a closer look at Barking Dogs Never Bite from an interdis…
Save Your K-Drama for Your Mama
Family Is Beautiful
In this article I examine ways of narrating social issues affecting families and perceptions in changes to lived family structure. I argue that the drastic decrease in the number of married couples living with parents-in-law has not seemed to mitigate the historically fraught relationship between daughter-in-law and mother-in-law, which remains an emotional touch point. This can be seen in the circulation of public discourses about this relations…
No prominent works on this page.
Family Is Beautiful
In this article I examine ways of narrating social issues affecting families and perceptions in changes to lived family structure. I argue that the drastic decrease in the number of married couples living with parents-in-law has not seemed to mitigate the historically fraught relationship between daughter-in-law and mother-in-law, which remains an emotional touch point. This can be seen in the circulation of public discourses about this relations…
Save Your K-Drama for Your Mama
Of fleas and Parasite
This article argues that amidst the hype of Parasite fever, it is instructive to revisit Barking Dogs Never Bite (2000) in order to better understand the director's aesthetic and signatures. Not only does Parasite (2019) echo Bong's debut feature in narrative structure and visual style but both films depict the friction between power and the powerless through spatial metaphors. By offering a closer look at Barking Dogs Never Bite from an interdis…
Spaces of Creative Resistance
Asian Culture and Media Studies (3 works) · Art (2 works) · Daughter (2 works) · Drama (2 works) · Gender Studies (2 works) · Japanese History and Culture (2 works) · Law (2 works) · Literature (2 works) · Political science (2 works) · Sociology (2 works)