Kathleen Ryor
Biographic Data
| ID | 5840892 |
|---|---|
| NAME | Kathleen Ryor |
| GIVEN NAMES | Kathleen |
| FAMILY NAME | Ryor |
| SIGNATURE | RYOR K |
| AFFILIATIONS | International Understanding and Art History, Carleton College, Northfield, Minnesota, USA |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Julia Murray Interviewed by Kathleen Ryor
Disclosure StatementNo potential conflict of interest was reported by the authors.Notes1 "Representations of Hāritī, the Mother of Demons, and the Theme of 'Raising the Alms-bowl' in Chinese Painting," Artibus Asiae 43 (1981/82): 253–84. https://doi.org/10.2307/3249844.2 "Sung Kao-tsung, Ma Ho-chih, and the Mao Shih Scrolls" (1981), later expanded into a book, Ma Hezhi and the Illustration of the Book of Odes (Cambridge: Cambridge University Pres…
He Liangjun 何良俊 (1506–1573), On Painting
In The Collected Sayings from the Four Friends Studio, the sixteenth-century author He Liangjun's two chapters on painting provides a detailed picture of how literati critics continued to construct artistic lineages and shape hierarchies of criteria for evaluating painting prior to Dong Qichang (1555–1636). Although this text has been widely quoted by art historians, its use has been highly selective, obscuring the larger textual context for He…
No prominent works on this page.
Julia Murray Interviewed by Kathleen Ryor
Disclosure StatementNo potential conflict of interest was reported by the authors.Notes1 "Representations of Hāritī, the Mother of Demons, and the Theme of 'Raising the Alms-bowl' in Chinese Painting," Artibus Asiae 43 (1981/82): 253–84. https://doi.org/10.2307/3249844.2 "Sung Kao-tsung, Ma Ho-chih, and the Mao Shih Scrolls" (1981), later expanded into a book, Ma Hezhi and the Illustration of the Book of Odes (Cambridge: Cambridge University Pres…
He Liangjun 何良俊 (1506–1573), On Painting
In The Collected Sayings from the Four Friends Studio, the sixteenth-century author He Liangjun's two chapters on painting provides a detailed picture of how literati critics continued to construct artistic lineages and shape hierarchies of criteria for evaluating painting prior to Dong Qichang (1555–1636). Although this text has been widely quoted by art historians, its use has been highly selective, obscuring the larger textual context for He…
Art (2 works) · Chinese history and philosophy (2 works) · Context (archaeology (2 works) · History (2 works) · History (2 works) · Literature (2 works) · Painting (2 works) · Art history (1 work) · Artificial Intelligence (1 work) · Artificial Intelligence (1 work)