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Monica Bethe

Biographic Data

ID5841287
NAMEMonica Bethe
GIVEN NAMESMonica
FAMILY NAMEBethe
SIGNATUREBETHE M
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS3
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR1979
LATEST PUBLICATION YEAR2016
H-INDEX1
  • A History of Japanese Theatre

    James R Brandon, Rachel Payne et al.•BOOK•History of Japanese Theatre•2016

    Japan boasts one of the world's oldest, most vibrant and most influential performance traditions. This accessible and complete history provides a comprehensive overview of Japanese theatre and its continuing global influence. Written by eminent international scholars, it spans the full range of dance-theatre genres over the past fifteen hundred years, including noh theatre, bunraku puppet theatre, kabuki theatre, shingeki modern theatre, rakugo s…

  • Japan: Masks

    Monica Bethe•CHAPTER•2003

  • Japan: Theater and performing arts

    Monica Bethe, Nobuo Ito et al.•CHAPTER•2003

  • Japan: Textiles and dress

    Monica Bethe•CHAPTER•2003

  • Theatricalities of Power: The Cultural Politics of Noh

    Monica Bethe, Steven T Brown•ARTICLE•Harvard Journal of Asiatic Studies•2003

    Through an extended reading of noh play Aoi ne Ue, as well as briefer examinations of several other plays, Theatricalities of Power sheds new light on circulation of power and desire in middle and late medieval periods in Japan. The author argues that, rather than simply mirroring sociopolitical contexts in which they were performed, these plays constituted an active, productive force in theater of medieval cultural imaginary by engaging specific…

  • Dance in the Nō Theatre

    Mark J Nearman, Monica Bethe et al.•ARTICLE•Asian Theatre Journal•1987

  • Kosode: 16Th-19th Century Textiles from the Nomura Collection

    Marie Lyman, Amanda Mayer Stinchecum et al.•ARTICLE•Monumenta Nipponica•1985

  • Dance in the No Theater. Volume One, `Dance Analysis

    Scott Johnson, Monica Bethe et al.•ARTICLE•Monumenta Nipponica•1984

  • The Noh Theater: Principles and Perspectives

    Monica Bethe, Kunio Komparu•ARTICLE•Monumenta Nipponica•1984•Cited by: 3

  • No as Performance: An Analysis of The Kuse Scene of Yamamba

    Jay Rubin, Monica Bethe et al.•ARTICLE•Harvard Journal of Asiatic Studies•1979

  • Bugaku Masks

    Gunhild Gabbert, Kyōtarō Nishikawa et al.•ARTICLE•Monumenta Nipponica•1979

  • The Noh Theater: Principles and Perspectives

    Monica Bethe, Kunio Komparu•ARTICLE•Monumenta Nipponica•1984•Cited by: 3

  • No as Performance: An Analysis of The Kuse Scene of Yamamba

    Jay Rubin, Monica Bethe et al.•ARTICLE•Harvard Journal of Asiatic Studies•1979

  • Bugaku Masks

    Gunhild Gabbert, Kyōtarō Nishikawa et al.•ARTICLE•Monumenta Nipponica•1979

  • Dance in the No Theater. Volume One, `Dance Analysis

    Scott Johnson, Monica Bethe et al.•ARTICLE•Monumenta Nipponica•1984

  • The Noh Theater: Principles and Perspectives

    Monica Bethe, Kunio Komparu•ARTICLE•Monumenta Nipponica•1984•Cited by: 3

  • Kosode: 16Th-19th Century Textiles from the Nomura Collection

    Marie Lyman, Amanda Mayer Stinchecum et al.•ARTICLE•Monumenta Nipponica•1985

  • Dance in the Nō Theatre

    Mark J Nearman, Monica Bethe et al.•ARTICLE•Asian Theatre Journal•1987

  • Japan: Masks

    Monica Bethe•CHAPTER•2003

  • Japan: Theater and performing arts

    Monica Bethe, Nobuo Ito et al.•CHAPTER•2003

  • Japan: Textiles and dress

    Monica Bethe•CHAPTER•2003

  • Theatricalities of Power: The Cultural Politics of Noh

    Monica Bethe, Steven T Brown•ARTICLE•Harvard Journal of Asiatic Studies•2003

    Through an extended reading of noh play Aoi ne Ue, as well as briefer examinations of several other plays, Theatricalities of Power sheds new light on circulation of power and desire in middle and late medieval periods in Japan. The author argues that, rather than simply mirroring sociopolitical contexts in which they were performed, these plays constituted an active, productive force in theater of medieval cultural imaginary by engaging specific…

  • A History of Japanese Theatre

    James R Brandon, Rachel Payne et al.•BOOK•History of Japanese Theatre•2016

    Japan boasts one of the world's oldest, most vibrant and most influential performance traditions. This accessible and complete history provides a comprehensive overview of Japanese theatre and its continuing global influence. Written by eminent international scholars, it spans the full range of dance-theatre genres over the past fifteen hundred years, including noh theatre, bunraku puppet theatre, kabuki theatre, shingeki modern theatre, rakugo s…

Art (8 works) · Japanese History and Culture (6 works) · History (5 works) · Visual arts (5 works) · Asian Culture and Media Studies (3 works) · Computer Science (3 works) · History (3 works) · Theatre and Performance Studies (3 works) · Dance (2 works) · Diversity and Impact of Dance (2 works)

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