Kristin Bluemel
Biographic Data
| ID | 5841968 |
|---|---|
| NAME | Kristin Bluemel |
| GIVEN NAMES | Kristin |
| FAMILY NAME | Bluemel |
| SIGNATURE | BLUEMEL K |
| AFFILIATIONS | Monmouth University |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Risk in Children’s Adventure Literature by Elly McCausland
Beatrix Potter in Cumbria: Pastoral Pleasures, Classic Commodities, Rural Modernity
This article claims Beatrix Potter, author of the children’s classic The Tale of Peter Rabbit (1902), is a woman writer of and for rural modernity whose complex relations to rural and urban places, national and regional identities, fine and commercial arts, raise important questions about the gendering of green places, landscapes, and geographies in constructions of canonical modernism and children’s literature. Analysing research by biographers,…
Guest Editor's Introduction
Spades and Gravers: Clare Leighton, Victor Gollancz and the Radical Countryside
Socialist artist, wood engraver, and writer Clare Leighton transformed the interwar wood engraving revival from a niche movement within fine book publishing into an everyday art for the people when in 1935 she brought out with leftist publisher Victor Gollancz her authored and illustrated Four Hedges: A Gardener's Chronicle. Read alongside Country Matters (1937), a second illustrated countryside book that Gollancz commissioned from Leighton, Four…
Rural Modernity in Britain: A Critical Intervention
Rural Modernity, Everyday Life and Visual Culture, Rosemary Shirley
Rural Modernity and the Wood Engraving Revival in Interwar England
‘Rural Modernity and the Wood Engraving Revival in Interwar England’ brings analysis of a specific kind of visual-verbal text, wood-engraved books about the English countryside, and the means of these texts' production, to bear upon debates over rural modernity -what is it, where is it, who owns it-in order to more thoroughly engage literary and arts scholars in debates over the meaning of modernity for rural England and rural England for moderni…
Intermodernism: Literary Culture in Mid-twentieth-century Britain
George Orwell and the Radical Eccentrics: Intermodernism in Literary London
George Orwell and the Radical Eccentrics celebrates the lives, literature, and politics of a group of four 'radical eccentrics' - the Tory anarchist poet Stevie Smith, the Marxist Indian nationalist M
No prominent works on this page.
George Orwell and the Radical Eccentrics: Intermodernism in Literary London
George Orwell and the Radical Eccentrics celebrates the lives, literature, and politics of a group of four 'radical eccentrics' - the Tory anarchist poet Stevie Smith, the Marxist Indian nationalist M
Intermodernism: Literary Culture in Mid-twentieth-century Britain
Rural Modernity and the Wood Engraving Revival in Interwar England
‘Rural Modernity and the Wood Engraving Revival in Interwar England’ brings analysis of a specific kind of visual-verbal text, wood-engraved books about the English countryside, and the means of these texts' production, to bear upon debates over rural modernity -what is it, where is it, who owns it-in order to more thoroughly engage literary and arts scholars in debates over the meaning of modernity for rural England and rural England for moderni…
Rural Modernity, Everyday Life and Visual Culture, Rosemary Shirley
Rural Modernity in Britain: A Critical Intervention
Beatrix Potter in Cumbria: Pastoral Pleasures, Classic Commodities, Rural Modernity
This article claims Beatrix Potter, author of the children’s classic The Tale of Peter Rabbit (1902), is a woman writer of and for rural modernity whose complex relations to rural and urban places, national and regional identities, fine and commercial arts, raise important questions about the gendering of green places, landscapes, and geographies in constructions of canonical modernism and children’s literature. Analysing research by biographers,…
Guest Editor's Introduction
Spades and Gravers: Clare Leighton, Victor Gollancz and the Radical Countryside
Socialist artist, wood engraver, and writer Clare Leighton transformed the interwar wood engraving revival from a niche movement within fine book publishing into an everyday art for the people when in 1935 she brought out with leftist publisher Victor Gollancz her authored and illustrated Four Hedges: A Gardener's Chronicle. Read alongside Country Matters (1937), a second illustrated countryside book that Gollancz commissioned from Leighton, Four…
Risk in Children’s Adventure Literature by Elly McCausland
Art (5 works) · Modernity (4 works) · Sociology (4 works) · 20th century (3 works) · Art history (3 works) · English literature (3 works) · Geography (3 works) · History (3 works) · History and criticism (3 works) · Law (3 works)