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Lanya Lamouria

Biographic Data

ID5842217
NAMELanya Lamouria
GIVEN NAMESLanya
FAMILY NAMELamouria
SIGNATURELAMOURIA L
AFFILIATIONSMissouri State University
ORCID0000-0002-0353-701X
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS2
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2025
H-INDEX1
  • A Post-Emancipation Fiction of Black Imperial Masculinity

    Lanya Lamouria•ARTICLE•Slavery and Abolition•2025

  • Democracy, Terror, and Utopia in Dickens's A Tale of Two Cities

    Open Access•Lanya Lamouria•ARTICLE•Victorian Literature and Culture•2022•References: 5

    This essay reads Charles Dickens's A Tale of Two Cities (1859) as a previously unrecognized contribution to Victorian discourses around democracy. Approaching the novel through the parliamentary reform debate of the late 1850s and through Dickens's earlier writings about American democracy, I argue that this historical narrative of the French Revolution elaborates Victorian liberals’ fears that democracy will, on one hand, devalue individuality a…

  • Villette , Female Political Agency, and the French Revolution of 1848

    Open Access•Lanya Lamouria•ARTICLE•Journal of Victorian Culture•2021•Cited by: 1

    This essay reads Charlotte Brontë’s Villette (1853) as a response to questions about women’s public agency that were raised by the French Revolution of 1848, in which women played prominent roles. The actress Rachel, the inspiration for Villette’s Vashti, became the most notorious female activist of the Revolution when she performed La Marseillaise in support France’s Second Republic. As I demonstrate, Brontë engages directly with Victorian journ…

  • Financial Revolution

    Open Access•Lanya Lamouria•ARTICLE•Victorian Literature and Culture•2015•Cited by: 1•References: 6

    Punch 's Mr. Dunup is indeed in an awful position. Having fled to France to escape his English creditors, he finds himself in the midst of the French Revolution of 1848. The question that he must answer – what is worse, revolution in France or bankruptcy in England? – is one that preoccupied Victorians at midcentury, when a wave of European revolutions coincided with the domestic financial crisis of 1845–48. In classic accounts of nineteenth-cent…

  • Villette , Female Political Agency, and the French Revolution of 1848

    Open Access•Lanya Lamouria•ARTICLE•Journal of Victorian Culture•2021•Cited by: 1

    This essay reads Charlotte Brontë’s Villette (1853) as a response to questions about women’s public agency that were raised by the French Revolution of 1848, in which women played prominent roles. The actress Rachel, the inspiration for Villette’s Vashti, became the most notorious female activist of the Revolution when she performed La Marseillaise in support France’s Second Republic. As I demonstrate, Brontë engages directly with Victorian journ…

  • Financial Revolution

    Open Access•Lanya Lamouria•ARTICLE•Victorian Literature and Culture•2015•Cited by: 1•References: 6

    Punch 's Mr. Dunup is indeed in an awful position. Having fled to France to escape his English creditors, he finds himself in the midst of the French Revolution of 1848. The question that he must answer – what is worse, revolution in France or bankruptcy in England? – is one that preoccupied Victorians at midcentury, when a wave of European revolutions coincided with the domestic financial crisis of 1845–48. In classic accounts of nineteenth-cent…

  • Financial Revolution

    Open Access•Lanya Lamouria•ARTICLE•Victorian Literature and Culture•2015•Cited by: 1•References: 6

    Punch 's Mr. Dunup is indeed in an awful position. Having fled to France to escape his English creditors, he finds himself in the midst of the French Revolution of 1848. The question that he must answer – what is worse, revolution in France or bankruptcy in England? – is one that preoccupied Victorians at midcentury, when a wave of European revolutions coincided with the domestic financial crisis of 1845–48. In classic accounts of nineteenth-cent…

  • Villette , Female Political Agency, and the French Revolution of 1848

    Open Access•Lanya Lamouria•ARTICLE•Journal of Victorian Culture•2021•Cited by: 1

    This essay reads Charlotte Brontë’s Villette (1853) as a response to questions about women’s public agency that were raised by the French Revolution of 1848, in which women played prominent roles. The actress Rachel, the inspiration for Villette’s Vashti, became the most notorious female activist of the Revolution when she performed La Marseillaise in support France’s Second Republic. As I demonstrate, Brontë engages directly with Victorian journ…

  • Democracy, Terror, and Utopia in Dickens's A Tale of Two Cities

    Open Access•Lanya Lamouria•ARTICLE•Victorian Literature and Culture•2022•References: 5

    This essay reads Charles Dickens's A Tale of Two Cities (1859) as a previously unrecognized contribution to Victorian discourses around democracy. Approaching the novel through the parliamentary reform debate of the late 1850s and through Dickens's earlier writings about American democracy, I argue that this historical narrative of the French Revolution elaborates Victorian liberals’ fears that democracy will, on one hand, devalue individuality a…

  • A Post-Emancipation Fiction of Black Imperial Masculinity

    Lanya Lamouria•ARTICLE•Slavery and Abolition•2025

History (4 works) · Law (4 works) · Political science (4 works) · Politics (4 works) · Sociology (4 works) · Art (3 works) · History (3 works) · Law (3 works) · Aesthetics (2 works) · Gender Studies (2 works)

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