Shawna Ross
Biographic Data
| ID | 5842448 |
|---|---|
| NAME | Shawna Ross |
| GIVEN NAMES | Shawna |
| FAMILY NAME | Ross |
| SIGNATURE | ROSS S |
| AFFILIATIONS | Texas A&M University |
| ORCID | 0000-0002-5485-7822 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 2 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
It’s Time to Historicize DH
This review of Claire Warwick’s Digital Humanities and the Cyberspace Decade, 1990-2001: A World Elsewhere (2024) praises the monograph’s unique value to the digital humanities as a comprehensive reconstruction of 1990s attitudes and practices regarding cyberspace. Warwick’s justification for her hybrid methodology, which combines history, analysis, thick description, and autoethnography, is discussed, as well as its basic premise that the 1990s …
Sightseeing the Anthropocene
Arthur Conan Doyle’s The Hound of the Baskervilles is profoundly shaped by tourist practices that uncover or occlude histories of human-caused environmental degradation. Its genesis, plot, receptio
Humans at Work in the Digital Age
Reading Modernism with Machines
This book uses the discipline-specific, computational methods of the digital humanities to explore a constellation of rigorous case studies of modernist literature. From data mining and visualization
No prominent works on this page.
Reading Modernism with Machines
This book uses the discipline-specific, computational methods of the digital humanities to explore a constellation of rigorous case studies of modernist literature. From data mining and visualization
Humans at Work in the Digital Age
Sightseeing the Anthropocene
Arthur Conan Doyle’s The Hound of the Baskervilles is profoundly shaped by tourist practices that uncover or occlude histories of human-caused environmental degradation. Its genesis, plot, receptio
It’s Time to Historicize DH
This review of Claire Warwick’s Digital Humanities and the Cyberspace Decade, 1990-2001: A World Elsewhere (2024) praises the monograph’s unique value to the digital humanities as a comprehensive reconstruction of 1990s attitudes and practices regarding cyberspace. Warwick’s justification for her hybrid methodology, which combines history, analysis, thick description, and autoethnography, is discussed, as well as its basic premise that the 1990s …
Computer Science (2 works) · Digital humanities (2 works) · Digital Humanities and Scholarship (2 works) · Philosophy (2 works) · Adventure Sports and Sensation Seeking (1 work) · Anthropocene (1 work) · Archaeology (1 work) · Art (1 work) · Art history (1 work) · Artificial Intelligence (1 work)