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Lynneth Miller Renberg

Biographic Data

ID5842497
NAMELynneth Miller Renberg
GIVEN NAMESLynneth Miller
FAMILY NAMERenberg
SIGNATURERENBERG L M
AFFILIATIONSAnderson University - South Carolina
ORCID0000-0002-2199-0547
VERIFIEDYes
TOTAL WORKS11
TOTAL CITATIONS1
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Saint Olav’s Axe: Norwegian Church Treasures, Diplomacy and Exile During the Early Reformation

    Lynneth Miller Renberg•ARTICLE•Sixteenth Century Journal•2026

  • Synods of the Churches of and After the Reformation: The Dawn of the Reformation (16th–17th Centuries)

    Lynneth Miller Renberg•ARTICLE•Sixteenth Century Journal•2026

  • Laura Hellsten, Through the bone and marrow: Re-examining theological encounters with dance in Medieval Europe

    Lynneth Miller Renberg•ARTICLE•Peritia•2023

  • Sacrilegious bodies: Gender, race, and medieval dance in nineteenth-century missions

    Open Access•Lynneth Miller Renberg•ARTICLE•postmedieval a journal of…•2023•Cited by: 1•References: 8

  • Christ on a Donkey: Palm Sunday, Triumphal Entries, and Blasphemous Pageants

    Lynneth Miller Renberg•ARTICLE•Speculum•2023

  • Project-Based Pedagogy in a Pandemic

    Lynneth Miller Renberg•ARTICLE•Sixteenth Century Journal•2020

  • Performance and Religion in Early Modern England: Stage, Cathedral, Wagon, Street

    Lynneth Miller Renberg•ARTICLE•Sixteenth Century Journal•2020

  • An Outward and Visible Sign of an Inward and Spiritual Grace: Stewart Headlam on the Ballet

    Lynneth Miller Renberg, Lynneth J Miller Renberg•ARTICLE•Church History and Religious…•2019

    Drawing on Headlam’s sermons, pamphlets, and letters, this article explores his theology of the ballet, a theology made possible by his conception of sacrament and sacramental bodies. Headlam’s incarnational sacramentalism not only enabled a support of the stage as divinely created and a sacrosanct space, but created an approach to dancers, particularly women, that was distinct in its treatment of all bodies as the same in potentiality before God…

  • The Bible on the Shakespearean Stage: Cultures of Interpretation in Reformation England

    Lynneth Miller Renberg, Lynneth J Miller•ARTICLE•Sixteenth Century Journal•2019

  • The Whole Church Sings: Congregational Singing in Luther’s Wittenberg

    Lynneth Miller Renberg, Lynneth J Miller•ARTICLE•Sixteenth Century Journal•2018

  • Divine Punishment or Disease? Medieval and Early Modern Approaches to the 1518 Strasbourg Dancing Plague

    Open Access•Lynneth Miller Renberg, Lynneth J Miller•ARTICLE•Dance Research•2017

    Using writings from observers of the 1518 Strasbourg dancing plague, this article explores the various understandings of dancing mania, disease, and divine judgment applied to the dancing plague's interpretation and treatment. It argues that the 1518 Strasbourg dancing plague reflects new currents of thought, but remains closely linked to medieval philosophies; it was an event trapped between medieval and modern ideologies and treated according t…

  • Sacrilegious bodies: Gender, race, and medieval dance in nineteenth-century missions

    Open Access•Lynneth Miller Renberg•ARTICLE•postmedieval a journal of…•2023•Cited by: 1•References: 8

  • Divine Punishment or Disease? Medieval and Early Modern Approaches to the 1518 Strasbourg Dancing Plague

    Open Access•Lynneth Miller Renberg, Lynneth J Miller•ARTICLE•Dance Research•2017

    Using writings from observers of the 1518 Strasbourg dancing plague, this article explores the various understandings of dancing mania, disease, and divine judgment applied to the dancing plague's interpretation and treatment. It argues that the 1518 Strasbourg dancing plague reflects new currents of thought, but remains closely linked to medieval philosophies; it was an event trapped between medieval and modern ideologies and treated according t…

  • The Whole Church Sings: Congregational Singing in Luther’s Wittenberg

    Lynneth Miller Renberg, Lynneth J Miller•ARTICLE•Sixteenth Century Journal•2018

  • An Outward and Visible Sign of an Inward and Spiritual Grace: Stewart Headlam on the Ballet

    Lynneth Miller Renberg, Lynneth J Miller Renberg•ARTICLE•Church History and Religious…•2019

    Drawing on Headlam’s sermons, pamphlets, and letters, this article explores his theology of the ballet, a theology made possible by his conception of sacrament and sacramental bodies. Headlam’s incarnational sacramentalism not only enabled a support of the stage as divinely created and a sacrosanct space, but created an approach to dancers, particularly women, that was distinct in its treatment of all bodies as the same in potentiality before God…

  • The Bible on the Shakespearean Stage: Cultures of Interpretation in Reformation England

    Lynneth Miller Renberg, Lynneth J Miller•ARTICLE•Sixteenth Century Journal•2019

  • Project-Based Pedagogy in a Pandemic

    Lynneth Miller Renberg•ARTICLE•Sixteenth Century Journal•2020

  • Performance and Religion in Early Modern England: Stage, Cathedral, Wagon, Street

    Lynneth Miller Renberg•ARTICLE•Sixteenth Century Journal•2020

  • Laura Hellsten, Through the bone and marrow: Re-examining theological encounters with dance in Medieval Europe

    Lynneth Miller Renberg•ARTICLE•Peritia•2023

  • Sacrilegious bodies: Gender, race, and medieval dance in nineteenth-century missions

    Open Access•Lynneth Miller Renberg•ARTICLE•postmedieval a journal of…•2023•Cited by: 1•References: 8

  • Christ on a Donkey: Palm Sunday, Triumphal Entries, and Blasphemous Pageants

    Lynneth Miller Renberg•ARTICLE•Speculum•2023

  • Saint Olav’s Axe: Norwegian Church Treasures, Diplomacy and Exile During the Early Reformation

    Lynneth Miller Renberg•ARTICLE•Sixteenth Century Journal•2026

  • Synods of the Churches of and After the Reformation: The Dawn of the Reformation (16th–17th Centuries)

    Lynneth Miller Renberg•ARTICLE•Sixteenth Century Journal•2026

Art (8 works) · History (7 works) · Philosophy (6 works) · History (5 works) · Literature (5 works) · Reformation and Early Modern Christianity (5 works) · Theology (5 works) · Dance (4 works) · Diversity and Impact of Dance (3 works) · Philosophy (3 works)

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