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Lyn Pykett

Biographic Data

ID5842503
NAMELyn Pykett
GIVEN NAMESLyn
FAMILY NAMEPykett
SIGNATUREPYKETT L
AFFILIATIONSUniversity of Wales
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS1
WORKS AS AUTHOR6
WORKS AS EDITOR1
FIRST PUBLICATION YEAR1987
LATEST PUBLICATION YEAR2013
H-INDEX1
  • The changing faces and spaces of V ictorian studies

    Open Access•Lyn Pykett•ARTICLE•Critical Quarterly•2013

  • The Cambridge Companion to Sensation Fiction

    Open Access•Janice M Allan, Anne-Marie Beller et al.•BOOK•Cambridge Companion to Sensation…•2013

    In 1859 the popular novelist Wilkie Collins wrote of a ghostly woman, dressed from head to toe in white garments, laying her cold, thin hand on the shoulder of a young man as he walked home late one evening. His novel The Woman in White became hugely successful and popularised a style of writing that came to be known as sensation fiction. This Companion highlights the energy, the impact and the inventiveness of the novels that were written in 'se…

  • Lady Audley’s Secret

    Mary Elizabeth Braddon, Lyn Pykett•EDITOR•BOOK•Lady Audley's Secret•2012

    It only rests with yourself to become Lady Audley, and the mistress of Audley Court.’ When beautiful young Lucy Graham accepts the hand of Sir Michael Audley, her fortune and her future look secure. But Lady Audley’s past is shrouded in mystery, and to Sir Michael’s nephew Robert, she is not all that she seems. When his good friend George Talboys suddenly disappears, Robert is determined to find him, and to unearth the truth. His quest reveals a …

  • The Nineteenth Century Sensation Novel

    Lyn Pykett•BOOK•The Nineteenth Century Sensation…•2011

    This clearly written and wide-ranging study identifies the main features of the sensation novel, analysing its broader cultural significance as well as looking at it in its specific cultural context

  • The Material Turn in Victorian Studies

    Open Access•Lyn Pykett•ARTICLE•Literature Compass•2004•Cited by: 1•References: 2

    The Victorians were fascinated with objects and things – but recent scholarship has proved equally fascinated with this Victorian obsession. Examining the rise of the ‘commodity’ in Victorian culture, this article goes on to trace how consumerism, semiotics and the rise of cultural studies have provided new approaches to Victorian culture and commodification

  • The 'Improper' Feminine

    Ann Ardis, Lyn Pykett et al.•ARTICLE•Tulsa Studies in Women s Literature•1994

    Introductory Note Part One: The 'Improper Feminine' Part Two: The Sentimental and Sensational Sixties: The Limits of the Proper Feminine Part Three: Breaking Bounds: The Improper Feminine and the Fiction of the New Woman Conclusion: Reading Out Women's Writing Notes and References Index

  • The century's daughters

    Open Access•Lyn Pykett•ARTICLE•Critical Quarterly•1987

  • The Material Turn in Victorian Studies

    Open Access•Lyn Pykett•ARTICLE•Literature Compass•2004•Cited by: 1•References: 2

    The Victorians were fascinated with objects and things – but recent scholarship has proved equally fascinated with this Victorian obsession. Examining the rise of the ‘commodity’ in Victorian culture, this article goes on to trace how consumerism, semiotics and the rise of cultural studies have provided new approaches to Victorian culture and commodification

  • The century's daughters

    Open Access•Lyn Pykett•ARTICLE•Critical Quarterly•1987

  • The 'Improper' Feminine

    Ann Ardis, Lyn Pykett et al.•ARTICLE•Tulsa Studies in Women s Literature•1994

    Introductory Note Part One: The 'Improper Feminine' Part Two: The Sentimental and Sensational Sixties: The Limits of the Proper Feminine Part Three: Breaking Bounds: The Improper Feminine and the Fiction of the New Woman Conclusion: Reading Out Women's Writing Notes and References Index

  • The Material Turn in Victorian Studies

    Open Access•Lyn Pykett•ARTICLE•Literature Compass•2004•Cited by: 1•References: 2

    The Victorians were fascinated with objects and things – but recent scholarship has proved equally fascinated with this Victorian obsession. Examining the rise of the ‘commodity’ in Victorian culture, this article goes on to trace how consumerism, semiotics and the rise of cultural studies have provided new approaches to Victorian culture and commodification

  • The Nineteenth Century Sensation Novel

    Lyn Pykett•BOOK•The Nineteenth Century Sensation…•2011

    This clearly written and wide-ranging study identifies the main features of the sensation novel, analysing its broader cultural significance as well as looking at it in its specific cultural context

  • Lady Audley’s Secret

    Mary Elizabeth Braddon, Lyn Pykett•EDITOR•BOOK•Lady Audley's Secret•2012

    It only rests with yourself to become Lady Audley, and the mistress of Audley Court.’ When beautiful young Lucy Graham accepts the hand of Sir Michael Audley, her fortune and her future look secure. But Lady Audley’s past is shrouded in mystery, and to Sir Michael’s nephew Robert, she is not all that she seems. When his good friend George Talboys suddenly disappears, Robert is determined to find him, and to unearth the truth. His quest reveals a …

  • The changing faces and spaces of V ictorian studies

    Open Access•Lyn Pykett•ARTICLE•Critical Quarterly•2013

  • The Cambridge Companion to Sensation Fiction

    Open Access•Janice M Allan, Anne-Marie Beller et al.•BOOK•Cambridge Companion to Sensation…•2013

    In 1859 the popular novelist Wilkie Collins wrote of a ghostly woman, dressed from head to toe in white garments, laying her cold, thin hand on the shoulder of a young man as he walked home late one evening. His novel The Woman in White became hugely successful and popularised a style of writing that came to be known as sensation fiction. This Companion highlights the energy, the impact and the inventiveness of the novels that were written in 'se…

Art (5 works) · History (5 works) · Philosophy (3 works) · Psychology (3 works) · Sensation (3 works) · Aesthetics (2 works) · Archaeology (2 works) · Art history (2 works) · Australian History and Society (2 works) · Citation (2 works)

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