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Jane Tynan

Biographic Data

ID5842508
NAMEJane Tynan
GIVEN NAMESJane
FAMILY NAMETynan
SIGNATURETYNAN J
AFFILIATIONSCentral Saint Martins College of Art and Design, University of the Arts, London, UK
ORCID0000-0001-9547-0010
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS4
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Heather Akou, On the Job

    Open Access•Jane Tynan•ARTICLE•Costume•2025

  • Pointy Shoes and Pith Helmets

    Jane Tynan•ARTICLE•TEXTILE•2015

    In this book, Marianne Hulsbosch explores the social meaning of clothing worn by people who lived on the eastern islands of the Indonesian archipelago under Dutch colonial rule. Through her researc

  • Photography, Familiarity, and the Holocaust

    Jane Tynan•ARTICLE•Afterimage•2012

    Research Article| January 01 2012 Photography, Familiarity, and the Holocaust: A Conversation with Paul Antick Jane Tynan Jane Tynan JANE TYNAN is a lecturer at Central Saint Martins College of Art and Design in London. Her current research concerns war and visual culture. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (2012) 39 (4): 14–16. https://doi.org/10.1525/aft.2012.39.4.14 Views Icon Views Article con…

  • Making and remaking the civilian soldier

    Jane Tynan, Suzannah Biernoff•ARTICLE•Journal of War and Culture Studies•2012•Cited by: 2•References: 4

    Horace Nicholls’ photographs of wartime army recruitment, and post-war facial reconstruction, seem to lie uneasily between photojournalism, propaganda and record keeping. It is argued here that the photographer’s artistic aspirations, and his love of a good story, coloured his response to the brief from Wellington House to record the war effort on the home front. This is photography as pictorial history, but it is also photography as theatre. Wha…

  • The Lure of Discipline

    Jane Tynan•ARTICLE•Photography and Culture•2009•Cited by: 1•References: 7

    Much research on the British experience of the First World War relies on literary accounts. This article looks instead to the role of press photographs in constructing a popular discourse of the wartime male body. Sequenced body movements used in official training manuals, were taken up enthusiastically by the weekly and daily press in 1914 to promote active service among the British public. Narratives of bio-political control became prevalent as…

  • Creativity and Conflict

    Open Access•Jane Tynan, Christopher New•ARTICLE•Arts and Humanities in Higher…•2009•Cited by: 1•References: 5

    By exploring the role of student identities in shaping attitudes to learning, this study asks how design students draw on experience to work across theory and practice. It explores how a specific group of design undergraduate students in a UK university perform on two distinct learning experiences on their course: work placement and dissertation. In particular, it considers the context for learning: the value placed on practice and scholarship; t…

  • Making and remaking the civilian soldier

    Jane Tynan, Suzannah Biernoff•ARTICLE•Journal of War and Culture Studies•2012•Cited by: 2•References: 4

    Horace Nicholls’ photographs of wartime army recruitment, and post-war facial reconstruction, seem to lie uneasily between photojournalism, propaganda and record keeping. It is argued here that the photographer’s artistic aspirations, and his love of a good story, coloured his response to the brief from Wellington House to record the war effort on the home front. This is photography as pictorial history, but it is also photography as theatre. Wha…

  • The Lure of Discipline

    Jane Tynan•ARTICLE•Photography and Culture•2009•Cited by: 1•References: 7

    Much research on the British experience of the First World War relies on literary accounts. This article looks instead to the role of press photographs in constructing a popular discourse of the wartime male body. Sequenced body movements used in official training manuals, were taken up enthusiastically by the weekly and daily press in 1914 to promote active service among the British public. Narratives of bio-political control became prevalent as…

  • Creativity and Conflict

    Open Access•Jane Tynan, Christopher New•ARTICLE•Arts and Humanities in Higher…•2009•Cited by: 1•References: 5

    By exploring the role of student identities in shaping attitudes to learning, this study asks how design students draw on experience to work across theory and practice. It explores how a specific group of design undergraduate students in a UK university perform on two distinct learning experiences on their course: work placement and dissertation. In particular, it considers the context for learning: the value placed on practice and scholarship; t…

  • The Lure of Discipline

    Jane Tynan•ARTICLE•Photography and Culture•2009•Cited by: 1•References: 7

    Much research on the British experience of the First World War relies on literary accounts. This article looks instead to the role of press photographs in constructing a popular discourse of the wartime male body. Sequenced body movements used in official training manuals, were taken up enthusiastically by the weekly and daily press in 1914 to promote active service among the British public. Narratives of bio-political control became prevalent as…

  • Creativity and Conflict

    Open Access•Jane Tynan, Christopher New•ARTICLE•Arts and Humanities in Higher…•2009•Cited by: 1•References: 5

    By exploring the role of student identities in shaping attitudes to learning, this study asks how design students draw on experience to work across theory and practice. It explores how a specific group of design undergraduate students in a UK university perform on two distinct learning experiences on their course: work placement and dissertation. In particular, it considers the context for learning: the value placed on practice and scholarship; t…

  • Photography, Familiarity, and the Holocaust

    Jane Tynan•ARTICLE•Afterimage•2012

    Research Article| January 01 2012 Photography, Familiarity, and the Holocaust: A Conversation with Paul Antick Jane Tynan Jane Tynan JANE TYNAN is a lecturer at Central Saint Martins College of Art and Design in London. Her current research concerns war and visual culture. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (2012) 39 (4): 14–16. https://doi.org/10.1525/aft.2012.39.4.14 Views Icon Views Article con…

  • Making and remaking the civilian soldier

    Jane Tynan, Suzannah Biernoff•ARTICLE•Journal of War and Culture Studies•2012•Cited by: 2•References: 4

    Horace Nicholls’ photographs of wartime army recruitment, and post-war facial reconstruction, seem to lie uneasily between photojournalism, propaganda and record keeping. It is argued here that the photographer’s artistic aspirations, and his love of a good story, coloured his response to the brief from Wellington House to record the war effort on the home front. This is photography as pictorial history, but it is also photography as theatre. Wha…

  • Pointy Shoes and Pith Helmets

    Jane Tynan•ARTICLE•TEXTILE•2015

    In this book, Marianne Hulsbosch explores the social meaning of clothing worn by people who lived on the eastern islands of the Indonesian archipelago under Dutch colonial rule. Through her researc

  • Heather Akou, On the Job

    Open Access•Jane Tynan•ARTICLE•Costume•2025

Art (5 works) · Visual arts (4 works) · Aesthetics (3 works) · History (3 works) · Identity (music (3 works) · Sociology (3 works) · Context (archaeology (2 works) · Historical Gender and Feminism Studies (2 works) · Historical Studies on Reproduction, Gender, Health, and Societal Changes (2 works) · History (2 works)

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