Goynor Kavanagh
Biographic Data
| ID | 5844306 |
|---|---|
| NAME | Goynor Kavanagh |
| GIVEN NAMES | Goynor |
| FAMILY NAME | Kavanagh |
| SIGNATURE | KAVANAGH G |
| VERIFIED | No |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 1 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1988 |
| LATEST PUBLICATION YEAR | 1988 |
| H-INDEX | 1 |
Museum as Memorial
On the eve of the Great War, museums in Britain were both diverse in form and well-established as public institutions. They were stoutly middle-class, and perceived as an important credential of civilized and sophisticated nationhood. But with the war, the very purpose and worth of museums in society were tested and met a response as diverse as the institutions themselves. While some museums were able
Museum as Memorial
On the eve of the Great War, museums in Britain were both diverse in form and well-established as public institutions. They were stoutly middle-class, and perceived as an important credential of civilized and sophisticated nationhood. But with the war, the very purpose and worth of museums in society were tested and met a response as diverse as the institutions themselves. While some museums were able
Museum as Memorial
On the eve of the Great War, museums in Britain were both diverse in form and well-established as public institutions. They were stoutly middle-class, and perceived as an important credential of civilized and sophisticated nationhood. But with the war, the very purpose and worth of museums in society were tested and met a response as diverse as the institutions themselves. While some museums were able
Ancient history (1 works) · Archaeological Research and Protection (1 works) · Art (1 works) · Art history (1 works) · History (1 works) · History (1 works) · Museums and Cultural Heritage (1 works) · Photography and Visual Culture (1 works)