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Guido Fackler

Biographic Data

ID5844675
NAMEGuido Fackler
GIVEN NAMESGuido
FAMILY NAMEFackler
SIGNATUREFACKLER G
AFFILIATIONSUniversity of Würzburg
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS2
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2000
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Sustainability as a Driving Force

    Open Access•Guido Fackler•ARTICLE•Museum International•2023

    With more than 7,100 museums and 500 exhibition spaces in 2020 (Institut fur Museumsforschung 2023), Germany is one of the countries that has recently faced a multitude of new challenges related to

  • Cultural Behaviour and the Invention of Traditions

    Open Access•Guido Fackler•ARTICLE•Journal of Contemporary History•2010•Cited by: 2

    This article investigates music in the concentration camps before the second world war. For the camp authorities, ordering prisoners to sing songs or play in orchestras was an instrument of domination. But for the prisoners, music could also be an expression of solidarity and survival: inmates could retain a degree of their own agency in the pre-war camps, despite the often unbearable living conditions and harsh treatment by guards. The present a…

  • Frauenstimmen. Musikerinnen erinnern an Ravensbruck

    Guido Fackler, Gabriele Knapp et al.•ARTICLE•Lied und populäre Kultur / Song…•2003

  • Des Lagers Stimme

    Rebecca Rovit, Guido Fackler•ARTICLE•German Studies Review•2003

  • Lied und Gesang im KZ

    Guido Fackler•ARTICLE•Lied und populäre Kultur / Song…•2001

  • Gewagtes Spiel. Jazz im Nationalsozialismus

    Guido Fackler, Michael H Kater•ARTICLE•Lied und populäre Kultur / Song…•2000

  • Cultural Behaviour and the Invention of Traditions

    Open Access•Guido Fackler•ARTICLE•Journal of Contemporary History•2010•Cited by: 2

    This article investigates music in the concentration camps before the second world war. For the camp authorities, ordering prisoners to sing songs or play in orchestras was an instrument of domination. But for the prisoners, music could also be an expression of solidarity and survival: inmates could retain a degree of their own agency in the pre-war camps, despite the often unbearable living conditions and harsh treatment by guards. The present a…

  • Gewagtes Spiel. Jazz im Nationalsozialismus

    Guido Fackler, Michael H Kater•ARTICLE•Lied und populäre Kultur / Song…•2000

  • Lied und Gesang im KZ

    Guido Fackler•ARTICLE•Lied und populäre Kultur / Song…•2001

  • Frauenstimmen. Musikerinnen erinnern an Ravensbruck

    Guido Fackler, Gabriele Knapp et al.•ARTICLE•Lied und populäre Kultur / Song…•2003

  • Des Lagers Stimme

    Rebecca Rovit, Guido Fackler•ARTICLE•German Studies Review•2003

  • Cultural Behaviour and the Invention of Traditions

    Open Access•Guido Fackler•ARTICLE•Journal of Contemporary History•2010•Cited by: 2

    This article investigates music in the concentration camps before the second world war. For the camp authorities, ordering prisoners to sing songs or play in orchestras was an instrument of domination. But for the prisoners, music could also be an expression of solidarity and survival: inmates could retain a degree of their own agency in the pre-war camps, despite the often unbearable living conditions and harsh treatment by guards. The present a…

  • Sustainability as a Driving Force

    Open Access•Guido Fackler•ARTICLE•Museum International•2023

    With more than 7,100 museums and 500 exhibition spaces in 2020 (Institut fur Museumsforschung 2023), Germany is one of the countries that has recently faced a multitude of new challenges related to

Art (5 works) · Arts, Culture, and Music Studies (3 works) · Musicology and Musical Analysis (3 works) · German History and Society (2 works) · Law (2 works) · Political science (2 works) · Social science (2 works) · Sociology (2 works) · Aesthetics (1 work) · Agency (philosophy (1 work)

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