Tom Verschaffel
Biographic Data
| ID | 5861401 |
|---|---|
| NAME | Tom Verschaffel |
| GIVEN NAMES | Tom |
| FAMILY NAME | Verschaffel |
| SIGNATURE | VERSCHAFFEL T |
| AFFILIATIONS | KU Leuven |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Anna Rademakers, Moederstad & vaderland. Nationale identiteit en lokale trots in de schilderswereld van het Verenigd Koninkrijk der Nederlanden (1815-1839)
status: Published
‘Et pour les Belges la même chose’
Bijdragen en Mededelingen betreffende de Geschiedenis der Nederlanden was en is een Nederlands-Belgisch project. Belgische, in de realiteit enkel Vlaamse, historici hebben een rol gespeeld in de redactie en als auteurs van bijdragen. Het aandeel van het Zuiden is altijd kleiner geweest dan dat van het Noorden. Het tijdschrift poogde via een (meestal) paritaire samenstelling van de redactie en initiatieven, zoals comparatief opgezette themadossier…
Encyclopedia of Romantic Nationalism in Europe
This encyclopedia documents the presence and impact of nationalized cultural consciousness in European nationalism. It tracks how intellectuals, historians, philologists, novelists, poets, painters, folklorists, and composers, in an intensely collaborative transnational network, articulated the national identities and aspirations that would go on to determine European history and politics, with effects that are still felt today. Edited by Joep Le…
Een nieuw lid van België
When at the end of the eighteenth and the beginning of the nineteenth century the national history of Belgium was being written, the place of Liège proved problematic. The prince-bishopric had not been part of the (Burgundian, Spanish and Austrian) Netherlands until the end of the Ancien Regime. Therefore, unlike Flanders and Brabant, it could not play a central role in the national narrative with which the young Belgian state legitimized its exi…
Towards a Multipolar Model of Cultural Mediators within Multicultural Spaces. Cultural Mediators in Belgium, 1830-1945
Naar een multipolaire benadering van culturele bemiddelaars in multiculturele ruimtes. Culturele bemiddelaars in België, 1830-1945. In dit artikel wordt een diepgaand conceptueel en methodologisch begrip van de culturele bemiddelaar beoogd. Deze bemiddelaar wordt hier als een persoon gedefinieerd die taalkundige, artistieke en politiek-geografische grenzen overschrijdt en die culturele uitwisselingen onderneemt. Vooral in een heterogene context, …
Longing for the present in the history of history education
The public debates on history education that occurred in many countries over the past decades have given rise to the idea that we live in an age of ‘history wars’. While these wars are primarily fo
La fracture entre les Pays-Bas du Nord et les Pays-Bas du Sud
À travers l’histoire, peu de territoires ont été célébrés autant que les anciens Pays-Bas pour leur créativité artistique et leur esprit d’innovation. Aujourd’hui encore, cette tradition artistique et culturelle particulière, dont les origines remontent au début de l’époque moderne, reste associée aux territoires actuels de la Belgique et des Pays-Bas. Il suffit de penser à Jan van Eyck, qui stupéfia les Italiens par une utilisation unique de la …
The modernization of historiography in 18th-century Belgium
During the second half of the 18th-century Belgian historiography developed from the discipline of ‘writing’ history and collecting historical information towards the discipline of ‘studying’ history. The ‘old’ historian wrote a ‘history’ in which (by definition) as many data as possible concerning (the past of) a subject (a province, a city, a diocese, an institution) were gathered. The ‘new’ historian on the other hand wrote a ‘dissertation’, t…
Group portraits with national heroes
After the Revolution of 1830, the new Belgian nation‐state was in a patriotic mood. It celebrated its national glory in pantheons: imaginary temples in which the heroes from the national past were represented and accumulated. These pantheons were almost omnipresent in the public spaces of the kingdom. They familiarised the Belgians with their heroic ‘forefathers’ and with their legacy. The meaning and message of the pantheons were easily accessib…
Longing for the present in the history of history education
The public debates on history education that occurred in many countries over the past decades have given rise to the idea that we live in an age of ‘history wars’. While these wars are primarily fo
Group portraits with national heroes
After the Revolution of 1830, the new Belgian nation‐state was in a patriotic mood. It celebrated its national glory in pantheons: imaginary temples in which the heroes from the national past were represented and accumulated. These pantheons were almost omnipresent in the public spaces of the kingdom. They familiarised the Belgians with their heroic ‘forefathers’ and with their legacy. The meaning and message of the pantheons were easily accessib…
Group portraits with national heroes
After the Revolution of 1830, the new Belgian nation‐state was in a patriotic mood. It celebrated its national glory in pantheons: imaginary temples in which the heroes from the national past were represented and accumulated. These pantheons were almost omnipresent in the public spaces of the kingdom. They familiarised the Belgians with their heroic ‘forefathers’ and with their legacy. The meaning and message of the pantheons were easily accessib…
The modernization of historiography in 18th-century Belgium
During the second half of the 18th-century Belgian historiography developed from the discipline of ‘writing’ history and collecting historical information towards the discipline of ‘studying’ history. The ‘old’ historian wrote a ‘history’ in which (by definition) as many data as possible concerning (the past of) a subject (a province, a city, a diocese, an institution) were gathered. The ‘new’ historian on the other hand wrote a ‘dissertation’, t…
La fracture entre les Pays-Bas du Nord et les Pays-Bas du Sud
À travers l’histoire, peu de territoires ont été célébrés autant que les anciens Pays-Bas pour leur créativité artistique et leur esprit d’innovation. Aujourd’hui encore, cette tradition artistique et culturelle particulière, dont les origines remontent au début de l’époque moderne, reste associée aux territoires actuels de la Belgique et des Pays-Bas. Il suffit de penser à Jan van Eyck, qui stupéfia les Italiens par une utilisation unique de la …
Longing for the present in the history of history education
The public debates on history education that occurred in many countries over the past decades have given rise to the idea that we live in an age of ‘history wars’. While these wars are primarily fo
Towards a Multipolar Model of Cultural Mediators within Multicultural Spaces. Cultural Mediators in Belgium, 1830-1945
Naar een multipolaire benadering van culturele bemiddelaars in multiculturele ruimtes. Culturele bemiddelaars in België, 1830-1945. In dit artikel wordt een diepgaand conceptueel en methodologisch begrip van de culturele bemiddelaar beoogd. Deze bemiddelaar wordt hier als een persoon gedefinieerd die taalkundige, artistieke en politiek-geografische grenzen overschrijdt en die culturele uitwisselingen onderneemt. Vooral in een heterogene context, …
Encyclopedia of Romantic Nationalism in Europe
This encyclopedia documents the presence and impact of nationalized cultural consciousness in European nationalism. It tracks how intellectuals, historians, philologists, novelists, poets, painters, folklorists, and composers, in an intensely collaborative transnational network, articulated the national identities and aspirations that would go on to determine European history and politics, with effects that are still felt today. Edited by Joep Le…
Een nieuw lid van België
When at the end of the eighteenth and the beginning of the nineteenth century the national history of Belgium was being written, the place of Liège proved problematic. The prince-bishopric had not been part of the (Burgundian, Spanish and Austrian) Netherlands until the end of the Ancien Regime. Therefore, unlike Flanders and Brabant, it could not play a central role in the national narrative with which the young Belgian state legitimized its exi…
Anna Rademakers, Moederstad & vaderland. Nationale identiteit en lokale trots in de schilderswereld van het Verenigd Koninkrijk der Nederlanden (1815-1839)
status: Published
‘Et pour les Belges la même chose’
Bijdragen en Mededelingen betreffende de Geschiedenis der Nederlanden was en is een Nederlands-Belgisch project. Belgische, in de realiteit enkel Vlaamse, historici hebben een rol gespeeld in de redactie en als auteurs van bijdragen. Het aandeel van het Zuiden is altijd kleiner geweest dan dat van het Noorden. Het tijdschrift poogde via een (meestal) paritaire samenstelling van de redactie en initiatieven, zoals comparatief opgezette themadossier…
Art (7 works) · History (5 works) · Humanities (5 works) · Law (5 works) · Political science (5 works) · History (4 works) · Law (4 works) · Politics (4 works) · Sociology (4 works) · Literature (3 works)