Richard Kallan
Biographic Data
| ID | 5869966 |
|---|---|
| NAME | Richard Kallan |
| GIVEN NAMES | Richard |
| FAMILY NAME | Kallan |
| SIGNATURE | KALLAN R |
| AFFILIATIONS | University of Nevada, Las Vegas |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1975 |
| LATEST PUBLICATION YEAR | 1982 |
| H-INDEX | 0 |
Semi ‐aesthetic detachment: The fusing of fictional and external worlds in the situational literature of Leon Uris
The writings of Leon Uris represent a rhetorical/literary form wherein the contractual agreement binding writer and reader differs significantly from traditional literature. Uris's readers are required to assume a posture of semi‐aesthetic detachment; i.e., they must weave between the fictional and external worlds Uris simultaneously presents. Only by integrating both worlds can readers serve Uris's ultimate purpose, the insuring of Israel's sove…
Part VI New Forms and New Criticism. The Noncritical Posture of American Print Journalism
Style and the new journalism: A rhetorical analysis of Tom Wolfe
This study analyzes the rhetorical appeal of Tom Wolfe. It argues that Wolfe's essays represent a non‐linear, oral‐sounding rhetoric that stylistically emulates television. The result is an exciting, immediate, but still credible “televisionic” journalism. Wolfe secures this unique rhetorical form through his use of the four stylistic devices associated with New Journalism—third‐person point of view, scene‐by‐scene construction, extensive dialogu…
Entrance
No prominent works on this page.
Entrance
Style and the new journalism: A rhetorical analysis of Tom Wolfe
This study analyzes the rhetorical appeal of Tom Wolfe. It argues that Wolfe's essays represent a non‐linear, oral‐sounding rhetoric that stylistically emulates television. The result is an exciting, immediate, but still credible “televisionic” journalism. Wolfe secures this unique rhetorical form through his use of the four stylistic devices associated with New Journalism—third‐person point of view, scene‐by‐scene construction, extensive dialogu…
Part VI New Forms and New Criticism. The Noncritical Posture of American Print Journalism
Semi ‐aesthetic detachment: The fusing of fictional and external worlds in the situational literature of Leon Uris
The writings of Leon Uris represent a rhetorical/literary form wherein the contractual agreement binding writer and reader differs significantly from traditional literature. Uris's readers are required to assume a posture of semi‐aesthetic detachment; i.e., they must weave between the fictional and external worlds Uris simultaneously presents. Only by integrating both worlds can readers serve Uris's ultimate purpose, the insuring of Israel's sove…
Sociology (4 works) · Computer Science (3 works) · Journalism (3 works) · Media studies (3 works) · Aesthetics (2 works) · Art (2 works) · Citation (2 works) · History (2 works) · History (2 works) · Las vegas (2 works)