Phillip J Hutchison
Biographic Data
| ID | 5870058 |
|---|---|
| NAME | Phillip J Hutchison |
| GIVEN NAMES | Phillip J |
| FAMILY NAME | Hutchison |
| SIGNATURE | HUTCHISON P J |
| AFFILIATIONS | University of Kentucky |
| ORCID | 0000-0001-7315-5570 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2008 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Celebrating a carnival of insults
Although comedian Don Rickles was a popular-culture mainstay from the 1950s through the 2010s, scholarship has overlooked Rickles’ comedic legacy. To address this shortcoming, the present study employs Mikhail Bakhtin’s notion of the carnivalesque to illustrate how Rickles merged transgressive humor with grotesque realism to flout late twentieth-century American social propriety. In distinctive ways, Rickles employed carnivalesque humour to creat…
Media Rituals and Memory
For more than two decades during the mid-20th century, local entertainment television shaped daily experience across the United States. Although often viewed as trivial by historians, these extinct television genres offer valuable insights into the relationship among media technology, historical consciousness, and cultural memory. Emergent theories of historical phenomenology help facilitate and expand such insights. The phenomenological perspect…
Frankenstein Meets Mikhail Bakhtin
Communities of Reception
This historical study examines the cultural impact of local television communities in the United States from the 1950s through the 1970s. These signal-defined communities, although traditionally addressed in terms of government policy, are noteworthy for their synergistic esthetic and technological attributes. Theories of ritual illustrate how these factors enabled signal-defined television communities to structure and define local life throughou…
When TV Became a Target
This historical study highlights the social impact of locally hosted creature features during the first generation of television in the United States. The analysis explains why ritual and performed critique were so central to this historical television genre, and the findings also depict the ambivalence implicit in early television viewership
Virtual Mayberry
This study traces the long-term impact of the 1960s television series The Andy Griffith Show. The analysis emphasizes the relationship between television fan communities and evolving video technology. The findings illustrate how fan engagement has evolved over five decades, yet consistently resists the cultural amnesia associated with modernity
Remembering Local Entertainment Television
Marshal j and cap’n ken
Marshal j and cap’n ken
Virtual Mayberry
This study traces the long-term impact of the 1960s television series The Andy Griffith Show. The analysis emphasizes the relationship between television fan communities and evolving video technology. The findings illustrate how fan engagement has evolved over five decades, yet consistently resists the cultural amnesia associated with modernity
Remembering Local Entertainment Television
When TV Became a Target
This historical study highlights the social impact of locally hosted creature features during the first generation of television in the United States. The analysis explains why ritual and performed critique were so central to this historical television genre, and the findings also depict the ambivalence implicit in early television viewership
Communities of Reception
This historical study examines the cultural impact of local television communities in the United States from the 1950s through the 1970s. These signal-defined communities, although traditionally addressed in terms of government policy, are noteworthy for their synergistic esthetic and technological attributes. Theories of ritual illustrate how these factors enabled signal-defined television communities to structure and define local life throughou…
Frankenstein Meets Mikhail Bakhtin
Media Rituals and Memory
For more than two decades during the mid-20th century, local entertainment television shaped daily experience across the United States. Although often viewed as trivial by historians, these extinct television genres offer valuable insights into the relationship among media technology, historical consciousness, and cultural memory. Emergent theories of historical phenomenology help facilitate and expand such insights. The phenomenological perspect…
Celebrating a carnival of insults
Although comedian Don Rickles was a popular-culture mainstay from the 1950s through the 2010s, scholarship has overlooked Rickles’ comedic legacy. To address this shortcoming, the present study employs Mikhail Bakhtin’s notion of the carnivalesque to illustrate how Rickles merged transgressive humor with grotesque realism to flout late twentieth-century American social propriety. In distinctive ways, Rickles employed carnivalesque humour to creat…
Art (8 works) · History (6 works) · History (5 works) · Media studies (5 works) · Sociology (5 works) · Aesthetics (4 works) · Media Studies and Communication (4 works) · Literature (3 works) · Media, Gender, and Advertising (3 works) · Psychology (3 works)