Colette Guldimann
Biographic Data
| ID | 5870373 |
|---|---|
| NAME | Colette Guldimann |
| GIVEN NAMES | Colette |
| FAMILY NAME | Guldimann |
| SIGNATURE | GULDIMANN C |
| AFFILIATIONS | University of Pretoria |
| ORCID | 0000-0003-1492-1065 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Abdelilah Hamdouchi’s The Final Bet
Against the law
This article sets out to re-examine, and recover, South Africa’s first hard-boiled crime fiction created by a black writer: Arthur Maimane’s crime stories published in Drum magazine in 1953. Maimane wrote a series of stories about a black PI, styled on the American hard-boiled genre for Drum, a popular South African magazine aimed at a black audience, known for its borrowing from American popular culture. Mamaine’s fiction has been widely dismiss…
The protean New South Africa in Deon Meyer’s Heart of the hunter
After a virtual absence from South African writing under apartheid, there has been an explosion of crime fiction in post-apartheid South Africa, largely within the various thriller sub-genres. This article examines Deon Meyer's Heart of the hunter (2003). Drawing on distinctions between the traditional detective story and the thriller, I argue that Meyer uses the ambiguity and radical perspective of the latter genre to challenge the binary opposi…
The (black) male gaze
(1996). The (black) male gaze: Mbongeni Ngema's Sarafina!. South African Theatre Journal: Vol. 10, South African Film and Television, pp. 85-100
Against the law
This article sets out to re-examine, and recover, South Africa’s first hard-boiled crime fiction created by a black writer: Arthur Maimane’s crime stories published in Drum magazine in 1953. Maimane wrote a series of stories about a black PI, styled on the American hard-boiled genre for Drum, a popular South African magazine aimed at a black audience, known for its borrowing from American popular culture. Mamaine’s fiction has been widely dismiss…
The protean New South Africa in Deon Meyer’s Heart of the hunter
After a virtual absence from South African writing under apartheid, there has been an explosion of crime fiction in post-apartheid South Africa, largely within the various thriller sub-genres. This article examines Deon Meyer's Heart of the hunter (2003). Drawing on distinctions between the traditional detective story and the thriller, I argue that Meyer uses the ambiguity and radical perspective of the latter genre to challenge the binary opposi…
The (black) male gaze
(1996). The (black) male gaze: Mbongeni Ngema's Sarafina!. South African Theatre Journal: Vol. 10, South African Film and Television, pp. 85-100
The protean New South Africa in Deon Meyer’s Heart of the hunter
After a virtual absence from South African writing under apartheid, there has been an explosion of crime fiction in post-apartheid South Africa, largely within the various thriller sub-genres. This article examines Deon Meyer's Heart of the hunter (2003). Drawing on distinctions between the traditional detective story and the thriller, I argue that Meyer uses the ambiguity and radical perspective of the latter genre to challenge the binary opposi…
Against the law
This article sets out to re-examine, and recover, South Africa’s first hard-boiled crime fiction created by a black writer: Arthur Maimane’s crime stories published in Drum magazine in 1953. Maimane wrote a series of stories about a black PI, styled on the American hard-boiled genre for Drum, a popular South African magazine aimed at a black audience, known for its borrowing from American popular culture. Mamaine’s fiction has been widely dismiss…
Abdelilah Hamdouchi’s The Final Bet
Art (3 works) · Crime and Detective Fiction Studies (3 works) · Crime, Deviance, and Social Control (3 works) · History (3 works) · History (3 works) · Law (3 works) · Law (3 works) · Political science (3 works) · Computer Science (2 works) · Democracy (2 works)