Jacqueline Pinkowitz
Biographic Data
| ID | 5870697 |
|---|---|
| NAME | Jacqueline Pinkowitz |
| GIVEN NAMES | Jacqueline |
| FAMILY NAME | Pinkowitz |
| SIGNATURE | PINKOWITZ J |
| AFFILIATIONS | The University of Texas at Austin |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Civil rights exploitation film promotion as anti-feminist disinformation
Revising Slavery, Reissuing Uncle Tom's Cabin: Interracial Sex and Black Resistance in the Black Power Era Slavery Exploitation Film Cycle
Down South: Regional Exploitation Films, Southern Audiences, and Hillbilly Horror in Herschell Gordon Lewis's Two Thousand Maniacs! (1964)
This article analyzes Two Thousand Maniacs! (1964), directed by “Godfather of Gore” Herschell Gordon Lewis, in the context of the history of 1960s independent exploitation film production. Lewis and Maniacs represent an important yet marginalized regional alternative—in terms of production, distribution, exhibition, and audiences—to both the mainstream Hollywood film industry and the slightly larger-scale and more mainstream exploitation-style fi…
Down South: Regional Exploitation Films, Southern Audiences, and Hillbilly Horror in Herschell Gordon Lewis's Two Thousand Maniacs! (1964)
This article analyzes Two Thousand Maniacs! (1964), directed by “Godfather of Gore” Herschell Gordon Lewis, in the context of the history of 1960s independent exploitation film production. Lewis and Maniacs represent an important yet marginalized regional alternative—in terms of production, distribution, exhibition, and audiences—to both the mainstream Hollywood film industry and the slightly larger-scale and more mainstream exploitation-style fi…
Down South: Regional Exploitation Films, Southern Audiences, and Hillbilly Horror in Herschell Gordon Lewis's Two Thousand Maniacs! (1964)
This article analyzes Two Thousand Maniacs! (1964), directed by “Godfather of Gore” Herschell Gordon Lewis, in the context of the history of 1960s independent exploitation film production. Lewis and Maniacs represent an important yet marginalized regional alternative—in terms of production, distribution, exhibition, and audiences—to both the mainstream Hollywood film industry and the slightly larger-scale and more mainstream exploitation-style fi…
Revising Slavery, Reissuing Uncle Tom's Cabin: Interracial Sex and Black Resistance in the Black Power Era Slavery Exploitation Film Cycle
Civil rights exploitation film promotion as anti-feminist disinformation
Law (3 works) · Law (3 works) · Political science (3 works) · Art history (2 works) · Cinema and Media Studies (2 works) · Civil rights (2 works) · Computer Science (2 works) · History (2 works) · History (2 works) · Sociology (2 works)