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Joe Gow

Biographic Data

ID5870754
NAMEJoe Gow
GIVEN NAMESJoe
FAMILY NAMEGow
SIGNATUREGOW J
AFFILIATIONSAlfred University
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS10
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR1990
LATEST PUBLICATION YEAR1999
H-INDEX2
  • Rockin', Rappin', and Religion

    Joe Gow•ARTICLE•Popular Music & Society•1999•Cited by: 3•References: 2

    (1999). Rockin', Rappin', and Religion: Programming strategy on Z music television. Popular Music and Society: Vol. 23, No. 2, pp. 17-27

  • Saving Souls and Selling CDs

    Joe Gow•ARTICLE•Journal of Popular Film and…•1998•References: 3

    Contemporary Christian music has been called the fastest growing form of popular music in the United States today (Dawidoff 42). While traditional gospel music has remained confined within “the individual house of worship, connected to a loose national mosaic of churches” (Ennis 27), the new sound has borrowed from secular styles including hard rock, rap, country, and pop to reach a much larger and more mainstream audience. Already a fixture in a…

  • Political themes in popular music videos

    Joe Gow•ARTICLE•Popular Music & Society•1994•References: 1

  • Making Sense of Music Video

    Open Access•Joe Gow•ARTICLE•Journal of American Culture•1992

  • Writing rock journalism

    Joe Gow•ARTICLE•Popular Music & Society•1992•Cited by: 1

    (1992). Writing rock journalism: An interview with Charles M. Young. Popular Music and Society: Vol. 16, No. 2, pp. 67-74

  • The “trouble” with digital audio tape

    Joe Gow•ARTICLE•Popular Music & Society•1992

  • Music Video as Communication

    Open Access•Joe Gow•ARTICLE•The Journal of Popular Culture•1992•Cited by: 2•References: 2

  • Whatever happened to DAT? The development and suppression of an innovative music recording technology

    Joe Gow•ARTICLE•Popular Music & Society•1990

    (1990). Whatever happened to DAT? The development and suppression of an innovative music recording technology. Popular Music and Society: Vol. 14, No. 1, pp. 35-45

  • The relationship between violent and sexual images and the popularity of music videos

    Joe Gow•ARTICLE•Popular Music & Society•1990•Cited by: 4•References: 4

    (1990). The relationship between violent and sexual images and the popularity of music videos. Popular Music and Society: Vol. 14, No. 4, pp. 1-9

  • The relationship between violent and sexual images and the popularity of music videos

    Joe Gow•ARTICLE•Popular Music & Society•1990•Cited by: 4•References: 4

    (1990). The relationship between violent and sexual images and the popularity of music videos. Popular Music and Society: Vol. 14, No. 4, pp. 1-9

  • Rockin', Rappin', and Religion

    Joe Gow•ARTICLE•Popular Music & Society•1999•Cited by: 3•References: 2

    (1999). Rockin', Rappin', and Religion: Programming strategy on Z music television. Popular Music and Society: Vol. 23, No. 2, pp. 17-27

  • Music Video as Communication

    Open Access•Joe Gow•ARTICLE•The Journal of Popular Culture•1992•Cited by: 2•References: 2

  • Writing rock journalism

    Joe Gow•ARTICLE•Popular Music & Society•1992•Cited by: 1

    (1992). Writing rock journalism: An interview with Charles M. Young. Popular Music and Society: Vol. 16, No. 2, pp. 67-74

  • Whatever happened to DAT? The development and suppression of an innovative music recording technology

    Joe Gow•ARTICLE•Popular Music & Society•1990

    (1990). Whatever happened to DAT? The development and suppression of an innovative music recording technology. Popular Music and Society: Vol. 14, No. 1, pp. 35-45

  • The relationship between violent and sexual images and the popularity of music videos

    Joe Gow•ARTICLE•Popular Music & Society•1990•Cited by: 4•References: 4

    (1990). The relationship between violent and sexual images and the popularity of music videos. Popular Music and Society: Vol. 14, No. 4, pp. 1-9

  • Making Sense of Music Video

    Open Access•Joe Gow•ARTICLE•Journal of American Culture•1992

  • Writing rock journalism

    Joe Gow•ARTICLE•Popular Music & Society•1992•Cited by: 1

    (1992). Writing rock journalism: An interview with Charles M. Young. Popular Music and Society: Vol. 16, No. 2, pp. 67-74

  • The “trouble” with digital audio tape

    Joe Gow•ARTICLE•Popular Music & Society•1992

  • Music Video as Communication

    Open Access•Joe Gow•ARTICLE•The Journal of Popular Culture•1992•Cited by: 2•References: 2

  • Political themes in popular music videos

    Joe Gow•ARTICLE•Popular Music & Society•1994•References: 1

  • Saving Souls and Selling CDs

    Joe Gow•ARTICLE•Journal of Popular Film and…•1998•References: 3

    Contemporary Christian music has been called the fastest growing form of popular music in the United States today (Dawidoff 42). While traditional gospel music has remained confined within “the individual house of worship, connected to a loose national mosaic of churches” (Ennis 27), the new sound has borrowed from secular styles including hard rock, rap, country, and pop to reach a much larger and more mainstream audience. Already a fixture in a…

  • Rockin', Rappin', and Religion

    Joe Gow•ARTICLE•Popular Music & Society•1999•Cited by: 3•References: 2

    (1999). Rockin', Rappin', and Religion: Programming strategy on Z music television. Popular Music and Society: Vol. 23, No. 2, pp. 17-27

Art (9 works) · Popular music (7 works) · Visual arts (7 works) · Music History and Culture (6 works) · Sociology (5 works) · Advertising (4 works) · Business (4 works) · Media studies (4 works) · Media Influence and Health (3 works) · Media, Gender, and Advertising (3 works)

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