Reto Winckler
Biographic Data
| ID | 5871260 |
|---|---|
| NAME | Reto Winckler |
| GIVEN NAMES | Reto |
| FAMILY NAME | Winckler |
| SIGNATURE | WINCKLER R |
| AFFILIATIONS | City University of Hong Kong Hong Kong |
| ORCID | 0000-0002-6348-1118 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Race, Ethnicity, Adaptation, Sitcom
This article reads the finale of Curb Your Enthusiasm as an adaptation of the final double episode of Seinfeld . It argues that the continuities and differences between the two finales reflect a fundamental change in the comedic televisual representation of race, ethnicity and whiteness that points to broader historical transformations. Re-reading the Seinfeld finale from the perspective of sitcom, race and Jewishness, the article reveals a repre…
Sitcom as refuge, sitcom as prison
This article claims that the recent trend in television and web streaming drama series to feature segments shot in the style of a multi‐camera sitcom, a phenomenon which is termed “embedded sitcom,” reflects the current popularity of nostalgia in popular culture. Situating the sitcom in the context of television history and theories of nostalgia, the article argues that embedded sitcom reveals the nostalgic quality of the sitcom genre as well as …
Adaptations in the Franchise Era, 2001–16, Kyle Meikle (2019)
Adaptations in the Franchise Era, 2001–16 , Kyle Meikle (2019) New York and London: Bloomsbury Academic, 181 pp., ISBN 978-1-50131-872-6, p/bk, £19.99
No prominent works on this page.
Adaptations in the Franchise Era, 2001–16, Kyle Meikle (2019)
Adaptations in the Franchise Era, 2001–16 , Kyle Meikle (2019) New York and London: Bloomsbury Academic, 181 pp., ISBN 978-1-50131-872-6, p/bk, £19.99
Sitcom as refuge, sitcom as prison
This article claims that the recent trend in television and web streaming drama series to feature segments shot in the style of a multi‐camera sitcom, a phenomenon which is termed “embedded sitcom,” reflects the current popularity of nostalgia in popular culture. Situating the sitcom in the context of television history and theories of nostalgia, the article argues that embedded sitcom reveals the nostalgic quality of the sitcom genre as well as …
Race, Ethnicity, Adaptation, Sitcom
This article reads the finale of Curb Your Enthusiasm as an adaptation of the final double episode of Seinfeld . It argues that the continuities and differences between the two finales reflect a fundamental change in the comedic televisual representation of race, ethnicity and whiteness that points to broader historical transformations. Re-reading the Seinfeld finale from the perspective of sitcom, race and Jewishness, the article reveals a repre…
History (2 works) · 1990s television (1 work) · Advertising (1 work) · Aesthetics (1 work) · Art (1 work) · Business (1 work) · Cinema and Media Studies (1 work) · Cinema History and Criticism (1 work) · Context (archaeology (1 work) · Cultural Identity and Representation (1 work)