Di Cotofan Wu
Biographic Data
| ID | 5871375 |
|---|---|
| NAME | Di Cotofan Wu |
| GIVEN NAMES | Di Cotofan |
| FAMILY NAME | Wu |
| SIGNATURE | WU C |
| AFFILIATIONS | University of Warwick Coventry UK |
| ORCID | 0000-0001-6686-8900 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2025 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Shifting Images of Queen Victoria in Late Qing China: Official Histories, Diplomacy, and Print Culture in a Fragmented Empire (1839–1897)
This article explores the evolving Chinese representations of Queen Victoria from the First Opium War (1839) to her Diamond Jubilee (1897), beginning with early Qing official histories that deliberately omitted or delegitimized her presence, portraying her implicitly as a female usurper whose rule violated Confucian gender norms and dynastic orthodoxy. Such initial silencing is later juxtaposed with increasingly complex portrayals across a broad …
Queer Aesthetics, Straight Markets: Disneyfication in the Korean Musical Dorian Gray: A New Musical (2016)
Oscar Wilde's The Picture of Dorian Gray (1890) has generated a long afterlife across global media, extending from literature to theater, film, and fandom. Its Korean musical adaptation, Dorian Gray: A New Musical (2016), illustrates how queer aesthetics are reconfigured under the logics of commercial entertainment and cultural export. This article examines the production through Alan Bryman's concept of Disneyfication, which describes how comple…
No prominent works on this page.
Queer Aesthetics, Straight Markets: Disneyfication in the Korean Musical Dorian Gray: A New Musical (2016)
Oscar Wilde's The Picture of Dorian Gray (1890) has generated a long afterlife across global media, extending from literature to theater, film, and fandom. Its Korean musical adaptation, Dorian Gray: A New Musical (2016), illustrates how queer aesthetics are reconfigured under the logics of commercial entertainment and cultural export. This article examines the production through Alan Bryman's concept of Disneyfication, which describes how comple…
Shifting Images of Queen Victoria in Late Qing China: Official Histories, Diplomacy, and Print Culture in a Fragmented Empire (1839–1897)
This article explores the evolving Chinese representations of Queen Victoria from the First Opium War (1839) to her Diamond Jubilee (1897), beginning with early Qing official histories that deliberately omitted or delegitimized her presence, portraying her implicitly as a female usurper whose rule violated Confucian gender norms and dynastic orthodoxy. Such initial silencing is later juxtaposed with increasingly complex portrayals across a broad …
Asian Culture and Media Studies (1 works) · Chinese history and philosophy (1 works) · Commodification (1 works) · Elite (1 works) · Emblem (1 works) · Empire (1 works) · Fantasy (1 works) · Foregrounding (1 works) · Framing (construction (1 works) · Hegemony (1 works)