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Mark M Hennelly

Biographic Data

ID5871542
NAMEMark M Hennelly
GIVEN NAMESMark M
FAMILY NAMEHennelly
SIGNATUREHENNELLY M M
AFFILIATIONSCalifornia State University, Sacramento
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS4
AUTHOR COUNT10
EDITOR COUNT0
FIRST PUBLICATION YEAR1982
LATEST PUBLICATION YEAR2009
H-INDEX1
  • Alice's Adventures at the Carnival

    Open Access•Mark M Hennelly•ARTICLE•Victorian Literature and Culture•2009•Cited by: 1•References: 5

    Imagine a story featuring a dreamy descent underground, grotesquely gigantic and dwarfish carnality, a prodigious pool of body fluid, cartwheels and pratfalls, cornucopian helpings of food and drink, antic playgrounds, riddling language and name games, repeated nonsense (re)verses, various negative capabilities, mathematical miracles, voyages of discovery, cycles of crowning and uncrowning, not to mention metalists like the previous catalogue in …

  • The Secrets of Good Brewing, the Folly of Stinginess”

    Open Access•Mark M Hennelly•ARTICLE•Victorian Literature and Culture•2006•References: 2

    the arrival of the ale made an agreeable diversion; for Adam had to give his opinion of the new tap, which could not be otherwise than complimentary to Mrs Poyser; and then followed a discussion on the secrets of good brewing, the folly of stinginess in ‘hopping,’ and the doubtful economy of a farmer's making his own malt. Mrs Poyser had so many opportunities of expressing herself with weight on these subjects, that by the time supper was ended, …

  • Victorian Carnivalesque

    Open Access•Mark M Hennelly•ARTICLE•Victorian Literature and Culture•2002•Cited by: 1

    The Carnival is just over, and we have entered upon the gloom and abstinence of Lent. The first day of Lent we had coffee without milk for breakfast; vinegar and vegetables, with a very little salt fish, for dinner; and bread for supper. The Carnival was nothing but masking and mummery. M. Héger took me and one of the pupils into the town to see the masks. It was animating to see the immense crowds, and the general gaiety, but the masks were noth…

  • Performing, promising, and performing promises in Sense and Sensibility

    Mark M Hennelly, Mark Hennelly•ARTICLE•Text and Performance Quarterly•2002

    While many dismiss Jane Austen's Sense and Sensibility as a novel that speaks too much and does too little, this essay argues that the novel actually represents Austen's most performative work, especially when judged in light of J. L. Austin's theory of speech acts. The essay begins by analyzing the multiple ways in which Austen weaves performance themes into the texture of the novel and concludes with an analysis of the felicitous and infelicito…

  • The “Surveillance of Désirée”

    Open Access•Mark M Hennelly•ARTICLE•Victorian Literature and Culture•1998•References: 6

    Like many other seventeen-year-olds, Miss Ginevra Fanshawe in Charlotte Bronte's Villette (1853) practices self-reflexive, generic word play as she characteristically “substituted this word ‘ chose ’ in temporary oblivion of the real name. It was a habit she had: ‘ chose ’ came in at every turn in her conversation — the convenient substitute for any missing word in any language she might chance at the time to be speaking” (115–16; ch. 6). Ginevra…

  • The games of the prison children” in Dickens's Little Dorrit

    Mark M Hennelly•ARTICLE•Nineteenth Century Contexts•1997•Cited by: 1•References: 1

  • In a State Between”

    Mark M Hennelly•ARTICLE•Victorian Literature and Culture•1994•Cited by: 1•References: 3

  • The Scarlet Letter

    Mark M Hennelly•ARTICLE•The New England Quarterly•1988

    ALTHOUGH readers of Scarlet Letter may remember little Pearl as airy sprite . .. its fantastic sports, our collective memories of the romance probably center instead on the overriding lack of cheerfulness and sunless fantasies which Hawthorne himself regretted. In other words, there seems to be almost nothing playful in this tale of human frailty and sorrow. And yet from the toys played with during the day and nightly transformed into the neutral…

  • Jane Eyre's Reading Lesson

    Mark M Hennelly•ARTICLE•ELH•1984

  • Alice's Big Sister

    Open Access•Mark M Hennelly•ARTICLE•The Journal of Popular Culture•1982

  • Alice's Adventures at the Carnival

    Open Access•Mark M Hennelly•ARTICLE•Victorian Literature and Culture•2009•Cited by: 1•References: 5

    Imagine a story featuring a dreamy descent underground, grotesquely gigantic and dwarfish carnality, a prodigious pool of body fluid, cartwheels and pratfalls, cornucopian helpings of food and drink, antic playgrounds, riddling language and name games, repeated nonsense (re)verses, various negative capabilities, mathematical miracles, voyages of discovery, cycles of crowning and uncrowning, not to mention metalists like the previous catalogue in …

  • Victorian Carnivalesque

    Open Access•Mark M Hennelly•ARTICLE•Victorian Literature and Culture•2002•Cited by: 1

    The Carnival is just over, and we have entered upon the gloom and abstinence of Lent. The first day of Lent we had coffee without milk for breakfast; vinegar and vegetables, with a very little salt fish, for dinner; and bread for supper. The Carnival was nothing but masking and mummery. M. Héger took me and one of the pupils into the town to see the masks. It was animating to see the immense crowds, and the general gaiety, but the masks were noth…

  • The games of the prison children” in Dickens's Little Dorrit

    Mark M Hennelly•ARTICLE•Nineteenth Century Contexts•1997•Cited by: 1•References: 1

  • In a State Between”

    Mark M Hennelly•ARTICLE•Victorian Literature and Culture•1994•Cited by: 1•References: 3

  • Alice's Big Sister

    Open Access•Mark M Hennelly•ARTICLE•The Journal of Popular Culture•1982

  • Jane Eyre's Reading Lesson

    Mark M Hennelly•ARTICLE•ELH•1984

  • The Scarlet Letter

    Mark M Hennelly•ARTICLE•The New England Quarterly•1988

    ALTHOUGH readers of Scarlet Letter may remember little Pearl as airy sprite . .. its fantastic sports, our collective memories of the romance probably center instead on the overriding lack of cheerfulness and sunless fantasies which Hawthorne himself regretted. In other words, there seems to be almost nothing playful in this tale of human frailty and sorrow. And yet from the toys played with during the day and nightly transformed into the neutral…

  • In a State Between”

    Mark M Hennelly•ARTICLE•Victorian Literature and Culture•1994•Cited by: 1•References: 3

  • The games of the prison children” in Dickens's Little Dorrit

    Mark M Hennelly•ARTICLE•Nineteenth Century Contexts•1997•Cited by: 1•References: 1

  • The “Surveillance of Désirée”

    Open Access•Mark M Hennelly•ARTICLE•Victorian Literature and Culture•1998•References: 6

    Like many other seventeen-year-olds, Miss Ginevra Fanshawe in Charlotte Bronte's Villette (1853) practices self-reflexive, generic word play as she characteristically “substituted this word ‘ chose ’ in temporary oblivion of the real name. It was a habit she had: ‘ chose ’ came in at every turn in her conversation — the convenient substitute for any missing word in any language she might chance at the time to be speaking” (115–16; ch. 6). Ginevra…

  • Victorian Carnivalesque

    Open Access•Mark M Hennelly•ARTICLE•Victorian Literature and Culture•2002•Cited by: 1

    The Carnival is just over, and we have entered upon the gloom and abstinence of Lent. The first day of Lent we had coffee without milk for breakfast; vinegar and vegetables, with a very little salt fish, for dinner; and bread for supper. The Carnival was nothing but masking and mummery. M. Héger took me and one of the pupils into the town to see the masks. It was animating to see the immense crowds, and the general gaiety, but the masks were noth…

  • Performing, promising, and performing promises in Sense and Sensibility

    Mark M Hennelly, Mark Hennelly•ARTICLE•Text and Performance Quarterly•2002

    While many dismiss Jane Austen's Sense and Sensibility as a novel that speaks too much and does too little, this essay argues that the novel actually represents Austen's most performative work, especially when judged in light of J. L. Austin's theory of speech acts. The essay begins by analyzing the multiple ways in which Austen weaves performance themes into the texture of the novel and concludes with an analysis of the felicitous and infelicito…

  • The Secrets of Good Brewing, the Folly of Stinginess”

    Open Access•Mark M Hennelly•ARTICLE•Victorian Literature and Culture•2006•References: 2

    the arrival of the ale made an agreeable diversion; for Adam had to give his opinion of the new tap, which could not be otherwise than complimentary to Mrs Poyser; and then followed a discussion on the secrets of good brewing, the folly of stinginess in ‘hopping,’ and the doubtful economy of a farmer's making his own malt. Mrs Poyser had so many opportunities of expressing herself with weight on these subjects, that by the time supper was ended, …

  • Alice's Adventures at the Carnival

    Open Access•Mark M Hennelly•ARTICLE•Victorian Literature and Culture•2009•Cited by: 1•References: 5

    Imagine a story featuring a dreamy descent underground, grotesquely gigantic and dwarfish carnality, a prodigious pool of body fluid, cartwheels and pratfalls, cornucopian helpings of food and drink, antic playgrounds, riddling language and name games, repeated nonsense (re)verses, various negative capabilities, mathematical miracles, voyages of discovery, cycles of crowning and uncrowning, not to mention metalists like the previous catalogue in …

Art (9 works) · History (7 works) · History (7 works) · Literature (7 works) · Philosophy (7 works) · Philosophy (7 works) · Art history (4 works) · Themes in Literature Analysis (4 works) · Folklore, Mythology, and Literature Studies (3 works) · Law (3 works)

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