Eyolf Østrem
Biographic Data
| ID | 5871933 |
|---|---|
| NAME | Eyolf Østrem |
| GIVEN NAMES | Eyolf |
| FAMILY NAME | Østrem |
| SIGNATURE | ØSTREM E |
| AFFILIATIONS | University of Copenhagen |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2004 |
| LATEST PUBLICATION YEAR | 2008 |
| H-INDEX | 0 |
Medieval Ritual and Early Modern Music
The polyphonic lauda had its place of prominence in the lay devotional confraternities in Italian cities in the late Middle Ages and the early modern period. A main theme of this volume is the influence of art music in devotional contexts dominated by ritual functionality, where a modern aesthetic perspective is rarely employed. The authors raise fundamental questions about the validity of such a distinction between functional simplicity and aest…
The Singing of Laude and Musical Sensibilities in Early Seventeenth‐Century Confraternity Devotion
In Part I of this article, we gave an outline of the devotional and musical life in the confraternity of the Archangel Raphael emphasizing how the most recent developments in areas such as poetics and music theory were absorbed and brought into a synthesis both with the current musical practices and with the understanding of the religious ceremonies as they are manifested in the preserved ricordi of the confraternity. In Part II, a laude manuscri…
The Singing of Laude and Musical Sensibilities in Early Seventeenth‐Century Confraternity Devotion
In this article, we explore the devotional use of avant‐garde music in a remarkable Florentine youth confraternity, the Compagnia dell’arcangelo Raffaello , in the early seventeenth century. We point to traits of the close relationship between the religious and musical practices in the confraternity, which shed light on the development of an aesthetic sensibility towards music. In the coming second part of the article, this will form the backgrou…
No prominent works on this page.
The Singing of Laude and Musical Sensibilities in Early Seventeenth‐Century Confraternity Devotion
In this article, we explore the devotional use of avant‐garde music in a remarkable Florentine youth confraternity, the Compagnia dell’arcangelo Raffaello , in the early seventeenth century. We point to traits of the close relationship between the religious and musical practices in the confraternity, which shed light on the development of an aesthetic sensibility towards music. In the coming second part of the article, this will form the backgrou…
The Singing of Laude and Musical Sensibilities in Early Seventeenth‐Century Confraternity Devotion
In Part I of this article, we gave an outline of the devotional and musical life in the confraternity of the Archangel Raphael emphasizing how the most recent developments in areas such as poetics and music theory were absorbed and brought into a synthesis both with the current musical practices and with the understanding of the religious ceremonies as they are manifested in the preserved ricordi of the confraternity. In Part II, a laude manuscri…
Medieval Ritual and Early Modern Music
The polyphonic lauda had its place of prominence in the lay devotional confraternities in Italian cities in the late Middle Ages and the early modern period. A main theme of this volume is the influence of art music in devotional contexts dominated by ritual functionality, where a modern aesthetic perspective is rarely employed. The authors raise fundamental questions about the validity of such a distinction between functional simplicity and aest…
Art (3 works) · History (3 works) · Historical Influence and Diplomacy (2 works) · History (2 works) · Literature (2 works) · Musical (2 works) · Musicology and Musical Analysis (2 works) · Reformation and Early Modern Christianity (2 works) · Singing (2 works) · Visual arts (2 works)