Philip Irving Mitchell
Biographic Data
| ID | 5872055 |
|---|---|
| NAME | Philip Irving Mitchell |
| GIVEN NAMES | Philip Irving |
| FAMILY NAME | Mitchell |
| SIGNATURE | MITCHELL P I |
| AFFILIATIONS | Dallas Baptist University |
| ORCID | 0000-0002-5950-2131 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
PeterJohnson
“A very definite and unambigious sort of word”
Dorothy L. Sayers’s last play, The Emperor Constantine, employs her fundamental trust in analogies between the present and the past in order to embody political and theological particulars which surrounded Constantine I and the First Ecumenical Council. Sayers bases her dramatic approach upon her philosophy of history and of creative personhood, conceptions which are indebted to the decisions of that era in Christian history. In her estimation, a…
Reading C. S. Lewis
Charles Williams
Being Given Orthodoxy
In the following, I argue that approaches from Jean-Luc Marion’s recent phenomenology unpack Chesterton’s autobiography account in Orthodoxy . I examine how the arrival of an event or a revelation tasks him with a response, even if an unintegrated one, and how Chesterton’s undertaking illustrates this manifestation of converting events by virtue of gradual transformation. To do this, I look at how the phenomenologically rich givenness of an event…
No prominent works on this page.
Being Given Orthodoxy
In the following, I argue that approaches from Jean-Luc Marion’s recent phenomenology unpack Chesterton’s autobiography account in Orthodoxy . I examine how the arrival of an event or a revelation tasks him with a response, even if an unintegrated one, and how Chesterton’s undertaking illustrates this manifestation of converting events by virtue of gradual transformation. To do this, I look at how the phenomenologically rich givenness of an event…
Reading C. S. Lewis
Charles Williams
“A very definite and unambigious sort of word”
Dorothy L. Sayers’s last play, The Emperor Constantine, employs her fundamental trust in analogies between the present and the past in order to embody political and theological particulars which surrounded Constantine I and the First Ecumenical Council. Sayers bases her dramatic approach upon her philosophy of history and of creative personhood, conceptions which are indebted to the decisions of that era in Christian history. In her estimation, a…
PeterJohnson
Philosophy (3 works) · Art (2 works) · Art history (2 works) · History (2 works) · History (2 works) · Linguistics (2 works) · Literature (2 works) · Philosophy (2 works) · Religious Studies and Spiritual Practices (2 works) · Aesthetics (1 work)