Justine K Sasanfar
Biographic Data
| ID | 5872212 |
|---|---|
| NAME | Justine K Sasanfar |
| GIVEN NAMES | Justine K |
| FAMILY NAME | Sasanfar |
| SIGNATURE | SASANFAR J K |
| AFFILIATIONS | Wichita State University, Wichita, KS, USA |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 9 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 2 |
In Tune or Out of Tune
We studied music majors’ perception of intonation in accompanied solo performances of trumpet, violin, and voice. We were interested in whether listeners would judge pitch deviations of equal magnitude in the three solo performances as equivalent in intonation. Participants were 150 graduate and undergraduate music majors drawn from two large music schools and included 50 students representing each of the following areas of applied music study: v…
Listener Perception of Expressivity in Collaborative Performances Containing Expressive and Unexpressive Playing by the Pianist
Listener perception of musical expression in collaborative performance was explored in this study. Performances of two duos (a violinist and pianist, and a vocalist and pianist) were recorded. The level of expressivity of the violinist and vocalist remained stylistically appropriate during pieces; however, the pianist alternated between very expressive and unexpressive playing during each performance. The piece performed by each duo contained app…
In Tune or Out of Tune
We studied music majors’ perception of intonation in accompanied solo performances of trumpet, violin, and voice. We were interested in whether listeners would judge pitch deviations of equal magnitude in the three solo performances as equivalent in intonation. Participants were 150 graduate and undergraduate music majors drawn from two large music schools and included 50 students representing each of the following areas of applied music study: v…
Listener Perception of Expressivity in Collaborative Performances Containing Expressive and Unexpressive Playing by the Pianist
Listener perception of musical expression in collaborative performance was explored in this study. Performances of two duos (a violinist and pianist, and a vocalist and pianist) were recorded. The level of expressivity of the violinist and vocalist remained stylistically appropriate during pieces; however, the pianist alternated between very expressive and unexpressive playing during each performance. The piece performed by each duo contained app…
Listener Perception of Expressivity in Collaborative Performances Containing Expressive and Unexpressive Playing by the Pianist
Listener perception of musical expression in collaborative performance was explored in this study. Performances of two duos (a violinist and pianist, and a vocalist and pianist) were recorded. The level of expressivity of the violinist and vocalist remained stylistically appropriate during pieces; however, the pianist alternated between very expressive and unexpressive playing during each performance. The piece performed by each duo contained app…
In Tune or Out of Tune
We studied music majors’ perception of intonation in accompanied solo performances of trumpet, violin, and voice. We were interested in whether listeners would judge pitch deviations of equal magnitude in the three solo performances as equivalent in intonation. Participants were 150 graduate and undergraduate music majors drawn from two large music schools and included 50 students representing each of the following areas of applied music study: v…
Acoustics (2 works) · Art (2 works) · Music Technology and Sound Studies (2 works) · Musical (2 works) · Neuroscience and Music Perception (2 works) · Perception (2 works) · Psychology (2 works) · Visual arts (2 works) · Audiology (1 work) · Cello (1 work)