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Paul E Bierley

Biographic Data

ID5872272
NAMEPaul E Bierley
GIVEN NAMESPaul E
FAMILY NAMEBierley
SIGNATUREBIERLEY P E
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS0
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1975
LATEST PUBLICATION YEAR1991
H-INDEX0
  • Heralds of Victory

    Paul Bierley, Paul E Bierley et al.•ARTICLE•American Music•1991

    other, Hindemith strove for a reconciliation between past and present: evident power of reflection on historical musics of his creative imagination in Mathis der Maler carries over into, and is gradually refined in, later quite as much as any specific technique of melody or harmony (p. 216). Neumeyer goes on to observe that starting in 1940s Hindemith tends more and more to turn eye of reflection onto his own music (p. 216). This takes form of ge…

  • The Works of John Philip Sousa

    Dianna Eiland, Paul Bierley et al.•ARTICLE•American Music•1987

  • Perspectives on John Philip Sousa

    Paul Bierley, Paul E Bierley et al.•ARTICLE•American Music•1986

  • Hallelujah Trombone! The Story of Henry Fillmore

    James Barnes, Paul Bierley et al.•ARTICLE•American Music•1986

  • John Philip Sousa

    Open Access•Paul E Bierley•ARTICLE•Journal of Research in Music…•1975

No prominent works on this page.

  • John Philip Sousa

    Open Access•Paul E Bierley•ARTICLE•Journal of Research in Music…•1975

  • Perspectives on John Philip Sousa

    Paul Bierley, Paul E Bierley et al.•ARTICLE•American Music•1986

  • Hallelujah Trombone! The Story of Henry Fillmore

    James Barnes, Paul Bierley et al.•ARTICLE•American Music•1986

  • The Works of John Philip Sousa

    Dianna Eiland, Paul Bierley et al.•ARTICLE•American Music•1987

  • Heralds of Victory

    Paul Bierley, Paul E Bierley et al.•ARTICLE•American Music•1991

    other, Hindemith strove for a reconciliation between past and present: evident power of reflection on historical musics of his creative imagination in Mathis der Maler carries over into, and is gradually refined in, later quite as much as any specific technique of melody or harmony (p. 216). Neumeyer goes on to observe that starting in 1940s Hindemith tends more and more to turn eye of reflection onto his own music (p. 216). This takes form of ge…

Art (4 works) · Art history (4 works) · History (4 works) · Musicology and Musical Analysis (4 works) · Music History and Culture (3 works) · Theater, Performance, and Music History (3 works) · Philosophy (2 works) · Chorus (1 work) · Cinema and Media Studies (1 work) · Epistemology (1 work)

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