Don B Gibson
Biographic Data
| ID | 5872441 |
|---|---|
| NAME | Don B Gibson |
| GIVEN NAMES | Don B |
| FAMILY NAME | Gibson |
| SIGNATURE | GIBSON D B |
| AFFILIATIONS | Baylor University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 6 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1986 |
| LATEST PUBLICATION YEAR | 1988 |
| H-INDEX | 2 |
The Aural Perception of Similarity in Nontraditional Chords Related by Octave Equivalence
The purpose of this study was to determine the aural significance of the octave-equivalence I assumption, which is essential to the notion of “pitch class.” To address this question, the author developed a series of 22 experimental items, each consisting of two pairs of nontraditional chords presented harmonically. The two chords of one of the pairs in each item contained the same pitch classes, with each pitch class in the second chord of that p…
The Aural Perception of Nontxaditional Chords in Selected Theoretical Relationships
The nontraditional chords in this study represent relationships defined by Allen Forte and Charles Lord. These relationships may be viewed as various degrees of similarity in pitch and interval structure between two chords. This experiment attempted to determine any correlation that may exist between theoretical and aural relatedness. The PLATO computer system presented subjects ( N = 198) a randomly ordered series of 39 experimental items. In ea…
The Aural Perception of Similarity in Nontraditional Chords Related by Octave Equivalence
The purpose of this study was to determine the aural significance of the octave-equivalence I assumption, which is essential to the notion of “pitch class.” To address this question, the author developed a series of 22 experimental items, each consisting of two pairs of nontraditional chords presented harmonically. The two chords of one of the pairs in each item contained the same pitch classes, with each pitch class in the second chord of that p…
The Aural Perception of Nontxaditional Chords in Selected Theoretical Relationships
The nontraditional chords in this study represent relationships defined by Allen Forte and Charles Lord. These relationships may be viewed as various degrees of similarity in pitch and interval structure between two chords. This experiment attempted to determine any correlation that may exist between theoretical and aural relatedness. The PLATO computer system presented subjects ( N = 198) a randomly ordered series of 39 experimental items. In ea…
The Aural Perception of Nontxaditional Chords in Selected Theoretical Relationships
The nontraditional chords in this study represent relationships defined by Allen Forte and Charles Lord. These relationships may be viewed as various degrees of similarity in pitch and interval structure between two chords. This experiment attempted to determine any correlation that may exist between theoretical and aural relatedness. The PLATO computer system presented subjects ( N = 198) a randomly ordered series of 39 experimental items. In ea…
The Aural Perception of Similarity in Nontraditional Chords Related by Octave Equivalence
The purpose of this study was to determine the aural significance of the octave-equivalence I assumption, which is essential to the notion of “pitch class.” To address this question, the author developed a series of 22 experimental items, each consisting of two pairs of nontraditional chords presented harmonically. The two chords of one of the pairs in each item contained the same pitch classes, with each pitch class in the second chord of that p…
Computer Science (2 works) · Mathematics (2 works) · Music and Audio Processing (2 works) · Neuroscience and Music Perception (2 works) · Perception (2 works) · Psychology (2 works) · Acoustics (1 work) · Artificial Intelligence (1 work) · Artificial Intelligence (1 work) · Chord (peer-to-peer (1 work)