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Sarah J Bartolome

Biographic Data

ID5872901
NAMESarah J Bartolome
GIVEN NAMESSarah J
FAMILY NAMEBartolome
SIGNATUREBARTOLOME S J
AFFILIATIONSNorthwestern University, Evanston, IL, USA
ORCID0000-0003-1469-3883
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS7
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2025
H-INDEX2
  • Representation of Students With Disabilities in High School Music Courses in the United States

    Open Access•Amanda R Draper, Sarah J Bartolome et al.•ARTICLE•Journal of Research in Music…•2025•References: 1

    Researchers have attempted to determine the proportion of students with disabilities that participate in secondary music within small populations; however, the results of these studies offered limited insights. The purpose of this study was to examine the proportional representation of students with disabilities in U.S. high school music courses using data from the National Center for Education Statistics High School Longitudinal Study of 2009. R…

  • Academy of Music and Arts for Special Education (Amase): An Ethnography of an Individual Music Instruction Program for Students With Disabilities

    Open Access•Amanda R Draper, Sarah J Bartolome•ARTICLE•Journal of Research in Music…•2021•Cited by: 1•References: 3

    This 3-year ethnography explored the culture of the Academy of Music and Arts for Special Education (AMASE), a university undergraduate volunteer organization offering music instruction for individuals with disabilities. We examined the organization and its impact on students, parents, and volunteers through the lens of the social relational model of disability. Findings clustered around three pillars of organizational values: ability, community,…

  • Lithuanian folk ensembles as bonding social capital: Perspectives on participatory music-making in Vilnius

    Sarah J Bartolome•ARTICLE•International Journal of…•2018

    The purpose of this study was to examine the culture of four Lithuanian folk ensembles with particular attention to the perceived values and benefits for participants and the perceived functions of the ensembles in local and national communities. Based on five months of ethnographic fieldwork in Vilnius, findings suggest a wide range of benefits associated with participation that vary across generations. Folk ensembles emerged as critical to the …

  • Comparing Field-Teaching Experiences: A Longitudinal Examination of Preservice and First-Year Teacher Perspectives

    Open Access•Sarah J Bartolome•ARTICLE•Journal of Research in Music…•2017•Cited by: 3•References: 8

    The purpose of this longitudinal study was to examine preservice and first-year music educators’ perspectives on fieldwork activities embedded within a music teacher preparation program. One cohort of students was tracked for 2.5 years as they participated in an elementary teaching practicum, fulfilled the student teaching internship, and ultimately entered the field. Drawing on data from a previous study of the same cohort’s perceptions of a ser…

  • It’s Like a Whole Bunch of Me !”: The Perceived Values and Benefits of the Seattle Girls’ Choir Experience

    Open Access•Sarah J Bartolome•ARTICLE•Journal of Research in Music…•2012•Cited by: 3•References: 7

    The purpose of this ethnographic study was to explore the perceived values and benefits associated with participation in a highly successful community-based girls’ choral ensemble. The benefits of membership in the Seattle Girls’ Choir organization were explored, with particular attention to the expressed values and observed behaviors of choristers. Regular choir rehearsals, musicianship classes, festival and summer camp experiences, concert perf…

  • Effect of Intensive Instruction on Elementary Students’ Memory for Culturally Unfamiliar Music

    Open Access•Steven J Morrison, Steven M Demorest et al.•ARTICLE•Journal of Research in Music…•2012•References: 5

    Previous researchers have found that both adults and children demonstrate better memory for novel music from their own music culture than from an unfamiliar music culture. It was the purpose of this study to determine whether this “enculturation effect” could be mediated through an extended intensive instructional unit in another culture’s music. Fifth-grade students in four intact general music classrooms (two each at two elementary schools in a…

  • John Langstaff: Community musician and reveler

    Sarah J Bartolome, Patricia Shehan Campbell•ARTICLE•International Journal of…•2009

    John Langstaff fits within a select group of pathfinders in American music education who have shaped the profession's service to schools and society with special attention to the traditional musical expressions of American folk. His life and works are worthy of study for the contributions he made as a singer who modelled the nuances of traditional genres and styles for school children, youth and adult amateur musicians who shared his enthusiasm f…

  • Comparing Field-Teaching Experiences: A Longitudinal Examination of Preservice and First-Year Teacher Perspectives

    Open Access•Sarah J Bartolome•ARTICLE•Journal of Research in Music…•2017•Cited by: 3•References: 8

    The purpose of this longitudinal study was to examine preservice and first-year music educators’ perspectives on fieldwork activities embedded within a music teacher preparation program. One cohort of students was tracked for 2.5 years as they participated in an elementary teaching practicum, fulfilled the student teaching internship, and ultimately entered the field. Drawing on data from a previous study of the same cohort’s perceptions of a ser…

  • It’s Like a Whole Bunch of Me !”: The Perceived Values and Benefits of the Seattle Girls’ Choir Experience

    Open Access•Sarah J Bartolome•ARTICLE•Journal of Research in Music…•2012•Cited by: 3•References: 7

    The purpose of this ethnographic study was to explore the perceived values and benefits associated with participation in a highly successful community-based girls’ choral ensemble. The benefits of membership in the Seattle Girls’ Choir organization were explored, with particular attention to the expressed values and observed behaviors of choristers. Regular choir rehearsals, musicianship classes, festival and summer camp experiences, concert perf…

  • Academy of Music and Arts for Special Education (Amase): An Ethnography of an Individual Music Instruction Program for Students With Disabilities

    Open Access•Amanda R Draper, Sarah J Bartolome•ARTICLE•Journal of Research in Music…•2021•Cited by: 1•References: 3

    This 3-year ethnography explored the culture of the Academy of Music and Arts for Special Education (AMASE), a university undergraduate volunteer organization offering music instruction for individuals with disabilities. We examined the organization and its impact on students, parents, and volunteers through the lens of the social relational model of disability. Findings clustered around three pillars of organizational values: ability, community,…

  • John Langstaff: Community musician and reveler

    Sarah J Bartolome, Patricia Shehan Campbell•ARTICLE•International Journal of…•2009

    John Langstaff fits within a select group of pathfinders in American music education who have shaped the profession's service to schools and society with special attention to the traditional musical expressions of American folk. His life and works are worthy of study for the contributions he made as a singer who modelled the nuances of traditional genres and styles for school children, youth and adult amateur musicians who shared his enthusiasm f…

  • It’s Like a Whole Bunch of Me !”: The Perceived Values and Benefits of the Seattle Girls’ Choir Experience

    Open Access•Sarah J Bartolome•ARTICLE•Journal of Research in Music…•2012•Cited by: 3•References: 7

    The purpose of this ethnographic study was to explore the perceived values and benefits associated with participation in a highly successful community-based girls’ choral ensemble. The benefits of membership in the Seattle Girls’ Choir organization were explored, with particular attention to the expressed values and observed behaviors of choristers. Regular choir rehearsals, musicianship classes, festival and summer camp experiences, concert perf…

  • Effect of Intensive Instruction on Elementary Students’ Memory for Culturally Unfamiliar Music

    Open Access•Steven J Morrison, Steven M Demorest et al.•ARTICLE•Journal of Research in Music…•2012•References: 5

    Previous researchers have found that both adults and children demonstrate better memory for novel music from their own music culture than from an unfamiliar music culture. It was the purpose of this study to determine whether this “enculturation effect” could be mediated through an extended intensive instructional unit in another culture’s music. Fifth-grade students in four intact general music classrooms (two each at two elementary schools in a…

  • Comparing Field-Teaching Experiences: A Longitudinal Examination of Preservice and First-Year Teacher Perspectives

    Open Access•Sarah J Bartolome•ARTICLE•Journal of Research in Music…•2017•Cited by: 3•References: 8

    The purpose of this longitudinal study was to examine preservice and first-year music educators’ perspectives on fieldwork activities embedded within a music teacher preparation program. One cohort of students was tracked for 2.5 years as they participated in an elementary teaching practicum, fulfilled the student teaching internship, and ultimately entered the field. Drawing on data from a previous study of the same cohort’s perceptions of a ser…

  • Lithuanian folk ensembles as bonding social capital: Perspectives on participatory music-making in Vilnius

    Sarah J Bartolome•ARTICLE•International Journal of…•2018

    The purpose of this study was to examine the culture of four Lithuanian folk ensembles with particular attention to the perceived values and benefits for participants and the perceived functions of the ensembles in local and national communities. Based on five months of ethnographic fieldwork in Vilnius, findings suggest a wide range of benefits associated with participation that vary across generations. Folk ensembles emerged as critical to the …

  • Academy of Music and Arts for Special Education (Amase): An Ethnography of an Individual Music Instruction Program for Students With Disabilities

    Open Access•Amanda R Draper, Sarah J Bartolome•ARTICLE•Journal of Research in Music…•2021•Cited by: 1•References: 3

    This 3-year ethnography explored the culture of the Academy of Music and Arts for Special Education (AMASE), a university undergraduate volunteer organization offering music instruction for individuals with disabilities. We examined the organization and its impact on students, parents, and volunteers through the lens of the social relational model of disability. Findings clustered around three pillars of organizational values: ability, community,…

  • Representation of Students With Disabilities in High School Music Courses in the United States

    Open Access•Amanda R Draper, Sarah J Bartolome et al.•ARTICLE•Journal of Research in Music…•2025•References: 1

    Researchers have attempted to determine the proportion of students with disabilities that participate in secondary music within small populations; however, the results of these studies offered limited insights. The purpose of this study was to examine the proportional representation of students with disabilities in U.S. high school music courses using data from the National Center for Education Statistics High School Longitudinal Study of 2009. R…

Diverse Music Education Insights (7 works) · Music education (6 works) · Psychology (6 works) · Pedagogy (5 works) · Sociology (4 works) · Ethnography (3 works) · Musical (3 works) · Social Psychology (3 works) · Social Psychology (3 works) · Visual arts (3 works)

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