Edith Borroff
Biographic Data
| ID | 5873775 |
|---|---|
| NAME | Edith Borroff |
| GIVEN NAMES | Edith |
| FAMILY NAME | Borroff |
| SIGNATURE | BORROFF E |
| AFFILIATIONS | Professor of Music, Eastern Michigan University, Ypsilanti, Michigan |
| VERIFIED | No |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 14 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1973 |
| LATEST PUBLICATION YEAR | 2001 |
| H-INDEX | 1 |
Bassett, Leslie
Finney, Ross Lee
The Critic, Power, and the Performing Arts
Symphony no. 3
Symphony no. 8
Edith Borroff, American Music, Vol. 9, No. 3, Special Issue: Four Pioneers William Billings (1746-1800); Scott Joplin (1868-1917); Carl Ruggles (1876-1971); Martha Graham (1894-1991) (Autumn, 1991), pp. 330-331
Fantasy
Ruth Crawford Seeger: Memoirs, Memories, Music
Three American Composers
George Crumb: Profile of a Composer
Passages
An American Parlor at the Turn of the Century
my mind, a dissonance was resonating, and one day I heard it. Most writers on this subject have used the word limited, applied both to the and, of all things, to the audience.' Charles Hamm speaks of music designed to be performed by and listened to by persons of limited musical training and ability.'2 The clear implication is that parlor was a style or genre created especially for secondrate performers who deliberately aimed second-rate musical …
Schirmer History of Music
Origin of Species: Conflicting Views of American Musical Theater History
The many categories of musical theater are confusing, partly because they are variously defined by different writers, and partly because-however they are defined-they overlap, sending compulsive categorizers into despair. In summarizing the categories one distinction is important: some musicals are plays and some are not. Those that are plays are likely to have single composer and total score, that is, set of musical numbers conceived as one scor…
Perspectives on American Composers
Perspectives on American Composers
Origin of Species: Conflicting Views of American Musical Theater History
The many categories of musical theater are confusing, partly because they are variously defined by different writers, and partly because-however they are defined-they overlap, sending compulsive categorizers into despair. In summarizing the categories one distinction is important: some musicals are plays and some are not. Those that are plays are likely to have single composer and total score, that is, set of musical numbers conceived as one scor…
Schirmer History of Music
An American Parlor at the Turn of the Century
my mind, a dissonance was resonating, and one day I heard it. Most writers on this subject have used the word limited, applied both to the and, of all things, to the audience.' Charles Hamm speaks of music designed to be performed by and listened to by persons of limited musical training and ability.'2 The clear implication is that parlor was a style or genre created especially for secondrate performers who deliberately aimed second-rate musical …
Passages
Ruth Crawford Seeger: Memoirs, Memories, Music
Three American Composers
George Crumb: Profile of a Composer
Fantasy
Symphony no. 8
Edith Borroff, American Music, Vol. 9, No. 3, Special Issue: Four Pioneers William Billings (1746-1800); Scott Joplin (1868-1917); Carl Ruggles (1876-1971); Martha Graham (1894-1991) (Autumn, 1991), pp. 330-331
Symphony no. 3
The Critic, Power, and the Performing Arts
Bassett, Leslie
Finney, Ross Lee
Art (12 works) · Musicology and Musical Analysis (7 works) · History (6 works) · Literature (5 works) · Visual arts (5 works) · Aesthetics (4 works) · Theater, Performance, and Music History (3 works) · Art history (2 works) · Music History and Culture (2 works) · Symphony (2 works)