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Jutta Gisela Sperling

Biographic Data

ID5876245
NAMEJutta Gisela Sperling
GIVEN NAMESJutta Gisela
FAMILY NAMESperling
SIGNATURESPERLING J G
AFFILIATIONSHampshire College
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS9
AUTHOR COUNT10
EDITOR COUNT1
FIRST PUBLICATION YEAR1999
LATEST PUBLICATION YEAR2024
H-INDEX2
  • Die Stillende Jungfrau in der äntiopischen Buchmalerei des 15. Jahrhunderts. Bemerkungen zu Stil, Medium, Gegenwärtigkeit und (Un)Mittelbarkeit

    Open Access•Jutta Sperling, Jutta Gisela Sperling•ARTICLE•Convivium•2024

    While painted wooden icons of the Nursing Virgin were relatively common in fifteenth-century Ethiopia, only one miniature of the motif of the time has come to light. This image, bound into a later manuscript of the Miracles of Mary, is painted in a decidedly abstract style, comparable to other representations of the Virgin in fifteenth-century Ethiopian book illustration. Relying on Peirce’s distinction between index and icon, this article consid…

  • Milk and Miracles

    Jutta Sperling, Jutta Gisela Sperling•ARTICLE•Journal of Medieval and Early…•2021•Cited by: 2

    This essay investigates Benedetto Caliari's Nativity of the Virgin (1576) with its provocative and unorthodox depiction of a bare-breasted wet-nurse in the context of both Protestant and Catholic criticism of “indecent” religious imagery. Reformers on both sides drew a connection between the Virgin Mary's ostentatious display of her lactating breasts and her presumed, derided, or hoped-for miracle-working capacities or intercessory powers. In pos…

  • Squeezing, Squirting, Spilling Milk

    Open Access•Jutta Sperling, Jutta Gisela Sperling•ARTICLE•Renaissance Quarterly•2018•Cited by: 4•References: 4

    The focus on three drops of milk issuing from the Virgin’s breast in “The Virgin in Front of a Fire Screen” was inspired by contemporary representations of the Lactation of Saint Bernard. This latter iconography provides the visual context for the vivid address of eroticized depictions of the Madonna’s “one bare breast” in Flemish art and shows the intricate connections between visuality and materiality in fifteenth-century Flemish religious art.…

  • Medieval and Renaissance Lactations

    Jutta Gisela Sperling•BOOK•Medieval and Renaissance Lactations•2016

  • Medieval and Renaissance Lactations

    Jutta Gisela Sperling, Ashlee Bligh•ARTICLE•Renaissance and Reformation•2015

    Sperling, Jutta Gisela, ed. Medieval and Renaissance Lactations: Images, Rhetorics, Practices. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 38, Number 1, Winter 2015, pp. 5-213), on Érudit

  • Las Casas and His Amerindian Nurse

    Open Access•Jutta Gisela Sperling•ARTICLE•Gender & History•2011•References: 1

    This article investigates Marmontel's reworking of the ancient legend of Pero and Cimone in his bestselling novel Les Incas (1777). According to an anecdote in Valerius Maximus's Memorable Doings and Sayings (c.30 CE), Pero saves her father, condemned to death by starvation, by breastfeeding him in prison. In Les Incas, it is Bartolomé de las Casas who is being cured from a fatal illness through the milk of an Amerindian princess. Jean-Michel Mor…

  • Dowry or Inheritance? Kinship, Property, And Women's Agency in Lisbon, Venice, and Florence (1572)

    Jutta Sperling, Jutta Gisela Sperling•ARTICLE•Journal of Early Modern History•2007•Cited by: 1

    The marital property regimes, inheritance practices, and kinship structures of Renaissance Italy and early modern Portugal were at opposite ends of a spectrum. In Italy, the legitimacy of marriage was defined as the outcome of dowry exchange governed by exclusio propter dotem, thus conceptually linked to the disinheritance of daughters and wives. In Portugal, where the Roman principle of equal inheritance was never abolished, domestic unions qual…

  • Wonderful Blood

    Open Access•Jutta Sperling, Jutta Gisela Sperling•ARTICLE•Renaissance Quarterly•2007

    Caroline Walker Bynum. Wonderful Blood: Theology and Practice in Late Medieval Northern Germany and Beyond. Philadelphia : University of Pennsylvania Press, 2007. xviii + 402 pp. + 32 b/w pls. index. illus. map. bibl. $49.95. ISBN: 978-0-8122-3985-0. - Volume 60 Issue 4

  • Marriage at the Time of the Council of Trent (1560-70)

    Jutta Sperling, Jutta Gisela Sperling•ARTICLE•Journal of Early Modern History•2004•Cited by: 1

    A close analysis of marital dispensations granted by the Holy Penitentiary shows that so-called clandestine marriages were widespread all over Catholic Europe before the Council of Trent. Only in Italy and perhaps in France were domestic partnerships rare, while they were very common in Portugal and Spain. This essay argues that the popularity of the dowry system in Italy made it difficult for women to choose their partners without parental conse…

  • Working Women of Early Modern Venice

    Open Access•Jutta Sperling, Jutta Gisela Sperling•ARTICLE•Renaissance Quarterly•2002

    Monica Chojnacka. Working Women of Early Modern Venice (The Johns Hopkins University Studies in Historical and Political Science, 3.) Baltimore and London: The Johns Hopkins University Press, 2001. xxii + 188 pp. $32.50. ISBN: 0-8018- 6485-2. - Volume 55 Issue 2

  • The Paradox of Perfection

    Open Access•Jutta Sperling, Jutta Gisela Sperling•ARTICLE•Comparative Studies in Society…•1999•Cited by: 1

    The gorgons had thus the same effect as paradoxes. For paralysis means: immobility; and immobility: to be unable to observe (Niklas Luhmann).Niklas Luhmann, “Sthenographie und Euryalistik,” Paradoxien, Dissonanzen, Zusammenbrüche, Hans Ulrich Gumbrecht und K. Ludwig Pfeiffer, eds. (Frankfurt a. M., 1991), 58. Recently, the “paradoxical” character of sixteenth-century Venetian politics and culture has become the focus of attention among scholars o…

  • Squeezing, Squirting, Spilling Milk

    Open Access•Jutta Sperling, Jutta Gisela Sperling•ARTICLE•Renaissance Quarterly•2018•Cited by: 4•References: 4

    The focus on three drops of milk issuing from the Virgin’s breast in “The Virgin in Front of a Fire Screen” was inspired by contemporary representations of the Lactation of Saint Bernard. This latter iconography provides the visual context for the vivid address of eroticized depictions of the Madonna’s “one bare breast” in Flemish art and shows the intricate connections between visuality and materiality in fifteenth-century Flemish religious art.…

  • Milk and Miracles

    Jutta Sperling, Jutta Gisela Sperling•ARTICLE•Journal of Medieval and Early…•2021•Cited by: 2

    This essay investigates Benedetto Caliari's Nativity of the Virgin (1576) with its provocative and unorthodox depiction of a bare-breasted wet-nurse in the context of both Protestant and Catholic criticism of “indecent” religious imagery. Reformers on both sides drew a connection between the Virgin Mary's ostentatious display of her lactating breasts and her presumed, derided, or hoped-for miracle-working capacities or intercessory powers. In pos…

  • Dowry or Inheritance? Kinship, Property, And Women's Agency in Lisbon, Venice, and Florence (1572)

    Jutta Sperling, Jutta Gisela Sperling•ARTICLE•Journal of Early Modern History•2007•Cited by: 1

    The marital property regimes, inheritance practices, and kinship structures of Renaissance Italy and early modern Portugal were at opposite ends of a spectrum. In Italy, the legitimacy of marriage was defined as the outcome of dowry exchange governed by exclusio propter dotem, thus conceptually linked to the disinheritance of daughters and wives. In Portugal, where the Roman principle of equal inheritance was never abolished, domestic unions qual…

  • Marriage at the Time of the Council of Trent (1560-70)

    Jutta Sperling, Jutta Gisela Sperling•ARTICLE•Journal of Early Modern History•2004•Cited by: 1

    A close analysis of marital dispensations granted by the Holy Penitentiary shows that so-called clandestine marriages were widespread all over Catholic Europe before the Council of Trent. Only in Italy and perhaps in France were domestic partnerships rare, while they were very common in Portugal and Spain. This essay argues that the popularity of the dowry system in Italy made it difficult for women to choose their partners without parental conse…

  • The Paradox of Perfection

    Open Access•Jutta Sperling, Jutta Gisela Sperling•ARTICLE•Comparative Studies in Society…•1999•Cited by: 1

    The gorgons had thus the same effect as paradoxes. For paralysis means: immobility; and immobility: to be unable to observe (Niklas Luhmann).Niklas Luhmann, “Sthenographie und Euryalistik,” Paradoxien, Dissonanzen, Zusammenbrüche, Hans Ulrich Gumbrecht und K. Ludwig Pfeiffer, eds. (Frankfurt a. M., 1991), 58. Recently, the “paradoxical” character of sixteenth-century Venetian politics and culture has become the focus of attention among scholars o…

  • The Paradox of Perfection

    Open Access•Jutta Sperling, Jutta Gisela Sperling•ARTICLE•Comparative Studies in Society…•1999•Cited by: 1

    The gorgons had thus the same effect as paradoxes. For paralysis means: immobility; and immobility: to be unable to observe (Niklas Luhmann).Niklas Luhmann, “Sthenographie und Euryalistik,” Paradoxien, Dissonanzen, Zusammenbrüche, Hans Ulrich Gumbrecht und K. Ludwig Pfeiffer, eds. (Frankfurt a. M., 1991), 58. Recently, the “paradoxical” character of sixteenth-century Venetian politics and culture has become the focus of attention among scholars o…

  • Working Women of Early Modern Venice

    Open Access•Jutta Sperling, Jutta Gisela Sperling•ARTICLE•Renaissance Quarterly•2002

    Monica Chojnacka. Working Women of Early Modern Venice (The Johns Hopkins University Studies in Historical and Political Science, 3.) Baltimore and London: The Johns Hopkins University Press, 2001. xxii + 188 pp. $32.50. ISBN: 0-8018- 6485-2. - Volume 55 Issue 2

  • Marriage at the Time of the Council of Trent (1560-70)

    Jutta Sperling, Jutta Gisela Sperling•ARTICLE•Journal of Early Modern History•2004•Cited by: 1

    A close analysis of marital dispensations granted by the Holy Penitentiary shows that so-called clandestine marriages were widespread all over Catholic Europe before the Council of Trent. Only in Italy and perhaps in France were domestic partnerships rare, while they were very common in Portugal and Spain. This essay argues that the popularity of the dowry system in Italy made it difficult for women to choose their partners without parental conse…

  • Dowry or Inheritance? Kinship, Property, And Women's Agency in Lisbon, Venice, and Florence (1572)

    Jutta Sperling, Jutta Gisela Sperling•ARTICLE•Journal of Early Modern History•2007•Cited by: 1

    The marital property regimes, inheritance practices, and kinship structures of Renaissance Italy and early modern Portugal were at opposite ends of a spectrum. In Italy, the legitimacy of marriage was defined as the outcome of dowry exchange governed by exclusio propter dotem, thus conceptually linked to the disinheritance of daughters and wives. In Portugal, where the Roman principle of equal inheritance was never abolished, domestic unions qual…

  • Wonderful Blood

    Open Access•Jutta Sperling, Jutta Gisela Sperling•ARTICLE•Renaissance Quarterly•2007

    Caroline Walker Bynum. Wonderful Blood: Theology and Practice in Late Medieval Northern Germany and Beyond. Philadelphia : University of Pennsylvania Press, 2007. xviii + 402 pp. + 32 b/w pls. index. illus. map. bibl. $49.95. ISBN: 978-0-8122-3985-0. - Volume 60 Issue 4

  • Las Casas and His Amerindian Nurse

    Open Access•Jutta Gisela Sperling•ARTICLE•Gender & History•2011•References: 1

    This article investigates Marmontel's reworking of the ancient legend of Pero and Cimone in his bestselling novel Les Incas (1777). According to an anecdote in Valerius Maximus's Memorable Doings and Sayings (c.30 CE), Pero saves her father, condemned to death by starvation, by breastfeeding him in prison. In Les Incas, it is Bartolomé de las Casas who is being cured from a fatal illness through the milk of an Amerindian princess. Jean-Michel Mor…

  • Medieval and Renaissance Lactations

    Jutta Gisela Sperling, Ashlee Bligh•ARTICLE•Renaissance and Reformation•2015

    Sperling, Jutta Gisela, ed. Medieval and Renaissance Lactations: Images, Rhetorics, Practices. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 38, Number 1, Winter 2015, pp. 5-213), on Érudit

  • Medieval and Renaissance Lactations

    Jutta Gisela Sperling•BOOK•Medieval and Renaissance Lactations•2016

  • Squeezing, Squirting, Spilling Milk

    Open Access•Jutta Sperling, Jutta Gisela Sperling•ARTICLE•Renaissance Quarterly•2018•Cited by: 4•References: 4

    The focus on three drops of milk issuing from the Virgin’s breast in “The Virgin in Front of a Fire Screen” was inspired by contemporary representations of the Lactation of Saint Bernard. This latter iconography provides the visual context for the vivid address of eroticized depictions of the Madonna’s “one bare breast” in Flemish art and shows the intricate connections between visuality and materiality in fifteenth-century Flemish religious art.…

  • Milk and Miracles

    Jutta Sperling, Jutta Gisela Sperling•ARTICLE•Journal of Medieval and Early…•2021•Cited by: 2

    This essay investigates Benedetto Caliari's Nativity of the Virgin (1576) with its provocative and unorthodox depiction of a bare-breasted wet-nurse in the context of both Protestant and Catholic criticism of “indecent” religious imagery. Reformers on both sides drew a connection between the Virgin Mary's ostentatious display of her lactating breasts and her presumed, derided, or hoped-for miracle-working capacities or intercessory powers. In pos…

  • Die Stillende Jungfrau in der äntiopischen Buchmalerei des 15. Jahrhunderts. Bemerkungen zu Stil, Medium, Gegenwärtigkeit und (Un)Mittelbarkeit

    Open Access•Jutta Sperling, Jutta Gisela Sperling•ARTICLE•Convivium•2024

    While painted wooden icons of the Nursing Virgin were relatively common in fifteenth-century Ethiopia, only one miniature of the motif of the time has come to light. This image, bound into a later manuscript of the Miracles of Mary, is painted in a decidedly abstract style, comparable to other representations of the Virgin in fifteenth-century Ethiopian book illustration. Relying on Peirce’s distinction between index and icon, this article consid…

History (9 works) · Art (8 works) · History (7 works) · Art history (6 works) · Philosophy (6 works) · Law (5 works) · Sociology (5 works) · Context (archaeology (4 works) · Historical Economic and Social Studies (4 works) · Law (4 works)

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