Janice Valls-Russell
Biographic Data
| ID | 5878419 |
|---|---|
| NAME | Janice Valls-Russell |
| GIVEN NAMES | Janice |
| FAMILY NAME | Valls-Russell |
| SIGNATURE | VALLS-RUSSELL J |
| AFFILIATIONS | Université de Montpellier Paul-Valéry |
| ORCID | 0000-0002-0945-1399 |
| VERIFIED | Yes |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 11 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
On Pulchi Shake and Spear
This interview explores the work of Bruno Leone, a Neapolitan puppeteer, credited with reviving the traditional Neapolitan guarattelle theatre. Leone discusses the history and characteristics of Guarattelle, a glove puppet theatre centred on the character of Pulcinella. He speaks of his training with Nunzio Zampella, his work in training new puppeteers, and the founding of the Scuola delle guarattelle. Leone also gives an insight into his creativ…
Performance review
Performance review
concluded with the evocation of 'the very witching time of night', while the red clock struck 00:00 announcing the interval.While such a shift undoubtedly showcased the soliloquy, it seemed daring to place Hamlet's most hesitant musings at a moment when he seemed most resolute about his revenge.This choice seemed emblematic of Goold's entire project, putting in tension two conflicting logics.The Titanic setting provided a unity of space and time …
Performance review
Introduction
Briefly charting the journey of the Craiova International Shakespeare Festival (CISF) from a post-communist venture, in 1994, to a leading global Shakespeare festival, this introduction examines its 30th anniversary edition, ‘Communities Build Festivals’, both in terms of continuity and innovation, focusing on new programming and community engagement initiatives. It explores the Festival's mission, as articulated by director Vlad Drăgulescu, and …
Enter several strange shapes ’ ( The Tempest 3.3.18SD)
Masks and puppets are a hallmark of productions by Footsbarn Travelling Theatre. Imagined and created by Fredericka Hayter, a founding member, they play an integral role in the design and dramatic action. This article considers the presence of puppets in productions of Romeo and Juliet and The Tempest . Drawing on photograph archives and conversations with Fredericka Hayter, it examines crossovers in Footsbarn's use of masks and puppets as well a…
Shakespeare emerging from global lockdown
International audience
Play Review
Shakespeare under global lockdown
International audience
Shakespeare under global lockdown
International audience
Two Gentlemen of Verona
Interweaving myths in Shakespeare and his contemporaries
This volume proposes new insights into the uses of classical mythology by Shakespeare and his contemporaries, focusing on interweaving processes in early modern appropriations of myth. Its 11 essays show how early modern writing intertwines diverse myths and plays with variant versions of individual myths that derive from multiple classical sources, as well as medieval, Tudor and early modern retellings and translations. Works discussed include p…
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Interweaving myths in Shakespeare and his contemporaries
This volume proposes new insights into the uses of classical mythology by Shakespeare and his contemporaries, focusing on interweaving processes in early modern appropriations of myth. Its 11 essays show how early modern writing intertwines diverse myths and plays with variant versions of individual myths that derive from multiple classical sources, as well as medieval, Tudor and early modern retellings and translations. Works discussed include p…
Play Review
Shakespeare under global lockdown
International audience
Shakespeare under global lockdown
International audience
Two Gentlemen of Verona
Shakespeare emerging from global lockdown
International audience
On Pulchi Shake and Spear
This interview explores the work of Bruno Leone, a Neapolitan puppeteer, credited with reviving the traditional Neapolitan guarattelle theatre. Leone discusses the history and characteristics of Guarattelle, a glove puppet theatre centred on the character of Pulcinella. He speaks of his training with Nunzio Zampella, his work in training new puppeteers, and the founding of the Scuola delle guarattelle. Leone also gives an insight into his creativ…
Performance review
Performance review
concluded with the evocation of 'the very witching time of night', while the red clock struck 00:00 announcing the interval.While such a shift undoubtedly showcased the soliloquy, it seemed daring to place Hamlet's most hesitant musings at a moment when he seemed most resolute about his revenge.This choice seemed emblematic of Goold's entire project, putting in tension two conflicting logics.The Titanic setting provided a unity of space and time …
Performance review
Introduction
Briefly charting the journey of the Craiova International Shakespeare Festival (CISF) from a post-communist venture, in 1994, to a leading global Shakespeare festival, this introduction examines its 30th anniversary edition, ‘Communities Build Festivals’, both in terms of continuity and innovation, focusing on new programming and community engagement initiatives. It explores the Festival's mission, as articulated by director Vlad Drăgulescu, and …
Enter several strange shapes ’ ( The Tempest 3.3.18SD)
Masks and puppets are a hallmark of productions by Footsbarn Travelling Theatre. Imagined and created by Fredericka Hayter, a founding member, they play an integral role in the design and dramatic action. This article considers the presence of puppets in productions of Romeo and Juliet and The Tempest . Drawing on photograph archives and conversations with Fredericka Hayter, it examines crossovers in Footsbarn's use of masks and puppets as well a…
Shakespeare, Adaptation, and Literary Criticism (7 works) · Art (5 works) · Theatre and Performance Studies (4 works) · Business (2 works) · Byzantine Studies and History (2 works) · Computer Science (2 works) · History (2 works) · Literature (2 works) · Philippine History and Culture (2 works) · Sociology (2 works)