Pierre Kapitaniak
Biographic Data
| ID | 5878504 |
|---|---|
| NAME | Pierre Kapitaniak |
| GIVEN NAMES | Pierre |
| FAMILY NAME | Kapitaniak |
| SIGNATURE | KAPITANIAK P |
| AFFILIATIONS | Université de Montpellier Paul-Valéry |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1969 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Performance review
Performance review
concluded with the evocation of 'the very witching time of night', while the red clock struck 00:00 announcing the interval.While such a shift undoubtedly showcased the soliloquy, it seemed daring to place Hamlet's most hesitant musings at a moment when he seemed most resolute about his revenge.This choice seemed emblematic of Goold's entire project, putting in tension two conflicting logics.The Titanic setting provided a unity of space and time …
Performance review
Performance review
Shakespeare and European theatrical cultures – circulations, hybridisations, and negotiations
Verena Theile et Andrew D. McCarthy
Spectres, ombres et fantômes. Discours et représentations dramatiques en Angleterre, 1576–1642
Pierre Kapitaniak. Spectres, ombres et fantômes. Discours et représentations dramatiques en Angleterre, 1576–1642. An article from journal Renaissance and Reformation / Renaissance et Réforme (De Fabrica Artis Medicinae : les redéfinitions de la médecine à la Renaissance), on Érudit
No prominent works on this page.
Spectres, ombres et fantômes. Discours et représentations dramatiques en Angleterre, 1576–1642
Pierre Kapitaniak. Spectres, ombres et fantômes. Discours et représentations dramatiques en Angleterre, 1576–1642. An article from journal Renaissance and Reformation / Renaissance et Réforme (De Fabrica Artis Medicinae : les redéfinitions de la médecine à la Renaissance), on Érudit
Verena Theile et Andrew D. McCarthy
Shakespeare and European theatrical cultures – circulations, hybridisations, and negotiations
Performance review
Performance review
Performance review
concluded with the evocation of 'the very witching time of night', while the red clock struck 00:00 announcing the interval.While such a shift undoubtedly showcased the soliloquy, it seemed daring to place Hamlet's most hesitant musings at a moment when he seemed most resolute about his revenge.This choice seemed emblematic of Goold's entire project, putting in tension two conflicting logics.The Titanic setting provided a unity of space and time …
Performance review
Art (4 works) · Shakespeare, Adaptation, and Literary Criticism (4 works) · Renaissance Literature and Culture (2 works) · Sociology (2 works) · Theatre and Performance Studies (2 works) · Art history (1 work) · Biology (1 work) · Canadian Identity and History (1 work) · Ecology (1 work) · Environmental ethics (1 work)