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Lucia De La Presa

Biographic Data

ID5879719
NAMELucia De La Presa
GIVEN NAMESLucia
FAMILY NAMEDe La Presa
SIGNATUREDE LA PRESA L
AFFILIATIONSColectivo DARTS, Centre of Discourse Studies, Barcelona, Spain Universitat, Pompeu Fabra (UPF), Barcelona, Spain
ORCID0000-0001-7349-5065
VERIFIEDYes
TOTAL WORKS1
TOTAL CITATIONS1
WORKS AS AUTHOR1
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2021
H-INDEX1
  • (Re)locating photojournalism within a transmedia economy

    Open Access•Lucia De La Presa, Paloma Elvira•ARTICLE•Visual Communication•2021•Cited by: 1•References: 9

    This study explores the representations of female captives and survivors of Boko Haram in what the authors define as a transmedia project formed by an ensemble of interconnected multi-modal/media productions circulated through off- and online spaces, and merging photojournalism and humanitarian markets. The authors draw on semiotic analytical tools in unravelling the process of meaning-making and point to a trend of spectacle renewal in which rec…

  • (Re)locating photojournalism within a transmedia economy

    Open Access•Lucia De La Presa, Paloma Elvira•ARTICLE•Visual Communication•2021•Cited by: 1•References: 9

    This study explores the representations of female captives and survivors of Boko Haram in what the authors define as a transmedia project formed by an ensemble of interconnected multi-modal/media productions circulated through off- and online spaces, and merging photojournalism and humanitarian markets. The authors draw on semiotic analytical tools in unravelling the process of meaning-making and point to a trend of spectacle renewal in which rec…

  • (Re)locating photojournalism within a transmedia economy

    Open Access•Lucia De La Presa, Paloma Elvira•ARTICLE•Visual Communication•2021•Cited by: 1•References: 9

    This study explores the representations of female captives and survivors of Boko Haram in what the authors define as a transmedia project formed by an ensemble of interconnected multi-modal/media productions circulated through off- and online spaces, and merging photojournalism and humanitarian markets. The authors draw on semiotic analytical tools in unravelling the process of meaning-making and point to a trend of spectacle renewal in which rec…

African history and culture studies (1 work) · Art (1 work) · Digital Games and Media (1 work) · Epistemology (1 work) · Law (1 work) · Law (1 work) · Meaning (existential (1 work) · Meaning-making (1 work) · Media studies (1 work) · Narrative (1 work)

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