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Thomas Fillitz

Biographic Data

ID588104
NAMEThomas Fillitz
GIVEN NAMESThomas
FAMILY NAMEFillitz
SIGNATUREFILLITZ T
AFFILIATIONSUniversity of Vienna
VERIFIEDNo
TOTAL WORKS21
TOTAL CITATIONS39
AUTHOR COUNT19
EDITOR COUNT2
FIRST PUBLICATION YEAR1996
LATEST PUBLICATION YEAR2022
H-INDEX2
  • Debating Authenticity: Concepts of Modernity in Anthropological Perspective

    Marcus Banks, Roy Dilley et al.•BOOK•Debating authenticity•2022•Cited by: 2

    The longing for authenticity, on an individual or collective level, connects the search for external expressions to internal orientations. What is largely referred to as production of authenticity is a reformulation of cultural values and norms within the ongoing process of modernity, impacted by globalization and contemporary transnational cultural flows. This collection interrogates the notion of authenticity from an anthropological point of vi…

  • Dak’Art Off. Between Local Art Forms and Global Art Canon Discourses

    Thomas Fillitz•ARTICLE•Anthrovision•2019

    Critical considerations of the impact of biennials on artistic practices worldwide emphasize that they create new hegemonies: biennials produce another canon of contemporary art at a global scale. The main characteristic is art’s insertion into society, with the primacy of installation and participatory art forms.This article examines these assumptions in considering the art shown in the field of Dak’Art Off, an initiative of Dakar’s artists in o…

  • Introduction: Politics of Moving and (Un)settling Visual Arts

    Thomas Fillitz•ARTICLE•Anthrovision•2019

    Short versions of the following articles were presented at the panel ‘Aesthetic Encounters: The Politics of Moving and (Un)settling Visual Arts, Design and Literature,’ which Paula Uimonen (Stockholm University) and I organized at the fifteenth biennial conference of the European Association of Social Anthropologists in Stockholm 2018. The panel’s success, however, is also largely due to Helena Wulff, who provided invaluable ideas for its concept…

  • Anthropology and discourses on global art: Anthropology and Discourses on Global Art

    Open Access•Thomas Fillitz•ARTICLE•Social Anthropology•2015

    The notion of ‘global art’ acknowledges that there are major changes in the art worlds‐network, and refers to new concepts of contemporary art and art worlds. The anthropology of art, however, has participated in a limited way in these art theoretical debates, although it could fruitfully contribute to them. This article discusses one major issue of global art using three ethnographic examples from Francophone West Africa: how to analyse the loca…

  • L’objet d’art africain contemporain: Présence Et Représentation

    Thomas Fillitz•ARTICLE•Revue européenne des sciences…•2015•References: 3

    Tout objet d'art se présente d'abord dans son medium – peinture, installation, etc. – et c'est par celui-ci que nous percevons l'objet comme appartenant au domaine de l'art. Dans cet article, je me pencherai d'une part sur deux cycles de l'artiste ivoirien Théodore Koudougnon à travers leur combinaison particulière entre medium et image, et d'autre part sur le rôle du medium dans les productions culturelles de l'art africain contemporain avec l'e…

  • Anthropology Now and Next: Essays in Honor of Ulf Hannerz

    Thomas Blom Hansen, Dominic Boyer et al.•BOOK•Anthropology Now and Next•2014

  • The booming global market of contemporary art

    Open Access•Thomas Fillitz•ARTICLE•Focaal•2014•Cited by: 2

    The present economic and financial crises do not seem to particularly influence the global art market of contemporary art. In an attempt to understand this apparent opposition, I adopt a macro perspective, combining my own research ventures in Dakar and Vienna with general art market studies. I argue that this market is a special representation of millennial capitalism (Comaroff and Comaroff 2001). The global art market puts in place an organizat…

  • Debating Authenticity

    Thomas Fillitz, A Jamie Saris•BOOK•Debating authenticity•2012

    The longing for authenticity, on an individual or collective level, connects the search for external expressions to internal orientations. What is largely referred to as production of authenticity is a reformulation of cultural values and norms within the ongoing process of modernity, impacted by globalization and contemporary transnational cultural flows. This collection interrogates the notion of authenticity from an anthropological point of vi…

  • Weltkunst

    Open Access•Thomas Fillitz•CHAPTER•Lexikon der Globalisierung•2011

  • Hochkultur

    Open Access•Thomas Fillitz•CHAPTER•Lexikon der Globalisierung•2011

  • Zivilisation

    Open Access•Thomas Fillitz•CHAPTER•Lexikon der Globalisierung•2011

  • The notion of art

    Thomas Fillitz•CHAPTER•Anthropology, by Comparison•2010

  • Challenging the Global Art World

    Open Access•Thomas Fillitz•ARTICLE•AAS working papers in social…•2010

  • Introduction. Threatening communication: The discomfort of proximity

    Open Access•Penny Harvey, Penelope Harvey et al.•ARTICLE•Social Anthropology•2006

  • Neo-nationalism in Europe and beyond: Perspectives From Social Anthropology

    Mukulika Banerjee, Thomas Fillitz et al.•BOOK•Neo-Nationalism in Europe and…•2006

    By the early twenty-first century neo-nationalist forces have established themselves in a number of the world's large regions and subcontinents. From Australia to South Asia, in Eastern and Western Europe, comparable parties and movements have positioned themselves in national parliaments and governments, with some considerable impact on state power. In contrast to right-wing extremist parties in the past, these recent movements mostly operate wi…

  • Viennese Museums and Galleries

    Thomas Fillitz•ARTICLE•African Arts•2002

  • Uthmân dan Fodio et la question du pouvoir en pays haoussa

    Open Access•Thomas Fillitz•ARTICLE•Revue des mondes musulmans et de…•2000•References: 1

    Dans cet article, le jihâd de 'Uthmân dan Fodio sera considéré sous les aspects suivants : d'une part il s'agira d'analyser les fondements de son pouvoir, son temps de prêcheur itinérant, l'intensification du conflit avec le pouvoir haoussa, ainsi que son argumentation pour légitimer le jihâd. D'autre part, nous mentionnerons brièvement les idées qui ont influencé le shaykh peul et le rôle de son frère 'Abdullahi, qui sera considéré comme l'idéol…

  • Austrian Colleagues Protest Haider

    Open Access•Thomas Fillitz•ARTICLE•Anthropology News•2000

  • Le quotidien des Rukuba

    Thomas Fillitz, Jean-Claude Muller•ARTICLE•Journal of the Royal Anthropologica…•1997

  • Intellectual Elites and the Production of Ideology

    Thomas Fillitz•CHAPTER•Ideology and the Formation of…•1996

  • Ideology and the Formation of Early States

    Henry J M Claessen, Jarich Oosten et al.•BOOK•Ideology and the Formation of…•1996•Cited by: 35

    Eighteen authors from 10 countries offer an assessment of the role of ideology in the emergence and development of early states. In a comparative perspective the significance of ideology in the processes that led to formation of states in Europe, Africa, Meso-America and Polynesia is discussed by specialists in the fields of anthropology, history and archaeology. Special attention is given to subjects such as the concept of ideology, regional com…

  • Ideology and the Formation of Early States

    Henry J M Claessen, Jarich Oosten et al.•BOOK•Ideology and the Formation of…•1996•Cited by: 35

    Eighteen authors from 10 countries offer an assessment of the role of ideology in the emergence and development of early states. In a comparative perspective the significance of ideology in the processes that led to formation of states in Europe, Africa, Meso-America and Polynesia is discussed by specialists in the fields of anthropology, history and archaeology. Special attention is given to subjects such as the concept of ideology, regional com…

  • Debating Authenticity: Concepts of Modernity in Anthropological Perspective

    Marcus Banks, Roy Dilley et al.•BOOK•Debating authenticity•2022•Cited by: 2

    The longing for authenticity, on an individual or collective level, connects the search for external expressions to internal orientations. What is largely referred to as production of authenticity is a reformulation of cultural values and norms within the ongoing process of modernity, impacted by globalization and contemporary transnational cultural flows. This collection interrogates the notion of authenticity from an anthropological point of vi…

  • The booming global market of contemporary art

    Open Access•Thomas Fillitz•ARTICLE•Focaal•2014•Cited by: 2

    The present economic and financial crises do not seem to particularly influence the global art market of contemporary art. In an attempt to understand this apparent opposition, I adopt a macro perspective, combining my own research ventures in Dakar and Vienna with general art market studies. I argue that this market is a special representation of millennial capitalism (Comaroff and Comaroff 2001). The global art market puts in place an organizat…

  • Intellectual Elites and the Production of Ideology

    Thomas Fillitz•CHAPTER•Ideology and the Formation of…•1996

  • Ideology and the Formation of Early States

    Henry J M Claessen, Jarich Oosten et al.•BOOK•Ideology and the Formation of…•1996•Cited by: 35

    Eighteen authors from 10 countries offer an assessment of the role of ideology in the emergence and development of early states. In a comparative perspective the significance of ideology in the processes that led to formation of states in Europe, Africa, Meso-America and Polynesia is discussed by specialists in the fields of anthropology, history and archaeology. Special attention is given to subjects such as the concept of ideology, regional com…

  • Le quotidien des Rukuba

    Thomas Fillitz, Jean-Claude Muller•ARTICLE•Journal of the Royal Anthropologica…•1997

  • Uthmân dan Fodio et la question du pouvoir en pays haoussa

    Open Access•Thomas Fillitz•ARTICLE•Revue des mondes musulmans et de…•2000•References: 1

    Dans cet article, le jihâd de 'Uthmân dan Fodio sera considéré sous les aspects suivants : d'une part il s'agira d'analyser les fondements de son pouvoir, son temps de prêcheur itinérant, l'intensification du conflit avec le pouvoir haoussa, ainsi que son argumentation pour légitimer le jihâd. D'autre part, nous mentionnerons brièvement les idées qui ont influencé le shaykh peul et le rôle de son frère 'Abdullahi, qui sera considéré comme l'idéol…

  • Austrian Colleagues Protest Haider

    Open Access•Thomas Fillitz•ARTICLE•Anthropology News•2000

  • Viennese Museums and Galleries

    Thomas Fillitz•ARTICLE•African Arts•2002

  • Introduction. Threatening communication: The discomfort of proximity

    Open Access•Penny Harvey, Penelope Harvey et al.•ARTICLE•Social Anthropology•2006

  • Neo-nationalism in Europe and beyond: Perspectives From Social Anthropology

    Mukulika Banerjee, Thomas Fillitz et al.•BOOK•Neo-Nationalism in Europe and…•2006

    By the early twenty-first century neo-nationalist forces have established themselves in a number of the world's large regions and subcontinents. From Australia to South Asia, in Eastern and Western Europe, comparable parties and movements have positioned themselves in national parliaments and governments, with some considerable impact on state power. In contrast to right-wing extremist parties in the past, these recent movements mostly operate wi…

  • The notion of art

    Thomas Fillitz•CHAPTER•Anthropology, by Comparison•2010

  • Challenging the Global Art World

    Open Access•Thomas Fillitz•ARTICLE•AAS working papers in social…•2010

  • Weltkunst

    Open Access•Thomas Fillitz•CHAPTER•Lexikon der Globalisierung•2011

  • Hochkultur

    Open Access•Thomas Fillitz•CHAPTER•Lexikon der Globalisierung•2011

  • Zivilisation

    Open Access•Thomas Fillitz•CHAPTER•Lexikon der Globalisierung•2011

  • Debating Authenticity

    Thomas Fillitz, A Jamie Saris•BOOK•Debating authenticity•2012

    The longing for authenticity, on an individual or collective level, connects the search for external expressions to internal orientations. What is largely referred to as production of authenticity is a reformulation of cultural values and norms within the ongoing process of modernity, impacted by globalization and contemporary transnational cultural flows. This collection interrogates the notion of authenticity from an anthropological point of vi…

  • Anthropology Now and Next: Essays in Honor of Ulf Hannerz

    Thomas Blom Hansen, Dominic Boyer et al.•BOOK•Anthropology Now and Next•2014

  • The booming global market of contemporary art

    Open Access•Thomas Fillitz•ARTICLE•Focaal•2014•Cited by: 2

    The present economic and financial crises do not seem to particularly influence the global art market of contemporary art. In an attempt to understand this apparent opposition, I adopt a macro perspective, combining my own research ventures in Dakar and Vienna with general art market studies. I argue that this market is a special representation of millennial capitalism (Comaroff and Comaroff 2001). The global art market puts in place an organizat…

  • Anthropology and discourses on global art: Anthropology and Discourses on Global Art

    Open Access•Thomas Fillitz•ARTICLE•Social Anthropology•2015

    The notion of ‘global art’ acknowledges that there are major changes in the art worlds‐network, and refers to new concepts of contemporary art and art worlds. The anthropology of art, however, has participated in a limited way in these art theoretical debates, although it could fruitfully contribute to them. This article discusses one major issue of global art using three ethnographic examples from Francophone West Africa: how to analyse the loca…

  • L’objet d’art africain contemporain: Présence Et Représentation

    Thomas Fillitz•ARTICLE•Revue européenne des sciences…•2015•References: 3

    Tout objet d'art se présente d'abord dans son medium – peinture, installation, etc. – et c'est par celui-ci que nous percevons l'objet comme appartenant au domaine de l'art. Dans cet article, je me pencherai d'une part sur deux cycles de l'artiste ivoirien Théodore Koudougnon à travers leur combinaison particulière entre medium et image, et d'autre part sur le rôle du medium dans les productions culturelles de l'art africain contemporain avec l'e…

  • Dak’Art Off. Between Local Art Forms and Global Art Canon Discourses

    Thomas Fillitz•ARTICLE•Anthrovision•2019

    Critical considerations of the impact of biennials on artistic practices worldwide emphasize that they create new hegemonies: biennials produce another canon of contemporary art at a global scale. The main characteristic is art’s insertion into society, with the primacy of installation and participatory art forms.This article examines these assumptions in considering the art shown in the field of Dak’Art Off, an initiative of Dakar’s artists in o…

  • Introduction: Politics of Moving and (Un)settling Visual Arts

    Thomas Fillitz•ARTICLE•Anthrovision•2019

    Short versions of the following articles were presented at the panel ‘Aesthetic Encounters: The Politics of Moving and (Un)settling Visual Arts, Design and Literature,’ which Paula Uimonen (Stockholm University) and I organized at the fifteenth biennial conference of the European Association of Social Anthropologists in Stockholm 2018. The panel’s success, however, is also largely due to Helena Wulff, who provided invaluable ideas for its concept…

  • Debating Authenticity: Concepts of Modernity in Anthropological Perspective

    Marcus Banks, Roy Dilley et al.•BOOK•Debating authenticity•2022•Cited by: 2

    The longing for authenticity, on an individual or collective level, connects the search for external expressions to internal orientations. What is largely referred to as production of authenticity is a reformulation of cultural values and norms within the ongoing process of modernity, impacted by globalization and contemporary transnational cultural flows. This collection interrogates the notion of authenticity from an anthropological point of vi…

Sociology (8 works) · Art (7 works) · Political science (6 works) · Anthropological Studies and Insights (5 works) · Anthropology (5 works) · History (5 works) · Law (5 works) · Philosophy (5 works) · Cultural Identity and Heritage (4 works) · Politics (4 works)

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