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Jodie Matthews

Biographic Data

ID5884692
NAMEJodie Matthews
GIVEN NAMESJodie
FAMILY NAMEMatthews
SIGNATUREMATTHEWS J
AFFILIATIONSUniversity of Huddersfield
ORCID0000-0001-8876-4264
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS1
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2010
LATEST PUBLICATION YEAR2019
H-INDEX1
  • Gordon Biddle, 200 Years of the Lancaster Canal

    Open Access•Jodie Matthews•ARTICLE•The Journal of Transport History•2019

  • Mobilising the Imperial Uncanny

    Jodie Matthews•ARTICLE•Nineteenth Century Contexts•2015•Cited by: 1•References: 8

    To the fine global consumers of luxury goods produced by British industry, Dickens's narrator of Hard Times tells us, Coketown was not to be mentioned. Thoughts of the dirty means of production and the people engaged in it must be repressed to allow the continuing and smooth function of imperial capitalist enterprise. I suggest an analogous nineteenth-century repression (and Dickens himself was quick to make analogies with Coketown), one hinted a…

  • Thousands of these floating hovels”

    Jodie Matthews•ARTICLE•Nineteenth Century Contexts•2013•References: 1

  • Tsiganes on the Brain’

    Jodie Matthews•ARTICLE•Immigrants & Minorities•2013•References: 8

    The article identifies some of the ways in which the ‘Victorian Gypsy’ was constructed by a group of authors known as Gypsy lorists, and develops reading strategies that highlight the politics of their writing, in particular using Jacques Derrida's theorisation of the archive. For the Victorians, it seemed that the Gypsy way of life would soon die out. The Gypsies' apparently imminent disappearance marks their world as delicate, natural and forme…

  • Back where they belong

    Open Access•Jodie Matthews•ARTICLE•Romani Studies•2010•References: 5

    Examples of Victorian children’s literature are examined to consider the recycling of the ‘Gypsy’ child-stealing myth, with attention drawn to common features of the stories as an indicator of the narratives’ cultural function. Fictions about the adoption and conversion of Gypsy children are read not as texts that tell opposite stories about where Gypsy and non-Gypsy children should reside – with their own or adoptive parents – but as narratives …

  • Mobilising the Imperial Uncanny

    Jodie Matthews•ARTICLE•Nineteenth Century Contexts•2015•Cited by: 1•References: 8

    To the fine global consumers of luxury goods produced by British industry, Dickens's narrator of Hard Times tells us, Coketown was not to be mentioned. Thoughts of the dirty means of production and the people engaged in it must be repressed to allow the continuing and smooth function of imperial capitalist enterprise. I suggest an analogous nineteenth-century repression (and Dickens himself was quick to make analogies with Coketown), one hinted a…

  • Back where they belong

    Open Access•Jodie Matthews•ARTICLE•Romani Studies•2010•References: 5

    Examples of Victorian children’s literature are examined to consider the recycling of the ‘Gypsy’ child-stealing myth, with attention drawn to common features of the stories as an indicator of the narratives’ cultural function. Fictions about the adoption and conversion of Gypsy children are read not as texts that tell opposite stories about where Gypsy and non-Gypsy children should reside – with their own or adoptive parents – but as narratives …

  • Thousands of these floating hovels”

    Jodie Matthews•ARTICLE•Nineteenth Century Contexts•2013•References: 1

  • Tsiganes on the Brain’

    Jodie Matthews•ARTICLE•Immigrants & Minorities•2013•References: 8

    The article identifies some of the ways in which the ‘Victorian Gypsy’ was constructed by a group of authors known as Gypsy lorists, and develops reading strategies that highlight the politics of their writing, in particular using Jacques Derrida's theorisation of the archive. For the Victorians, it seemed that the Gypsy way of life would soon die out. The Gypsies' apparently imminent disappearance marks their world as delicate, natural and forme…

  • Mobilising the Imperial Uncanny

    Jodie Matthews•ARTICLE•Nineteenth Century Contexts•2015•Cited by: 1•References: 8

    To the fine global consumers of luxury goods produced by British industry, Dickens's narrator of Hard Times tells us, Coketown was not to be mentioned. Thoughts of the dirty means of production and the people engaged in it must be repressed to allow the continuing and smooth function of imperial capitalist enterprise. I suggest an analogous nineteenth-century repression (and Dickens himself was quick to make analogies with Coketown), one hinted a…

  • Gordon Biddle, 200 Years of the Lancaster Canal

    Open Access•Jodie Matthews•ARTICLE•The Journal of Transport History•2019

History (5 works) · History (5 works) · Sociology (4 works) · Art (3 works) · Law (3 works) · Law (3 works) · Philippine History and Culture (3 works) · Political science (3 works) · Romani and Gypsy Studies (3 works) · Engineering (2 works)

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