Lucie Marková
Biographic Data
| ID | 5884770 |
|---|---|
| NAME | Lucie Marková |
| GIVEN NAMES | Lucie |
| FAMILY NAME | Marková |
| SIGNATURE | MARKOVÁ L |
| AFFILIATIONS | Czech Academy of Sciences, Institute of Contemporary History |
| ORCID | 0000-0002-8635-8497 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
“Euphoria, Anarchy, Sobering Up”
This article focuses on how the members of the alternative Czech rock music scene experienced the 1990s. It is based on oral history interviews with rock musicians as well as with music club managers, concert promoters, a music manager, and a publicist. The aim of the article is to out line the possible narratives of these actors about the era of the 1990s and map whether these narratives remain the same for the entire decade
Next Stop, Ruzyně International Airport
The article focuses on the Czech Philharmonic Orchestra's tours abroad in the 1970s and 1980s and analyses them as an example of the interconnection between transport and political history. The study contributes to the issue of the state's and Communist party's ideological and cultural interests to send cultural “ambassadors” abroad (such people served as representatives of the socialist system in the world). The article reflects the issue not on…
No prominent works on this page.
Next Stop, Ruzyně International Airport
The article focuses on the Czech Philharmonic Orchestra's tours abroad in the 1970s and 1980s and analyses them as an example of the interconnection between transport and political history. The study contributes to the issue of the state's and Communist party's ideological and cultural interests to send cultural “ambassadors” abroad (such people served as representatives of the socialist system in the world). The article reflects the issue not on…
“Euphoria, Anarchy, Sobering Up”
This article focuses on how the members of the alternative Czech rock music scene experienced the 1990s. It is based on oral history interviews with rock musicians as well as with music club managers, concert promoters, a music manager, and a publicist. The aim of the article is to out line the possible narratives of these actors about the era of the 1990s and map whether these narratives remain the same for the entire decade
Art (2 works) · Czech (2 works) · Visual arts (2 works) · Advertising (1 works) · Business (1 works) · Club (1 works) · Communism (1 works) · Diverse Music Education Insights (1 works) · Economics (1 works) · Economy (1 works)