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Sonia Landy Sheridan

Biographic Data

ID5890422
NAMESonia Landy Sheridan
GIVEN NAMESSonia Landy
FAMILY NAMESheridan
SIGNATURESHERIDAN S L
AFFILIATIONSLeonardo Honorary Editor
VERIFIEDNo
TOTAL WORKS16
TOTAL CITATIONS0
AUTHOR COUNT16
EDITOR COUNT0
FIRST PUBLICATION YEAR1972
LATEST PUBLICATION YEAR2000
H-INDEX0
  • The New Artist and Leonardo

    Sonia Landy Sheridan•ARTICLE•Leonardo•2000

    August 01 2000 The New Artist and Leonardo Sonia Landy Sheridan Sonia Landy Sheridan Leonardo Honorary Editor Search for other works by this author on: This Site Google Scholar Author and Article Information Sonia Landy Sheridan Leonardo Honorary Editor Online Issn: 1530-9282 Print Issn: 0024-094X © 2000 ISAST2000 Leonardo (2000) 33 (4): 247. https://doi.org/10.1162/002409400552540 Cite Icon Cite Permissions Share Icon Share Facebook Twitter Link…

  • New Foundations

    Craig Roland, Sonia Landy Sheridan et al.•ARTICLE•Leonardo•1992

  • Image Generation Survey

    Sonia Landy Sheridan•ARTICLE•Leonardo•1990

    Because art students often tend to be reluctant to follow any set pattern except their own, the author devised a number of methods to reveal to her students the joys of interaction. Three exercises that address this concern are presented here

  • Mind/Senses/Hand

    Sonia Landy Sheridan•ARTICLE•Leonardo•1990

    From 1970 to 1980, the School of the Art Institute of Chicago offered an undergraduate and graduate program called Generative Systems. The program started as a single course and gradually became a full program, in synchronization with technological and social change. It can serve as one model of art/science/technology education. This article presents a brief history of its development and specific course descriptions. Lessons from the courses are…

  • Image Generation Survey

    Sonia Landy Sheridan•ARTICLE•Leonardo•1990

    Sonia Landy Sheridan, Image Generation Survey: Visualizing Time via Computers, Leonardo, Vol. 23, No. 2/3, New Foundations: Classroom Lessons in Art/Science/Technology for the 1990s (1990), pp. 315-317

  • Image Generation Survey

    Sonia Landy Sheridan•ARTICLE•Leonardo•1990

    Light energy can be used manually, mechanically and electronically to create images. Seven exercises from the 1977 Generative Systems Process I course at the School of the Art Institute of Chicago are presented here. All seven exercises are experiments in manual exploration and imaging with light

  • Image Generation Survey

    Sonia Landy Sheridan•ARTICLE•Leonardo•1990

    Three exercises in manual, mechanical and electronic imaging by magnetics are presented. The exercises show how, with nothing more than some magnetic copier toner, a few magnets and some paper, one can create powerful images simply and manually. With a little mechanical assistance in the form of a magnetic brush or roller, the process can be refined; and with the addition of an electronic copier that has a magnetic toner roller, even more complex…

  • Image Generation Survey

    Sonia Landy Sheridan•ARTICLE•Leonardo•1990

    The author presents exercises for manually, mechanically and electronically creating images with sound. Each system offers a unique experience with its own parameters and dimensions

  • Homography

    Sonia Landy Sheridan•ARTICLE•Leonardo•1990

    Homography is a course in the visualization of time, created for the Generative Systems program at the School of the Art Institute of Chicago in 1978. Nine ways of visualizing time, based on objective and subjective findings, were created for the course. Four objective ways are presented in exercise form in this article. They are preceded by two subjective warm-up exercises and followed by three subjective/objective exercises in the visualization…

  • Image Generation Survey

    Sonia Landy Sheridan•ARTICLE•Leonardo•1990

    Heat as energy can be used manually, mechanically and electronically to image. An eight-part exercise in the manual and mechanical use of heat to image and a five-part exercise in electronic heat imaging are presented. Some parts of the exercises require nothing more than an ordinary match and plain paper; others require thermal copy paper of any variety. Exercises done by machine can be varied with any thermal copier. These experimental exercise…

  • Image Generation Survey

    Sonia Landy Sheridan•ARTICLE•Leonardo•1990

    In the process of experimenting with copier technology, the author became aware of energies, such as heat and electrostatics, that could be exploited by artists. The exercises presented in this article show manual, mechanical and electronic ways of using electrostatics to generate images

  • Generative Systems versus Copy Art

    Sonia Landy Sheridan•ARTICLE•Leonardo•1983

    Generative Systems was a program established at the Art Institute of Chicago in 1970 in response to social change brought about in part by the computer-robot communications revolution. The program, which brought artists and scientists together, was an effort at turning the artist’s passive role into an active one by promoting the investigation of contemporary scientific-technological systems and their relationship to art and life. Unlike copier a…

  • Tools and the Artist

    Sonia Landy Sheridan•ARTICLE•Afterimage•1981

    Other| June 01 1981 Tools and the Artist Sonia Landy Sheridan Sonia Landy Sheridan Sonia Landy Sheridan is professor emeritus of the School of the Art Institute of Chicago and artist-in-residence at Xerox Corporation. She is now working with the University of Minnesota, Duluth, to establish an art/science center. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1981) 9 (1-2): 23–25. https://doi.org/10.1525/aft…

  • Generative Systems a decade later

    Sonia Landy Sheridan•ARTICLE•Afterimage•1979

    Other| February 01 1979 Generative Systems a decade later: a personal report Sonia Landy Sheridan Sonia Landy Sheridan Sonia Landy Sheridan is founder and head of the Generative Systems Department of the School of the Art Institute of Chicago. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1979) 6 (7): 7–9. https://doi.org/10.1525/aft.1979.6.7.7 Views Icon Views Article contents Figures & tables Video Audio …

  • Generative Systems

    Sonia Landy Sheridan•ARTICLE•Afterimage•1975

    Other| March 01 1975 Generative Systems: Six Years Later Sonia Landy Sheridan Sonia Landy Sheridan Sonia Landy Sheridan is head of the Generative Systems department at the School of the Art Institute of Chicago. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1975) 2 (9): 6–10. https://doi.org/10.1525/aft.1975.2.9.6 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review …

  • Generative Systems

    Sonia Landy Sheridan, Sonia Sheridan•ARTICLE•Afterimage•1972

    Other| April 01 1972 Generative Systems Sonia Sheridan Sonia Sheridan Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1972) 1 (2): 2–4. https://doi.org/10.1525/aft.1972.1.2.2 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Sonia Sheridan; Generative Systems. Afte…

No prominent works on this page.

  • Generative Systems

    Sonia Landy Sheridan, Sonia Sheridan•ARTICLE•Afterimage•1972

    Other| April 01 1972 Generative Systems Sonia Sheridan Sonia Sheridan Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1972) 1 (2): 2–4. https://doi.org/10.1525/aft.1972.1.2.2 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Sonia Sheridan; Generative Systems. Afte…

  • Generative Systems

    Sonia Landy Sheridan•ARTICLE•Afterimage•1975

    Other| March 01 1975 Generative Systems: Six Years Later Sonia Landy Sheridan Sonia Landy Sheridan Sonia Landy Sheridan is head of the Generative Systems department at the School of the Art Institute of Chicago. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1975) 2 (9): 6–10. https://doi.org/10.1525/aft.1975.2.9.6 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review …

  • Generative Systems a decade later

    Sonia Landy Sheridan•ARTICLE•Afterimage•1979

    Other| February 01 1979 Generative Systems a decade later: a personal report Sonia Landy Sheridan Sonia Landy Sheridan Sonia Landy Sheridan is founder and head of the Generative Systems Department of the School of the Art Institute of Chicago. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1979) 6 (7): 7–9. https://doi.org/10.1525/aft.1979.6.7.7 Views Icon Views Article contents Figures & tables Video Audio …

  • Tools and the Artist

    Sonia Landy Sheridan•ARTICLE•Afterimage•1981

    Other| June 01 1981 Tools and the Artist Sonia Landy Sheridan Sonia Landy Sheridan Sonia Landy Sheridan is professor emeritus of the School of the Art Institute of Chicago and artist-in-residence at Xerox Corporation. She is now working with the University of Minnesota, Duluth, to establish an art/science center. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1981) 9 (1-2): 23–25. https://doi.org/10.1525/aft…

  • Generative Systems versus Copy Art

    Sonia Landy Sheridan•ARTICLE•Leonardo•1983

    Generative Systems was a program established at the Art Institute of Chicago in 1970 in response to social change brought about in part by the computer-robot communications revolution. The program, which brought artists and scientists together, was an effort at turning the artist’s passive role into an active one by promoting the investigation of contemporary scientific-technological systems and their relationship to art and life. Unlike copier a…

  • Image Generation Survey

    Sonia Landy Sheridan•ARTICLE•Leonardo•1990

    Because art students often tend to be reluctant to follow any set pattern except their own, the author devised a number of methods to reveal to her students the joys of interaction. Three exercises that address this concern are presented here

  • Mind/Senses/Hand

    Sonia Landy Sheridan•ARTICLE•Leonardo•1990

    From 1970 to 1980, the School of the Art Institute of Chicago offered an undergraduate and graduate program called Generative Systems. The program started as a single course and gradually became a full program, in synchronization with technological and social change. It can serve as one model of art/science/technology education. This article presents a brief history of its development and specific course descriptions. Lessons from the courses are…

  • Image Generation Survey

    Sonia Landy Sheridan•ARTICLE•Leonardo•1990

    Sonia Landy Sheridan, Image Generation Survey: Visualizing Time via Computers, Leonardo, Vol. 23, No. 2/3, New Foundations: Classroom Lessons in Art/Science/Technology for the 1990s (1990), pp. 315-317

  • Image Generation Survey

    Sonia Landy Sheridan•ARTICLE•Leonardo•1990

    Light energy can be used manually, mechanically and electronically to create images. Seven exercises from the 1977 Generative Systems Process I course at the School of the Art Institute of Chicago are presented here. All seven exercises are experiments in manual exploration and imaging with light

  • Image Generation Survey

    Sonia Landy Sheridan•ARTICLE•Leonardo•1990

    Three exercises in manual, mechanical and electronic imaging by magnetics are presented. The exercises show how, with nothing more than some magnetic copier toner, a few magnets and some paper, one can create powerful images simply and manually. With a little mechanical assistance in the form of a magnetic brush or roller, the process can be refined; and with the addition of an electronic copier that has a magnetic toner roller, even more complex…

  • Image Generation Survey

    Sonia Landy Sheridan•ARTICLE•Leonardo•1990

    The author presents exercises for manually, mechanically and electronically creating images with sound. Each system offers a unique experience with its own parameters and dimensions

  • Homography

    Sonia Landy Sheridan•ARTICLE•Leonardo•1990

    Homography is a course in the visualization of time, created for the Generative Systems program at the School of the Art Institute of Chicago in 1978. Nine ways of visualizing time, based on objective and subjective findings, were created for the course. Four objective ways are presented in exercise form in this article. They are preceded by two subjective warm-up exercises and followed by three subjective/objective exercises in the visualization…

  • Image Generation Survey

    Sonia Landy Sheridan•ARTICLE•Leonardo•1990

    Heat as energy can be used manually, mechanically and electronically to image. An eight-part exercise in the manual and mechanical use of heat to image and a five-part exercise in electronic heat imaging are presented. Some parts of the exercises require nothing more than an ordinary match and plain paper; others require thermal copy paper of any variety. Exercises done by machine can be varied with any thermal copier. These experimental exercise…

  • Image Generation Survey

    Sonia Landy Sheridan•ARTICLE•Leonardo•1990

    In the process of experimenting with copier technology, the author became aware of energies, such as heat and electrostatics, that could be exploited by artists. The exercises presented in this article show manual, mechanical and electronic ways of using electrostatics to generate images

  • New Foundations

    Craig Roland, Sonia Landy Sheridan et al.•ARTICLE•Leonardo•1992

  • The New Artist and Leonardo

    Sonia Landy Sheridan•ARTICLE•Leonardo•2000

    August 01 2000 The New Artist and Leonardo Sonia Landy Sheridan Sonia Landy Sheridan Leonardo Honorary Editor Search for other works by this author on: This Site Google Scholar Author and Article Information Sonia Landy Sheridan Leonardo Honorary Editor Online Issn: 1530-9282 Print Issn: 0024-094X © 2000 ISAST2000 Leonardo (2000) 33 (4): 247. https://doi.org/10.1162/002409400552540 Cite Icon Cite Permissions Share Icon Share Facebook Twitter Link…

Computer Science (16 works) · Art, Technology, and Culture (6 works) · Computer vision (6 works) · Art (5 works) · Citation (5 works) · Icon (5 works) · Visual arts (5 works) · World Wide Web (5 works) · Artificial Intelligence (4 works) · Download (4 works)

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