Cristina F Rosa
Biographic Data
| ID | 5890435 |
|---|---|
| NAME | Cristina F Rosa |
| GIVEN NAMES | Cristina F |
| FAMILY NAME | Rosa |
| SIGNATURE | ROSA C F |
| AFFILIATIONS | University of Roehampton |
| ORCID | 0000-0002-2413-691X |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Práticas De Performativas E O Conflito Da Memória Na Colômbia
Este artigo examina Corpografías, um arquivo digital que documenta as práticas artísticas das comunidades afrodescendentes e indígenas da Colômbia e seu papel na memória, paz e reconciliação no Pacífico colombiano. Ele combina dança, teatro e estudos de performance com ciências sociais e humanidades digitais, colocando as comunidades afrodescendentes e indígenas no centro do desenvolvimento do arquivo. O projeto desafia a marginalização dessas co…
Decolonizing performance philosophies
In this co-authored essay, the authors reflect on how their respective research interests in Latin America have led them to engage with epistemologies of the global south. The chapter begins from an encounter with Sylvia Wynter as a performance philosopher – foregrounding her philosophical concerns to undo the supremacy of the Western concept of the human and dismantle notions of universal knowledge through a philosophical practice of ‘decipherin…
The curious case of maxixe dancing
The primary goal of this study is to shed new light on the meteoric rise (and fall) of maxixe dancing, from Rio de Janeiro’s practices and performances in the late 1800s to its international explosion in Parisian venues in the 1910s, and subsequent codification in USA dance manuals published in 1914. Building on my previous scholarship, I examine how different kinds of bodies have articulated maxixe at four distinct scenarios, paying close attent…
Brazilian Bodies and Their Choreographies of Identification
Historicizing Ginga
I would like to take a moment here to recap my last few steps. In the previous chapter, I offered an introductory analysis of the embodied concept of ginga, connecting this sinuous and offbeat way of moving to the African presence in Brazilian culture and society. While I argued that anyone may, theoretically, step into the "Brazilian" swagger, I also postulated that the continuous deployment of the ginga aesthetic through movement shapes how peo…
Brazilian Bodies and Their Choreographies of Identification
Playing, Fighting, and Dancing
Capoeira players are best known for their syncopated swings, sweeps, and slides, collectively known as ginga in Brazil. How does this particular mode of action function, and what roles does it assume during games of capoeira angola
No prominent works on this page.
Playing, Fighting, and Dancing
Capoeira players are best known for their syncopated swings, sweeps, and slides, collectively known as ginga in Brazil. How does this particular mode of action function, and what roles does it assume during games of capoeira angola
Brazilian Bodies and Their Choreographies of Identification
Historicizing Ginga
I would like to take a moment here to recap my last few steps. In the previous chapter, I offered an introductory analysis of the embodied concept of ginga, connecting this sinuous and offbeat way of moving to the African presence in Brazilian culture and society. While I argued that anyone may, theoretically, step into the "Brazilian" swagger, I also postulated that the continuous deployment of the ginga aesthetic through movement shapes how peo…
Brazilian Bodies and Their Choreographies of Identification
Decolonizing performance philosophies
In this co-authored essay, the authors reflect on how their respective research interests in Latin America have led them to engage with epistemologies of the global south. The chapter begins from an encounter with Sylvia Wynter as a performance philosopher – foregrounding her philosophical concerns to undo the supremacy of the Western concept of the human and dismantle notions of universal knowledge through a philosophical practice of ‘decipherin…
The curious case of maxixe dancing
The primary goal of this study is to shed new light on the meteoric rise (and fall) of maxixe dancing, from Rio de Janeiro’s practices and performances in the late 1800s to its international explosion in Parisian venues in the 1910s, and subsequent codification in USA dance manuals published in 1914. Building on my previous scholarship, I examine how different kinds of bodies have articulated maxixe at four distinct scenarios, paying close attent…
Práticas De Performativas E O Conflito Da Memória Na Colômbia
Este artigo examina Corpografías, um arquivo digital que documenta as práticas artísticas das comunidades afrodescendentes e indígenas da Colômbia e seu papel na memória, paz e reconciliação no Pacífico colombiano. Ele combina dança, teatro e estudos de performance com ciências sociais e humanidades digitais, colocando as comunidades afrodescendentes e indígenas no centro do desenvolvimento do arquivo. O projeto desafia a marginalização dessas co…
Art (5 works) · Diversity and Impact of Dance (3 works) · Sociology (3 works) · Art, brazilian (2 works) · Capoeira (Dance) (2 works) · Choreography (2 works) · Communication (2 works) · Computer Science (2 works) · Dance (2 works) · History (2 works)