Peter Lipman-Wulf
Biographic Data
| ID | 5890523 |
|---|---|
| NAME | Peter Lipman-Wulf |
| GIVEN NAMES | Peter |
| FAMILY NAME | Lipman-Wulf |
| SIGNATURE | LIPMAN-WULF P |
| VERIFIED | No |
| TOTAL WORKS | 20 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 20 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1970 |
| LATEST PUBLICATION YEAR | 1984 |
| H-INDEX | 0 |
Prints
The Professional Artist's Manual
Shock of the New
The Sculptural Idea
The Sculpture of David Wynne
Unbuilt America
The Technique of Sculpture
Sculpture relief the maquette stone wood clay terracotta firing casting - moulding techniques, filling methods and materials, foundry methods welding and brazing constructions armatures direct media finishes presentation
American Sculpture in Process
On My Experiences as an 'Artist in Residence' in a Secondary School in the U.S.A
In recent times in the U.S.A. there has been considerable pressure for professional artists to overcome the 'ivory tower' mentality [1]. Art schools frequently arrange visits to the studios of artists and privately organized studio tours have also become quite popular. Professional artists are also participating more and more frequently in primary, secondary and higher education. Some are invited as 'artists in residence', on the assumption that …
Etching
Sculpture
Picasso 1881-1973
On My Illustrations of Goethe's 'Faust
drawing, 110 x 110cm, 1974. (Fig. 5, cf. page 189.) Bottom, left: Peter LipmanWulf. 'Chorus Mysticus', one of a portfolio of illustrations for Part II of Goethe's 'Faust', engraving, 15 x 11 in., 1972. (Photo: John Hensel, New York.) (Fig. 4, cf. page 194.) Bottom, right: Robert Moro. Two tapestry modules (lB and 2A) from the 'Kundalini Shakti' matrix with back electric illumination, each module 188 x 67 cm, 1974. (Fig. 6, cf. page 236)
Sculpture in Progress
The Arts on Campus
On Teaching a Fundamental Sculpture Course
Change in Art Education
On Teaching Art in America
The task of artists is not only to invent or to produce art but also to pass on their ideas and skills to the next generation. Sometimes a mediocre artist is an outstanding teacher; sometimes an outstanding one is not. It depends both on human and artistic capability and originality. The teacher of art has a twofold aim: to assure the continuation of a society's artistic heritage and to stimulate talented students to develop their creative potent…
Wall, Space and Sculpture
The author points out that volume and form in the past were of primary concern to sculptors and architects in the Occident. Only in the last hundred years has interest shifted to surrounded empty space. The author was trained in the classical tradition but gradually developed a wider conception and understanding of the use of space in sculpture. He traces the steps he took3 from reliefs to free standing sculpture and its relationship to walls and…
Dance in My Sculpture
The movements of the bodies of dancers result from disciplined and trained muscular energy. Seeing their display of elemental strength brings to my mind Nietzsche's words: '.... One must still have chaos in oneself to give birth to a dancing star' [1]. Sequences of dance movements are sometimes arrested at their climax in a frozen gesture. Such a moment clearly reveals the intimate link between the dance and my sculpture [2]. As a sculptor, I try…
No prominent works on this page.
Dance in My Sculpture
The movements of the bodies of dancers result from disciplined and trained muscular energy. Seeing their display of elemental strength brings to my mind Nietzsche's words: '.... One must still have chaos in oneself to give birth to a dancing star' [1]. Sequences of dance movements are sometimes arrested at their climax in a frozen gesture. Such a moment clearly reveals the intimate link between the dance and my sculpture [2]. As a sculptor, I try…
Wall, Space and Sculpture
The author points out that volume and form in the past were of primary concern to sculptors and architects in the Occident. Only in the last hundred years has interest shifted to surrounded empty space. The author was trained in the classical tradition but gradually developed a wider conception and understanding of the use of space in sculpture. He traces the steps he took3 from reliefs to free standing sculpture and its relationship to walls and…
On Teaching Art in America
The task of artists is not only to invent or to produce art but also to pass on their ideas and skills to the next generation. Sometimes a mediocre artist is an outstanding teacher; sometimes an outstanding one is not. It depends both on human and artistic capability and originality. The teacher of art has a twofold aim: to assure the continuation of a society's artistic heritage and to stimulate talented students to develop their creative potent…
The Arts on Campus
On Teaching a Fundamental Sculpture Course
Change in Art Education
Sculpture in Progress
Picasso 1881-1973
On My Illustrations of Goethe's 'Faust
drawing, 110 x 110cm, 1974. (Fig. 5, cf. page 189.) Bottom, left: Peter LipmanWulf. 'Chorus Mysticus', one of a portfolio of illustrations for Part II of Goethe's 'Faust', engraving, 15 x 11 in., 1972. (Photo: John Hensel, New York.) (Fig. 4, cf. page 194.) Bottom, right: Robert Moro. Two tapestry modules (lB and 2A) from the 'Kundalini Shakti' matrix with back electric illumination, each module 188 x 67 cm, 1974. (Fig. 6, cf. page 236)
Sculpture
American Sculpture in Process
On My Experiences as an 'Artist in Residence' in a Secondary School in the U.S.A
In recent times in the U.S.A. there has been considerable pressure for professional artists to overcome the 'ivory tower' mentality [1]. Art schools frequently arrange visits to the studios of artists and privately organized studio tours have also become quite popular. Professional artists are also participating more and more frequently in primary, secondary and higher education. Some are invited as 'artists in residence', on the assumption that …
Etching
The Sculpture of David Wynne
Unbuilt America
The Technique of Sculpture
Sculpture relief the maquette stone wood clay terracotta firing casting - moulding techniques, filling methods and materials, foundry methods welding and brazing constructions armatures direct media finishes presentation
The Sculptural Idea
The Professional Artist's Manual
Shock of the New
Prints
Art (18 works) · Visual arts (15 works) · Computer Science (10 works) · Sculpture (8 works) · Art Education and Development (5 works) · Art, Politics, and Modernism (5 works) · Computer graphics (images) (5 works) · Art history (4 works) · Architecture and Art History Studies (3 works) · Art, Technology, and Culture (3 works)