Nick Donnelly
Biographic Data
| ID | 5890676 |
|---|---|
| NAME | Nick Donnelly |
| GIVEN NAMES | Nick |
| FAMILY NAME | Donnelly |
| SIGNATURE | DONNELLY N |
| AFFILIATIONS | Liverpool Hope University |
| ORCID | 0000-0002-3577-5434 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
The influence of culture on the viewing of Western and East Asian paintings
The influence of British and Chinese culture on the viewing of paintings from Western and East Asian traditions was explored in an old/new discrimination task. Accuracy data were considered alongside signal detection measures of sensitivity and bias. The results showed participant culture and painting tradition interacted but only with respect to response bias and not sensitivity. Eye movements were also recorded during encoding and discriminatio…
The time-course of fixations in representational paintings
British and Chinese participants viewed a set of Western representational paintings (henceforth paintings) for later identification in a yes/no discrimination task. Eye movements were recorded while participants viewed the paintings with each painting split into face, theme of the painting and its context regions of interest (ROIs). British participants performed the discrimination task more accurately than Chinese participants. Eye movement data…
Examining the Biopsychosocial Factors Related to Lifetime History of Concussion in Children and Youth
The spectatorship of portraits by naïve beholders
The spectatorship of portraits by naïve viewers (beholders) was explored in a single experiment. Twenty-five participants rated their liking for 142 portraits painted by Courbet (36 paintings), Fantin-Latour (36 paintings) and Manet (70 paintings) on a 4-point Likert scale. The portraits were classified in terms of focussed versus ambiguous nature of sitter gaze and the presence of salient features in the context beyond sitters. Participants rate…
Experience with searching in displays containing depth improves search performance by training participants to search more exhaustively
Warholian Repetition and the Viewer’s Affective Response to Artworks from His Death and Disaster Series
In his Death and Disaster series, Andy Warhol repeated gruesome images of suicides and car crashes. The artist’s use of repetition has been discussed extensively but not in terms of its direct impact on the viewer’s perceptual and cognitive processing. This article considers the viewer’s affective experience resulting from repeated exposure to negative images in artworks from the Death and Disaster series. The authors put forward an account of th…
Modes of Address in Pictorial Art
Art-historical accounts of the last 200 years identify developments in the types, or “modes,” of address that a picture can present to a viewer as critical to the experience and evaluation of paintings. They report a case study of Manet's A Bar at the Folies-Bergère investigating expert and novice spectators' eye movements and utterances in response to the painting to find evidence that viewers seek resolution of the complex “double relation” tha…
No prominent works on this page.
Modes of Address in Pictorial Art
Art-historical accounts of the last 200 years identify developments in the types, or “modes,” of address that a picture can present to a viewer as critical to the experience and evaluation of paintings. They report a case study of Manet's A Bar at the Folies-Bergère investigating expert and novice spectators' eye movements and utterances in response to the painting to find evidence that viewers seek resolution of the complex “double relation” tha…
Warholian Repetition and the Viewer’s Affective Response to Artworks from His Death and Disaster Series
In his Death and Disaster series, Andy Warhol repeated gruesome images of suicides and car crashes. The artist’s use of repetition has been discussed extensively but not in terms of its direct impact on the viewer’s perceptual and cognitive processing. This article considers the viewer’s affective experience resulting from repeated exposure to negative images in artworks from the Death and Disaster series. The authors put forward an account of th…
Experience with searching in displays containing depth improves search performance by training participants to search more exhaustively
The spectatorship of portraits by naïve beholders
The spectatorship of portraits by naïve viewers (beholders) was explored in a single experiment. Twenty-five participants rated their liking for 142 portraits painted by Courbet (36 paintings), Fantin-Latour (36 paintings) and Manet (70 paintings) on a 4-point Likert scale. The portraits were classified in terms of focussed versus ambiguous nature of sitter gaze and the presence of salient features in the context beyond sitters. Participants rate…
Examining the Biopsychosocial Factors Related to Lifetime History of Concussion in Children and Youth
The time-course of fixations in representational paintings
British and Chinese participants viewed a set of Western representational paintings (henceforth paintings) for later identification in a yes/no discrimination task. Eye movements were recorded while participants viewed the paintings with each painting split into face, theme of the painting and its context regions of interest (ROIs). British participants performed the discrimination task more accurately than Chinese participants. Eye movement data…
The influence of culture on the viewing of Western and East Asian paintings
The influence of British and Chinese culture on the viewing of paintings from Western and East Asian traditions was explored in an old/new discrimination task. Accuracy data were considered alongside signal detection measures of sensitivity and bias. The results showed participant culture and painting tradition interacted but only with respect to response bias and not sensitivity. Eye movements were also recorded during encoding and discriminatio…
Aesthetic Perception and Analysis (5 works) · Art (5 works) · Psychology (5 works) · Visual arts (5 works) · Multisensory perception and integration (3 works) · Painting (3 works) · Aesthetics (2 works) · Cognitive psychology (2 works) · Computer Science (2 works) · Engineering (2 works)