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George A Agoston

Biographic Data

ID5890757
NAMEGeorge A Agoston
GIVEN NAMESGeorge A
FAMILY NAMEAgoston
SIGNATUREAGOSTON G A
VERIFIEDNo
TOTAL WORKS50
TOTAL CITATIONS4
AUTHOR COUNT50
EDITOR COUNT0
FIRST PUBLICATION YEAR1969
LATEST PUBLICATION YEAR1993
H-INDEX1
  • Memoir: Behind the Scenes at "Leonardo" 1970-1981

    George A Agoston•ARTICLE•Leonardo•1993

    After introducing himself and describing his first meeting with Leonardo founding editor Frank Malina, the author reminisces about his 12 years as assistant editor on Frank’s staff in Paris. His discussion of the early years of Leonardo includes descriptions of typical workdays and the processing of manuscripts

  • Artists' Materials

    George A Agoston, Ian Hebblewhite•ARTICLE•Leonardo•1988

  • Color: Essence and Logic

    George A Agoston, Rolf G Kuehni•ARTICLE•Leonardo•1986

  • Electra. Exh. Cat

    George A Agoston•ARTICLE•Leonardo•1984

  • Expressionism: A German Intuition, 1905-1920. Catalogue

    George A Agoston•ARTICLE•Leonardo•1983

  • Color Science for Lighting the Stage

    George A Agoston, William B Warfel et al.•ARTICLE•Leonardo•1983

  • The Artist's Handbook of Materials and Techniques

    George A Agoston, Ralph Mayer•ARTICLE•Leonardo•1983

  • Coloring of Plastics: Theory and Practice

    George A Agoston, Mukhtar Ahmed•ARTICLE•Leonardo•1983

  • Colors from the Earth: The Artist's Guide to Collecting, Preparing and Using Them

    George A Agoston, Anne Wall Thomas•ARTICLE•Leonardo•1983

  • Health Hazards in the Arts and Crafts

    George A Agoston, Michael Mccann et al.•ARTICLE•Leonardo•1982

  • Color Measurement: Theme and Variations

    George A Agoston, David L MacAdam•ARTICLE•Leonardo•1982

    1. The Physical Basis of Color Specification.- 2. Sources of Light.- 3. Spectrophotometry.- 4. Color Mixture.- 5. Determination of Tristimulus Values.- 6. Color of Light.- 7. Colors of Objects.- 8. Color Differences.- 9. Color-Order Systems.- 10. Color-Matching Functions.- 11. Chromatic Adaptation.- Notes and Sources.- Author Index

  • From Being to Becoming: Time and Complexity in the Physical Sciences

    George A Agoston, George Agoston•REVIEW•Leonardo•1982•Cited by: 4

  • Light: Its Interaction with Art and Antiquities

    George A Agoston, Thomas B Brill•ARTICLE•Leonardo•1982

  • Color Manual for Artists

    George A Agoston, Arthur Leighton Guptill et al.•ARTICLE•Leonardo•1982

  • An Artist's Notebook: Techniques and Materials

    George A Agoston, Bernard Chaet•ARTICLE•Leonardo•1982

  • Color Vision: An Historical Introduction

    George A Agoston, Gerald S Wasserman•ARTICLE•Leonardo•1981

  • Papermaking

    George A Agoston, Jules Heller•ARTICLE•Leonardo•1981

  • Safe Practices in the Arts & Crafts: A Studio Guide

    George A Agoston, Gail Coningsby Barazani•ARTICLE•Leonardo•1981

  • Making Artist's Tools

    George A Agoston, Vance Studley•ARTICLE•Leonardo•1981

  • Paint/Coatings Dictionary

    George A Agoston, Stanley Le Sota•ARTICLE•Leonardo•1980

  • Color Theory and Its Application in Art and Design

    Jonathan C Fish, George A Agoston•ARTICLE•Leonardo•1980

  • Sculpture in Plastics

    George A Agoston, Nicholas Roukes•ARTICLE•Leonardo•1980

  • Color Mixing by Numbers

    George A Agoston, Alfred Hickethier•ARTICLE•Leonardo•1980

  • The Permanency of Artists' Paints: Comments on Levison's Report

    George A Agoston•ARTICLE•Leonardo•1978

    Many new organic pigments are being used in paints for various commercial purposes. A rather large number of the pigments representing a wide range of hues and relatively high chromas possess good permanency. Of these many are of definite interest to artists and, indeed, some are being employed in artists’ paints. The author discusses the permanency of artists’ paints with emphasis on the aspect of lightfastness. His comments center primarily on …

  • The Perception of Color

    George A Agoston, Ralph M Evans•ARTICLE•Leonardo•1978

Next
  • From Being to Becoming: Time and Complexity in the Physical Sciences

    George A Agoston, George Agoston•REVIEW•Leonardo•1982•Cited by: 4

  • Health and Safety Hazards of Art Materials

    George A Agoston•ARTICLE•Leonardo•1969

    Many contemporary artists are working in new and diverse media. Some are reporting health problems and injuries resulting from their use of materials on which they have had insufficient information. The purpose of this article is to point out some of the important health and safety hazards arising from the application of plastics and synthetic resins. The hazards both to the artist and the viewer of electricity, magnetism and ultraviolet radiatio…

  • Waxes for Encaustic Painting

    George A Agoston•ARTICLE•Leonardo•1969

  • Definition of Thixotropy

    George A Agoston•ARTICLE•Leonardo•1969

  • L'article d'Adam sur les Materiaux Plastiques

    George A Agoston•ARTICLE•Leonardo•1970

  • Hazards of Chemical Light Shows

    George A Agoston, D R Wier•ARTICLE•Leonardo•1970

  • Education for Innovation

    George A Agoston, Daniel V De Simone et al.•ARTICLE•Leonardo•1970

  • The Forensic Examination of Paints and Pigments

    George A Agoston, D A Crown•ARTICLE•Leonardo•1970

  • The Painter's Pocket Book of Methods and Materials

    George A Agoston, Hilaire Hiler et al.•ARTICLE•Leonardo•1971

  • A Dictionary of Art Terms and Techniques

    George A Agoston, Ralph Mayer•ARTICLE•Leonardo•1971

    The author has defined over 3,200 terms encountered in the study and practice of the visual arts. It covers all art forms except architecture. Terms from techniques of painting, drawing, sculpture, ceramics, graphic arts, conservation and paint technology are listed in alphabetical order, and defined in a concise manner. Many illustrations accompany the text. A selected bibliography is provided for further reference. -- AATA

  • Non-Permanency of Colorants of Felt-Tipped Pens

    George A Agoston•ARTICLE•Leonardo•1971

  • Acrylics, Oils and Encaustic: Experiences and Opinions of an Artist-Chemical Engineer

    George A Agoston•ARTICLE•Leonardo•1971

    The author discusses the problems of quality of artists’ paints both from his point of view in his painting and from that of painters and conservators, in general. He points to the uncertain quality of oil colors at a time when technology is capable of reversing the trend. An important start has been made in the establishment of oil paint standards but some manufacturers do not meet them. The technological aspects of acrylic paint are more comple…

  • On Picture Varnishes and Their Solvents

    George A Agoston, Robert L Feller et al.•ARTICLE•Leonardo•1972

  • On the Qualities of Artists' Paints (Continued)

    Richard D Buck, Garry Thompson et al.•ARTICLE•Leonardo•1972

  • Dictionary of Victorian Painters

    George A Agoston, Christopher Wood et al.•ARTICLE•Leonardo•1973

  • Glass, Resin and Metal Construction

    George A Agoston, Peter Tysoe•ARTICLE•Leonardo•1974

  • An Introduction to Luminescence of Solids

    George A Agoston, Humboldt W Leverenz•ARTICLE•Leonardo•1974

  • Art Restoration: A Guide to the Care and Preservation of Works of Art

    George A Agoston, Francis Kelly et al.•ARTICLE•Leonardo•1974

  • The Conservation of Antiquities and Works of Art: Treatment, Repair and Restoration

    George A Agoston, H L Plenderleith et al.•ARTICLE•Leonardo•1974

    Based on more than forty years of practical experience in dealing the wide variety of problems that arise in the conservation of museum objects, this book is the most comprehensive work of its kind in any language. Information is given on the nature of the materials found in museums, libraries, archives and picture galleries; the causes of their deterioration are discussed, and detailed instructions are given on methods of preservation, repair an…

  • Shepherd's Glossary of Graphic Signs and Symbols

    George A Agoston, Walter Shepherd•ARTICLE•Leonardo•1975

  • Architecture and Color

    George A Agoston, Waldron Faulkner•ARTICLE•Leonardo•1975

  • Handbook of Adhesive Bonding

    George A Agoston, Charles V Cagle•ARTICLE•Leonardo•1975

  • Plastics Technology

    George A Agoston, Robert V Milby et al.•ARTICLE•Leonardo•1976

  • Bufano

    George A Agoston, Randolf Falk•ARTICLE•Leonardo•1977

  • Mappae Clavicula: A Little Key to the World of Medieval Techniques

    George A Agoston, Cyril Stanley Smith et al.•ARTICLE•Leonardo•1977

  • Health Hazards Manual for Artists

    George A Agoston, Michael Mccann•ARTICLE•Leonardo•1977

    This fully revised edition of the practical classic on health hazards for artists is available yet again, with all pertinent information on safety and labeling and new chemicals brought absolutely up to date. It clearly highlights the potential dangers for artists in such fields as painting, photography, ceramics, sculpture, printmaking, woodworking, textiles, and many others. It also has an important - and newly revised - section on health hazar…

Art (38 works) · Computer Science (28 works) · Visual arts (27 works) · Color perception and design (8 works) · Materials Science (8 works) · Art history (7 works) · Computer graphics (images) (7 works) · Color Science and Applications (6 works) · Artificial Intelligence (5 works) · Artificial Intelligence (5 works)

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