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Arpad Mezei

Biographic Data

ID5890831
NAMEArpad Mezei
GIVEN NAMESArpad
FAMILY NAMEMezei
SIGNATUREMEZEI A
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS6
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR1971
LATEST PUBLICATION YEAR1981
H-INDEX1
  • Myths and Magic on Fire, Gold and Art

    Arpad Mezei, Jorge Glusberg•ARTICLE•Leonardo•1981

  • Toward Improving the Objective Status of Aesthetics

    Arpad Mezei•ARTICLE•Leonardo•1981

  • Progress in Art

    Arpad Mezei, Tim Healey•ARTICLE•Leonardo•1980

  • On the Response to the Present in Still and Kinetic Painting and to Eternity in Sculpture

    Arpad Mezei•ARTICLE•Leonardo•1974

    As I stated in my article in Leonardo [1], Homo sapiens, the maker of art, who at one stage had his home in a cave, can be surmised to have suffered from stimulus deprivation, which psychologists have learned is detrimental to mental health. This, I conjectured, was overcome by the introduction of stimuli in the form of visual images. These acted as substitutes for external reality that could not be perceived when Palaeolithic people entered thei…

  • Psychology of the Arts

    Arpad Mezei, Hans Kreitler et al.•ARTICLE•Leonardo•1974

  • On Adam's House in Paradise

    Arpad Mezei, Joseph Rykwert•ARTICLE•Leonardo•1974

    On Adam's House in Paradise takes off backward through history hunting for Adam's house, the original image. En route, with wry wit and charm, Rykwert singes every generation of architectural theoreticians back to Vitruvius, but he manages to illuminate their efforts and their immolations.-Charles Moore, Progressive Architecture This new edition of On Adam's House in Paradise (first published by the Museum of Modern Art) incorporates all the orig…

  • Toward a Psychology of Art

    Arpad Mezei, Rudolf Arnheim•ARTICLE•Leonardo•1974

  • Imagery and Verbal Processes

    Arpad Mezei•REVIEW•Leonardo•1972•Cited by: 6

  • On Kinetic Painting with Light

    Arpad Mezei•ARTICLE•Leonardo•1972

  • On Architecture, the Plastic Arts and the Cultural Evolution of Man

    Arpad Mezei•ARTICLE•Leonardo•1971

    Man’s specific nature may be defined as an attempt to gain autonomy from environmental influences by means of inhibiting responses. The inhibitory mechanisms employed perform also steering functions. In stress situations, behavior based on inhibition takes the form of flight—according to Cannon’s hypotheses. Natural caves offered man a passive way to escape from existential stress. For the primitive nervous system, cave-dwelling would represent s…

  • Art and Mans' Cultural Evolution

    Art Brenner, Arpad Mezei•ARTICLE•Leonardo•1971

  • Imagery and Verbal Processes

    Arpad Mezei•REVIEW•Leonardo•1972•Cited by: 6

  • On Architecture, the Plastic Arts and the Cultural Evolution of Man

    Arpad Mezei•ARTICLE•Leonardo•1971

    Man’s specific nature may be defined as an attempt to gain autonomy from environmental influences by means of inhibiting responses. The inhibitory mechanisms employed perform also steering functions. In stress situations, behavior based on inhibition takes the form of flight—according to Cannon’s hypotheses. Natural caves offered man a passive way to escape from existential stress. For the primitive nervous system, cave-dwelling would represent s…

  • Art and Mans' Cultural Evolution

    Art Brenner, Arpad Mezei•ARTICLE•Leonardo•1971

  • Imagery and Verbal Processes

    Arpad Mezei•REVIEW•Leonardo•1972•Cited by: 6

  • On Kinetic Painting with Light

    Arpad Mezei•ARTICLE•Leonardo•1972

  • On the Response to the Present in Still and Kinetic Painting and to Eternity in Sculpture

    Arpad Mezei•ARTICLE•Leonardo•1974

    As I stated in my article in Leonardo [1], Homo sapiens, the maker of art, who at one stage had his home in a cave, can be surmised to have suffered from stimulus deprivation, which psychologists have learned is detrimental to mental health. This, I conjectured, was overcome by the introduction of stimuli in the form of visual images. These acted as substitutes for external reality that could not be perceived when Palaeolithic people entered thei…

  • Psychology of the Arts

    Arpad Mezei, Hans Kreitler et al.•ARTICLE•Leonardo•1974

  • On Adam's House in Paradise

    Arpad Mezei, Joseph Rykwert•ARTICLE•Leonardo•1974

    On Adam's House in Paradise takes off backward through history hunting for Adam's house, the original image. En route, with wry wit and charm, Rykwert singes every generation of architectural theoreticians back to Vitruvius, but he manages to illuminate their efforts and their immolations.-Charles Moore, Progressive Architecture This new edition of On Adam's House in Paradise (first published by the Museum of Modern Art) incorporates all the orig…

  • Toward a Psychology of Art

    Arpad Mezei, Rudolf Arnheim•ARTICLE•Leonardo•1974

  • Progress in Art

    Arpad Mezei, Tim Healey•ARTICLE•Leonardo•1980

  • Myths and Magic on Fire, Gold and Art

    Arpad Mezei, Jorge Glusberg•ARTICLE•Leonardo•1981

  • Toward Improving the Objective Status of Aesthetics

    Arpad Mezei•ARTICLE•Leonardo•1981

Art (10 works) · Visual arts (10 works) · Aesthetic Perception and Analysis (5 works) · Aesthetics (4 works) · Art history (4 works) · Computer Science (3 works) · Psychology (3 works) · Architecture (2 works) · Architecture (2 works) · Art Education and Development (2 works)

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