Susan Glyn
Biographic Data
| ID | 5890923 |
|---|---|
| NAME | Susan Glyn |
| GIVEN NAMES | Susan |
| FAMILY NAME | Glyn |
| SIGNATURE | GLYN S |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1969 |
| LATEST PUBLICATION YEAR | 1984 |
| H-INDEX | 0 |
Stained Glass
Religion and Art in Conflict
The Development of My Sculpture and Stained Glass
The author describes the five stages of the development of her work ranging from still-life oil paintings to faceted stained glass and free-standing sculpture in fibreglass-reinforced polyester or in bronze. She traces factors that have affected her work throughout. These are: her interest in philosophy, the use of arcs and ellipses in her works, a quest for ways to achieve a sense of depth and her fascination with transparency and surface reflec…
What Is a Christian Painting
The author proposes a distinction between subject matter, form (the style of depiction), and content in a painting. The subject matter is what the painting ‘is about’, but it is not directly perceivable when it has been transformed by the form. The content is the artist’s interpretation of subject matter as revealed by the form. Whereas decorative pictures are designed to please, fine art is also designed to inform. To reveal what is considered t…
F. D. Martin and the Problem of Censorship in Religious Art
F. David Martin, a professor of philosophy, in his book Art and the Religious Experience (Cranbury, N.J., U.S.A.: Bucknell University Press, 1972) is entirely unconcerned with the current controversy as to whether organized religions have rejected modern art or whether artists have rejected religion. Instead, he puts forward the view that religious artists hold the key to a return to meaningful existence in industrial society. The first chapter o…
Void or Pattern
No prominent works on this page.
Void or Pattern
F. D. Martin and the Problem of Censorship in Religious Art
F. David Martin, a professor of philosophy, in his book Art and the Religious Experience (Cranbury, N.J., U.S.A.: Bucknell University Press, 1972) is entirely unconcerned with the current controversy as to whether organized religions have rejected modern art or whether artists have rejected religion. Instead, he puts forward the view that religious artists hold the key to a return to meaningful existence in industrial society. The first chapter o…
What Is a Christian Painting
The author proposes a distinction between subject matter, form (the style of depiction), and content in a painting. The subject matter is what the painting ‘is about’, but it is not directly perceivable when it has been transformed by the form. The content is the artist’s interpretation of subject matter as revealed by the form. Whereas decorative pictures are designed to please, fine art is also designed to inform. To reveal what is considered t…
The Development of My Sculpture and Stained Glass
The author describes the five stages of the development of her work ranging from still-life oil paintings to faceted stained glass and free-standing sculpture in fibreglass-reinforced polyester or in bronze. She traces factors that have affected her work throughout. These are: her interest in philosophy, the use of arcs and ellipses in her works, a quest for ways to achieve a sense of depth and her fascination with transparency and surface reflec…
Religion and Art in Conflict
Stained Glass
Art (4 works) · Computer Science (4 works) · Jungian Analytical Psychology (3 works) · Art history (2 works) · Historical and Architectural Studies (2 works) · Philosophy (2 works) · Religious Studies and Spiritual Practices (2 works) · Religious Tourism and Spaces (2 works) · Visual arts (2 works) · Visual Culture and Art Theory (2 works)