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Yolande Harris

Biographic Data

ID5890949
NAMEYolande Harris
GIVEN NAMESYolande
FAMILY NAMEHarris
SIGNATUREHARRIS Y
AFFILIATIONSYolande Harris (composer, artist), DXARTS, Box 353414, University of Washington, Seattle, WA 98195-3680, U.S.A.. Website
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS0
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2006
LATEST PUBLICATION YEAR2020
H-INDEX0
  • Sound Is Round

    Yolande Harris•ARTICLE•Resonance The Journal of Sound…•2020

    Can we expand our awareness of remote environments by connecting them to our own bodily experience? “Sound Is Round” takes a winding journey through the superimposed environments of ocean and desert, bringing sounds from the deep ocean of Monterey Bay in California to the high desert of Northern Arizona. In doing so, it brings together experiences of material sensory space expanded by a sonic sense, an amplified listening. The intertwining of the…

  • Listening to the Ocean in the Desert

    Yolande Harris•ARTICLE•Leonardo•2018

    The author describes her artistic process and works exploring the recontextualization of recorded sounds into radically different environments, such as the ocean and the desert. Such unusual juxtapositions of place aim to stimulate awareness of technological mediation and the processes we rely on to build knowledge of environmental issues. The artworks do this by focusing on a physiological experience that combines the senses, thereby activating …

  • Scorescapes

    Yolande Harris•ARTICLE•Leonardo•2015•References: 1

    The author discusses Scorescapes, an artistic research project that investigates how sound mediates our relationship to the environment and how contemporary multidisciplinary art practices can articulate this. Scorescapes joins the author’s own artistic practice with a theoretical analysis that highlights how relationships to the environment drawn through sound are profoundly bound up with technology. Key concepts include: making the inaudible au…

  • Presentness in Displaced Sound

    Yolande Harris•ARTICLE•Leonardo Music Journal•2013

    The author discusses her works that explore sound's influence on creating a sense of presentness and her aim to increase the audience's awareness of this influence

  • Inside-out instrument

    Yolande Harris•ARTICLE•Contemporary Music Review•2006

    Acknowledging a radical shift in what it is to play an instrument in a technologically expanded environment, this article explores ideas of a turning inside-out of the traditional body-instrument-space. By treating the instrument as a situation of engagement with a technological environment, rather than as an interaction with a specific object, and by including in this concept of instrument the acoustic, visual and natural context within which it…

No prominent works on this page.

  • Inside-out instrument

    Yolande Harris•ARTICLE•Contemporary Music Review•2006

    Acknowledging a radical shift in what it is to play an instrument in a technologically expanded environment, this article explores ideas of a turning inside-out of the traditional body-instrument-space. By treating the instrument as a situation of engagement with a technological environment, rather than as an interaction with a specific object, and by including in this concept of instrument the acoustic, visual and natural context within which it…

  • Presentness in Displaced Sound

    Yolande Harris•ARTICLE•Leonardo Music Journal•2013

    The author discusses her works that explore sound's influence on creating a sense of presentness and her aim to increase the audience's awareness of this influence

  • Scorescapes

    Yolande Harris•ARTICLE•Leonardo•2015•References: 1

    The author discusses Scorescapes, an artistic research project that investigates how sound mediates our relationship to the environment and how contemporary multidisciplinary art practices can articulate this. Scorescapes joins the author’s own artistic practice with a theoretical analysis that highlights how relationships to the environment drawn through sound are profoundly bound up with technology. Key concepts include: making the inaudible au…

  • Listening to the Ocean in the Desert

    Yolande Harris•ARTICLE•Leonardo•2018

    The author describes her artistic process and works exploring the recontextualization of recorded sounds into radically different environments, such as the ocean and the desert. Such unusual juxtapositions of place aim to stimulate awareness of technological mediation and the processes we rely on to build knowledge of environmental issues. The artworks do this by focusing on a physiological experience that combines the senses, thereby activating …

  • Sound Is Round

    Yolande Harris•ARTICLE•Resonance The Journal of Sound…•2020

    Can we expand our awareness of remote environments by connecting them to our own bodily experience? “Sound Is Round” takes a winding journey through the superimposed environments of ocean and desert, bringing sounds from the deep ocean of Monterey Bay in California to the high desert of Northern Arizona. In doing so, it brings together experiences of material sensory space expanded by a sonic sense, an amplified listening. The intertwining of the…

Art (4 works) · Acoustics (3 works) · Active listening (3 works) · Aesthetics (3 works) · Communication (3 works) · Computer Science (3 works) · Music Technology and Sound Studies (3 works) · Sociology (3 works) · Cognitive science (2 works) · Multisensory perception and integration (2 works)

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