Nathaniel Stern
Biographic Data
| ID | 5891389 |
|---|---|
| NAME | Nathaniel Stern |
| GIVEN NAMES | Nathaniel |
| FAMILY NAME | Stern |
| SIGNATURE | STERN N |
| AFFILIATIONS | University of Wisconsin–Milwaukee |
| ORCID | 0000-0001-8111-6483 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Novelty and Utility
This paper builds on research around novelty and utility to argue that the value of arts thinking should be applied in the generation of scientific questions. Arts thinking is often playful, less goal oriented, and can lead to new modes of questioning. Scientific thinking often solves an existing question, serves a purpose in solving the question, and must be predictable. The “problem of the problem” is that asking creative questions is the linch…
Undisciplining the university through shared purpose, practice, and place
Interdisciplinary scholarship and education remains elusive at modern universities, despite efforts at both the individual and institutional levels. The objective of this paper is to identify the main motivations that bring different disciplines together in joint research and identify some of the obstacles to that coming together. Here we propose that shared purpose (why do I participate?), practice (how do we interact?), and place (where do we i…
Critical Material Practices with Contemporary Art
Ecological aesthetics
People and peoples are always in process with the world around us; we are only a small part of intricate, complicated and ongoing systems; we are always more than the boundaries of what we know, or feel, or make. ‘Ecological aesthetics: thinking trees and Goods for Me’ argues that an ‘ecological aesthetics’ is surfacing in contemporary art, which makes such linkages felt. The best of this work amplifies who and how we are, together with all of ma…
The Implicit Body as Performance
This paper puts contemporary theories of embodiment and performance in the service of interactive arts criticism. Rather than focusing on vision, structure or signification, the author proposes that we explicitly examine bodies-in-relation, interaction as performance, and “being” as “being-with.” He presents four concrete areas of concentration for analyzing the category of interactive art. The author also examines how such work amplifies subject…
Joburg
February 01 2007 @Joburg Nathaniel Stern Nathaniel Stern Search for other works by this author on: This Site Google Scholar Author and Article Information Nathaniel Stern Online ISSN: 1530-9282 Print ISSN: 0024-094X © 2007 Massachusetts Institute of Technology2007 Leonardo (2007) 40 (1): 4–5. https://doi.org/10.1162/leon.2007.40.1.4 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn Email Views Icon Views Article contents Figur…
Physically Digital, Digitally Physical
June 01 2005 Physically Digital, Digitally Physical Marcus Neustetter, Marcus Neustetter P.O. Box 511, Mondeor 2110, Johannesburg, South Africa. E-mail: [email protected]. Search for other works by this author on: This Site Google Scholar Nathaniel Stern Nathaniel Stern P.O. Box 511, Mondeor 2110, Johannesburg, South Africa. E-mail: [email protected]. Search for other works by this author on: This Site Google Scholar Author and Article Informatio…
Ecological aesthetics
People and peoples are always in process with the world around us; we are only a small part of intricate, complicated and ongoing systems; we are always more than the boundaries of what we know, or feel, or make. ‘Ecological aesthetics: thinking trees and Goods for Me’ argues that an ‘ecological aesthetics’ is surfacing in contemporary art, which makes such linkages felt. The best of this work amplifies who and how we are, together with all of ma…
Physically Digital, Digitally Physical
June 01 2005 Physically Digital, Digitally Physical Marcus Neustetter, Marcus Neustetter P.O. Box 511, Mondeor 2110, Johannesburg, South Africa. E-mail: [email protected]. Search for other works by this author on: This Site Google Scholar Nathaniel Stern Nathaniel Stern P.O. Box 511, Mondeor 2110, Johannesburg, South Africa. E-mail: [email protected]. Search for other works by this author on: This Site Google Scholar Author and Article Informatio…
Joburg
February 01 2007 @Joburg Nathaniel Stern Nathaniel Stern Search for other works by this author on: This Site Google Scholar Author and Article Information Nathaniel Stern Online ISSN: 1530-9282 Print ISSN: 0024-094X © 2007 Massachusetts Institute of Technology2007 Leonardo (2007) 40 (1): 4–5. https://doi.org/10.1162/leon.2007.40.1.4 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn Email Views Icon Views Article contents Figur…
The Implicit Body as Performance
This paper puts contemporary theories of embodiment and performance in the service of interactive arts criticism. Rather than focusing on vision, structure or signification, the author proposes that we explicitly examine bodies-in-relation, interaction as performance, and “being” as “being-with.” He presents four concrete areas of concentration for analyzing the category of interactive art. The author also examines how such work amplifies subject…
Ecological aesthetics
People and peoples are always in process with the world around us; we are only a small part of intricate, complicated and ongoing systems; we are always more than the boundaries of what we know, or feel, or make. ‘Ecological aesthetics: thinking trees and Goods for Me’ argues that an ‘ecological aesthetics’ is surfacing in contemporary art, which makes such linkages felt. The best of this work amplifies who and how we are, together with all of ma…
Critical Material Practices with Contemporary Art
Undisciplining the university through shared purpose, practice, and place
Interdisciplinary scholarship and education remains elusive at modern universities, despite efforts at both the individual and institutional levels. The objective of this paper is to identify the main motivations that bring different disciplines together in joint research and identify some of the obstacles to that coming together. Here we propose that shared purpose (why do I participate?), practice (how do we interact?), and place (where do we i…
Novelty and Utility
This paper builds on research around novelty and utility to argue that the value of arts thinking should be applied in the generation of scientific questions. Arts thinking is often playful, less goal oriented, and can lead to new modes of questioning. Scientific thinking often solves an existing question, serves a purpose in solving the question, and must be predictable. The “problem of the problem” is that asking creative questions is the linch…
Computer Science (6 works) · Art (5 works) · Aesthetics (3 works) · Epistemology (3 works) · Philosophy (3 works) · Art history (2 works) · Citation (2 works) · Download (2 works) · Engineering (2 works) · Environmental Philosophy and Ethics (2 works)